Bøger af Mark Hutchings

In requiring artificial light, the early modern indoor theatre had to interrupt the action so that the candles could be attended to, if necessary. This Element explores how the interval affected composition and stagecraft and how amphitheatre plays were converted for indoor performance (and vice versa).

This is the first study of Thomas Middleton to emphasise the significance of his collaborative relationships, and stresses in turn the intertextual elements of his plays, pageants, poems, and pamphlets.

This book considers the relationship between the vogue for putting the Ottoman Empire on the English stage and the repertory system that underpinned London playmaking.