Bøger af Mark Phillips

Guitar For Dummies, 4th Edition (9781119293354) was previously published as Guitar For Dummies, 4th Edition (9781119151432). While this version features a new Dummies cover and design, the content is the same as the prior release and should not be considered a new or updated product.

10 Easy Spanish guitar solos by Dionisio Aguado (in standard notation and tablature. Includes: Minuet in A Minor, Minuet in D Minor (from Six Petites Pièces), Pastoral in E Minor (from Exercices faciles et très utiles), Study in F Minor (from Nuevo método para guitarra), Study in F Minor (from Méthode Complète pour la Guitare), Study in A Major (from Metodo de Guitarra), Study in A Minor (from Nuevo Método para Guitarra), Study in E Minor (from Metodo de Guitarra), Study in G Major (from Metodo de Guitarra), Waltz in E Minor (from The Guitar Taught by a Simple Method).

The music of Baroque composer Arcangelo Corelli made easy for solo classical guitar. Notated in standard notation and tablature. Includes: Adagio (from Violin Sonata in C Major, Op. 5, No. 3), Adagio (from Violin Sonata in F Major, Op. 5, No. 4), Adagio (from Violin Sonata in G Minor, Op. 5, No. 5), Adagio Cantabile (from Violin Sonata in G Minor, Op. 5, No. 5), Sarabande (from Violin Sonata in D Minor, Op. 5, No. 7), Prelude (from Violin Sonata in E Minor, Op. 5, No. 8), Prelude (from Violin Sonata in F Major, Op. 5, No. 10), Sarabande (from Violin Sonata in F Major, Op. 5, No. 10), Vivace (from Concerto Grosso in G Minor, Op. 6, No. 8), Gavotta (from Concerto Grosso in F Major, Op. 6, No. 9), Follia: Theme (from Violin Sonata in D Minor, Op. 5, No. 12)

Ten J. S. Bach classics arranged for piano (easy to intermediate level). Includes: Agnus Dei (from Mass in B Minor); Arioso (from Cantata No. 156); Air on the G String (from Orchestral Suite No. 3); Bourrée in E Minor (from Lute Suite in E Minor); Chorale (from St. Matthew Passion); Come, Sweet Death (from the Schemelli Songbook); Jesu, Joy of Man's Desiring (from Cantata No. 147); Keep, O My Spirit (from Christmas Oratorio); Sleepers, Wake (from Cantata No. 140); Sheep May Safely Graze (from Cantata No. 208).

Unleash your inner animal expert with the Big Book of Animal Trivia: 57 Creatures, 1,000+ Questions! Whether you're a trivia buff or simply curious about the animal kingdom, this book is your passport to fascinating fun. Each chapter dedicates itself to one of your favorite creatures and features engaging multiple-choice questions that will test your knowledge and ignite your curiosity. From furry friends like dogs and cats to majestic giants like elephants and whales, each chapter is a treasure trove of bite-sized trivia. With over 1,000 questions to conquer, this book is perfect for individual or group fun, family game nights, or simply satisfying your insatiable thirst for animal knowledge. Prepare to be amazed by the incredible diversity and wonder of the animal kingdom!

21 beautiful hymns for flute and guitar (in standard notation and tablature). Includes: Abide with Me; All Creatures of Our God and King; All Glory, Laud and Honor; All Things Bright and Beautiful; At the Cross; Be Thou My Vision; Beautiful Savior; Christ the Lord Is Risen Today; Crown Him with Many Crowns; God of Grace and God of Glory; Holy God, We Praise Thy Name; I Hear Thy Welcome Voice; I Seek Not Life's Ease and Pleasures; The King of Love My Shepherd Is; Lord, I Have Made Thy Word My Choice; A Mighty Fortress Is Our God; My Song Is Love Unknown; Nearer My God to Thee; Now Thank We All Our God; O Master, Let Me Walk with Thee; Softly and Tenderly.

Ten Songs by English Renaissance composer-lutenist-singer John Dowland, arranged for voice and classical guitar (in standard notation and tablature). Includes: Away with These Self-Loving Lads, Come Again Sweet Love, Come Heavy Sleep, Dear If You Change, Flow My Tears, Go Crystal Tears, If My Complaints, The Lowest Trees Have Tops, Weep You No More, Who Ever Thinks or Hopes. Note: These arrangements have been transposed down from the original keys, and, as such, they are most suitable for soloists with an alto or bass (8vb) range. For sopranos and tenors (8vb), guitarist uses capo to raise pitch a few steps to singer's desired key.

Forty relatively short and easy Renaissance pieces by 40 different Renaissance composers for classical guitar in standard notation and tablature. Includes: Felice Anerio, AL SUON; Jean-Baptiste Besard, BALLET; John Bull, THE QUADRAN PAVAN (from The Fitzwilliam Virginal Book); William Byrd, A GIGG (from The Fitzwilliam Virginal Book); Antonio de Cabezon, DIFERENCIAS CAVALLERO; Fabritio Caroso, VILLANELLA (from Il Ballarino); Girolamo Cavazzoni, ET IN TERRA PAX (from Missa Apostolorum); Joan Ambosio Dalza, PAVANA ALLA FERRARESE (from Intabulatura de Lauto, Libro 4); John Dowland, IF MY COMPLAINTS (from First Book of Songs); Guillaume Dufay, AD COENAM AGNI PROVIDI (from Sämtliche Hymnen); Juan Encina, CONGOXA MAS; Giles Farnaby, PUT UP THY DAGGER, JEMY (from The Fitzwilliam Virginal Book); Vincenzo Galilei, CALLIOPE (from Libro d'intavolatura di liuto); Carlo Gesualdo, GAGLIARDA DEL PRINCIPE DI VENOSA; Orlando Gibbons, PRELUDE (from Complete Keyboard Works, Vol. 4: Fancies); Anthony Holborne, GALLIARD; Edmund Hooper, ALMAN (from The Fitzwilliam Virginal Book); Robert Johnson, ALMAN (from The Fitzwilliam Virginal Book); Josquin des Prez, MILLE REGRETZ; Orlando di Lasso, BENEDICTUS (from Missa ad imitationem moduli Jäger, LV 622);; Luis de Milan, PAVANA VI (from Libro de música de vihuela de mano intitulado El Maestro); Simone Molinaro, GAGLIARDA (from Intavolatura di liuto di Simone Molinaro Genovese); Claudio Monteverdi, IL MIO MARTIR (from Canzonette a tre voci, SV 6); Thomas Morley, PAVANA (from The Fitzwilliam Virginal Book); John Munday, MUNDAY'S JOY (from The Fitzwilliam Virginal Book); Cesare Negri, BIANCO FIORE (from Le Gratie D'Amore); Hans Neusidler, DER HUPFF AUFF (from Ein Newgeordent Kunstlich Lautenbuch); Giovanni Pierluigi da Palestrina, JESU! REX ADMIRABILIS; Conrad Paumann, MIT GANCZEM WILLEN (from Fundamentum organisandi); Peter Phillips, PAVANA PAGGET (from The Fitzwilliam Virginal Book); Martin Pierson, PIPERS PAVEN (from The Fitzwilliam Virginal Book); Diego Pisador, O DULCE VITA MEA (from Libro de Musica de Vihuela); Michael Praetorius, LO, HOW A ROSE (from Musae Sioniae, Theil 6); Tielman Susato, RONDE II ("MON AMY") (from Danserye); Thomas Tallis, FELIX NAMQUE 1 (from The Fitzwilliam Virginal Book); Giovanni Antonio Terzi, GAGLIARDA (from Intavolatura di liuto); Enríquez de Valderrábano, THEME AND VARIATION (from Diferencias sobre Guardame las vacas); Johann Walter, AUS TIEFER NOT SCHREI ICH ZU DIR (from Geystliche gesangk-Buchleyn); Thomas Warrock, PAVANA (from The Fitzwilliam Virginal Book); Thomas Weelkes, LORD, WHEN I THINK (from Airs or Fantastic Spirits).

Haydn's most beautiful melodies arranged for flute and classical guitar (in standard notation and tablature). Includes: Adagio (Piano Sonata, Hob. XVI:6, Third Movement), Andante (Symphony No. 94 "Surprise," Hob. I:94, Second Movement Excerpt), Cantabile (Piano Trio "Gypsy," Hob. XV:25, Second Movement Excerpt), Deutschlandlied (German National Anthem), Serenade (String Quartet, Hob. III:17, Second Movement Excerpt), St. Anthony Chorale (Divertimento, Hob. II:46, Second Movement), Theme (Theme and Variations, Hob. XVII:6, Excerpt).

Easy Piano arrangements of "Look for the Silver Lining" and nine other classic ballads. Also includes: All the Pretty Little Horses, Annie Laurie, April Showers, Danny Boy, Home Sweet Home, Shenandoah, The Sweetheart of Sigma Chi, Toyland, The Water Is Wide.

Ten masterpieces by Mozart, arranged for classical guitar duet (in standard notation and tablature). Includes: Agnus Dei (from Coronation Mass), Andante in C Major (K. 315), Ave verum corpus, Flute Quartet No. 1 (Second Movement), Klavierstück (K. 33b), Là ci darem la mano (from Don Giovanni), Laudate Dominum, Piano Concerto No. 21 (Second Movement), Piano Sonata No. 6 (Third Movement, Variation XI), Rondo alla turca.

22 sacred songs by Bach from the Schemelli Songbook for flute and guitar (in standard notation and tablature). Includes Ach, dass nicht die letzte Stunde (Oh, That Is Not the Last Hour); Auf, auf! die rechte Zeit ist hier (Up, Up! The Proper Time Is Here); Beschränkt, ihr Weisen dieser Welt (Confine, Ye Wise Men of the World); Brich entzwei, mein armes Herze (Break in Two, My Poor Heart); Dich bet ich an, mein höchster Gott (I Worship Thee, My God Most High); Dir, dir, Jehova, will ich singen (To Thee, Thee, Jehovah, I Will Sing); Eins ist not! ach Herr, dies Eine (One Thing Is Needful, O Lord, This One Thing); Gott wie gross ist deine Güte (God, How Great Thy Goodness Is); Ich halte treulich still (I Shall Remain Faithfully Silent); Ich lass dich nicht (I Shall Not Leave Thee); Ich liebe Jesum alle Stund' (I Love Jesus Always); Ich steh' an deiner Krippen hier (I Stand Here by Thy Crib); Jesu, Jesu, du bist mein (Jesus, Jesus, Thou Art Mine); Komm, süsser Tod (Come, Sweet Death); Kommt, Seelen, dieser Tag (Brethren, When This Day Comes); Kommt wieder aus der finstern Gruft (Come Again from Out the Dark Tomb); Liebster Herr Jesu (Dearest Lord Jesus); Mein Jesu! was für Seelenweh (My Jesus, How Great Anguish of Soul); O finstre Nacht (O Gloomy Night); O liebe Seele, zieh' die Sinnen (Beloved Soul, Thy Thoughts Withdraw Now); Selig, wer an Jesum denkt (Blessed, He Who Thinks on Jesus); Vergiss mein nicht, vergiss mein nicht (Forget Me Not, Forget Me Not).

Seven of Gabriel Fauré's most beautiful pieces, arranged for flute and guitar (in standard notation and tablature). Includes Cantique de Jean Racine, In Paradisum (from Requiem), Pavane, Pie Jesu (from Requiem), Sanctus (from Requiem), Tantum Ergo (Op. 65, No. 2), Tantum Ergo Sacramentum.

Bach's "Prelude in C Major" from The Well-Tempered Clavier is a favorite among pianists because its series of flowing arpeggios is exquisitely beautiful yet rather easy to play. If you've ever wished that Bach's Preludes in other keys were in that same simple, arpeggiated style, this book is for you. For all 24 keys (12 major and 12 minor) we've created Preludes whose compelling chord progressions are derived from other compositions by Bach himself and whose scintillating arpeggio patterns are derived from the keyboard works of Mozart! (Previously published as "Bach Meets Mozart: 24 Etudes for Piano.")

16 traditional Christmas carols arranged for flute and classical guitar in standard notation and tablature. Adapted from early 20th century choral arrangements of Charles Hutchins. Includes: Angels We Have Heard on High, Away in a Manger, Deck the Halls, The First Noel, God Rest Ye Merry Gentlemen, Hark The Herald Angels Sing, It Came Upon the Midnight Clear, Joy to the World, O Christmas Tree, O Come All Ye Faithful, O Holy Night, O Little Town of Bethlehem, Silent Night, We Three Kings of Orient Are, We Wish You a Merry Christmas, What Child Is This?

14 gems arranged for intermediate-level solo guitar (in standard notation and tablature). Includes: Allegro for Musical Clock, Bagatelle (Op. 33, No. 6), Bagatelle (Op. 119, No. 1), Für Elise (Bagatelle No. 25), Ode to Joy (from Symphony No. 9), Piano Concerto No. 5 (Second Movement Theme), Piano Sonata No. 18 (Third Movement Theme), Piano Sonata No. 30 (Third Movement Theme), Piano Sonata No. 14 (Second Movement Theme), Six Variations on "Nel cor più non mi sento" (Variation No. 4), String Quartet No. 10 "Harp" (Second Movement Theme), Symphony No. 2 (Second Movement Theme), Symphony No. 5 (Second Movement Theme), Violin Sonata No. 9 "Kreutzer" (Second Movement Theme).

If you've ever found American history boring or hard to understand, this book is for you. Inside, a bright, curious student poses questions about the American Revolution-such as "One if by land and two if by sea? How could the Redcoats come by land when there's no land between England and America?"-and a kind, knowledgeable teacher answers them. Nothing escapes the student's inquisitive mind, and the teacher is endlessly patient. Originally published as a section of the author's larger "Conversations in Early American History: 1492-1837" (later retitled "American History from Christopher Columbus to Andrew Jackson in Easy Question and Answer Format") this paperback edition clearly explains the causes of the Revolutionary War, describes the key battles, outlines the peace settlement, and profiles the heroes of the Revolution.

This captivating collection features many renowned composers and their timeless melodies. From Bach to Debussy, experience the beauty of classical music as two clarinets harmoniously intertwine. Includes: Agnus Dei (from Mass in B Minor) by Bach; Air Anglois in F Major by Fischer; Air in D Minor by Purcell; Air on the G String by Bach; Allegrissimo in A Major by Scarlatti; Allegro (from Piano Concerto No. 14) by Mozart; Allegro for Musical Clock by Beethoven; Allemande in F Major by Weiss; Andante Cantabile by Tchaikovsky; Andante in E-flat Major by Pergolesi; Andante (from Piano Concerto No. 4) by Mozart; Andante (from Piano Concerto No. 15) by Mozart; Andante (from Piano Concerto No. 23) by Mozart; Arabian Dance (from The Nutcracker) by Tchaikovsky; Aria in D Minor by Graupner; Aria in G Major by Scholze; Aria in G Minor by Brescianello; Arioso by Bach; Ave Maria by Gounod; Ave Maria by Schubert; Ave Verum Corpus by Mozart; Bagatelle (Op. 33, No. 6) by Beethoven; Bagatelle (Op. 119, No. 1) by Beethoven; Barcarolle by Offenbach; Bist du bei mir by Bach; Bourrée in B-flat Major by Banister; Bourrée in C Minor by Handel; Bourrée in D Minor by de Visée; Bourrée in E Minor by Bach; Bridal Chorus by Wagner; Caro mio ben by Giordini; Chinese Dance (from The Nutcracker) by Tchaikovsky; Chorale (from St. Matthew Passion) by Bach; Clair de lune by Debussy; Contredanse (from London Sketchbook) by Mozart; Dance of the Blessed Spirits by Gluck; Dance of the Hours by Ponchielli; Dance of the Reed Flutes (from The Nutcracker) by Tchaikovsky; Dance of the Sugar Plum Fairy (from The Nutcracker) by Tchaikovsky; Flower Duet (from Lakmé) by Delibes; Funeral March of a Marionette by Gounod; Für Elise by Beethoven; Gavotte in D Minor by Lully; Gavotte in E Minor by Dieupart; Gavotte in E Minor by Vivaldi; Gavotte in F Major by Corelli; Gavotte in G Major by Krieger; Gavotte in G Major (from French Suite No. 5) by Bach; The Happy Farmer by Schumann; In the Hall of the Mountain King by Grieg; Intermezzo by Mascagni; Jesu, Joy of Man's Desiring by Bach; Keep, O My Spirit by Bach; Klavierstück by Mozart; La Boiteuse in D Minor by Rameau; Là ci darem la mano by Mozart; Largo in E Minor by Telemann; Laudate Dominum by Mozart; Liebestraum by Liszt; Lullaby (Wiegenlied) by Brahms; March (from The Nutcracker) by Tchaikovsky; Melody in F by Rubinstein; Minuet in A Major by Boccherini; Minuet in A Minor by Baron; Minuet in C Major by Faber; Minuet in C Major (from Notebook for Nannerl) by Mozart; Minuet in D Minor by Bach; Minuet in G Major by Bach; Minuet in G Major by Beethoven; Minuet in G Minor by Krebs; Overture (from The Nutcracker) by Tchaikovsky; Panis Angelicus by Franck; Pas de deux (from The Nutcracker) by Tchaikovsky; Pavane by Fauré; Piano Sonata No. 14 (Second Movement Theme) by Beethoven; Piano Sonata No. 18 (Third Movement Theme) by Beethoven; Pie Jesu by Fauré; Pomp and Circumstance by Elgar; Rondeau by Mouret; Rondo alla turca by Mozart; Russian Dance (from The Nutcracker) by Tchaikovsky; Sarabande in A Minor by Logy; Sarabande in E Minor by Buxtehude; Sheep May Safely Graze by Bach; Sleepers, Awake by Bach; Sonatina No. 5 (Third Movement) by Clementi; Surprise Symphony (Second Movement Theme) by Haydn; Symphony No. 1 (Fourth Movement Theme) by Brahms; Symphony No. 4 (Second Movement Theme) by Beethoven; Symphony No. 5 (Second Movement Theme) by Beethoven; Symphony No. 7 (Second Movement Theme) by Beethoven; Symphony No. 8 (Second Movement Theme) by Beethoven; Symphony No. 9 (Fourth Movement Theme: "Ode to Joy") by Beethoven; Theatre Tune in D Minor by Blow; Theme (from Flute Quartet No. 3, Second Movement) by Mozart; Theme (from Flute Quartet No. 4, First Movement) by Mozart; Variations on "Nel cor piu non mi sento," (Variation No. 4) by Beethoven; Waltz of the Flowers (from The Nutcracker) by Tchaikovsky; Wedding March by Mendelssohn; William Tell Overture by Rossini.

21 beloved classical pieces suitable for wedding ceremonies, arranged for flute and guitar (in standard notation and tablature). Includes: Air on the G String, Ave Maria, Bridal Chorus, Jesu Joy of Man's Desiring, Prince of Denmark's March, Pachelbel Canon, Trumpet Tune, Wedding March and 13 more.

15 favorite Christmas carols arranged for Easy Classical Guitar Duet by Mark Phillips. Includes: Angels We Have Heard on High, Away in a Manger, Deck the Halls, The First Noel, God Rest Ye Merry Gentlemen, Hark the Herald Angels Sing, It Came Upon the Midnight Clear, Joy to the World, O Christmas Tree, O Come All Ye Faithful, O Little Town of Bethlehem, Silent Night, We Three Kings of Orient Are, We Wish You a Merry Christmas, What Child Is This?

Selections from the Bach Flute Sonatas and from Orchestral Suite No. 2 for Flute (original keys) with classical guitar accompaniment (in standard notation and tablature). Includes SICILIANO (from Flute Sonata in E-flat Major, BWV 1031), ADAGIO (from Flute Sonata in C Major, BWV 1033), MENUETTO I & II (from Flute Sonata in C Major, BWV 1033), ANDANTE (from Flute Sonata in E Minor, BWV 1034), ADAGIO MA NON TANTO (from Flute Sonata in E Minor, BWV 1034), POLONAISE (from Orchestral Suite No. 2 in B Minor, BWV 1067), MENUET (from Orchestral Suite No. 2 in B Minor, BWV 1067).

Soccer coaches - Are you frustrated with working on the training field, running practices and drills that aren't leading your team or players to success? Perhaps your team is winning locally but can't make the step to the next level and you are not sure why? This book will help you, this is a culmination of 40 years soccer playing and coaching experience, tried and tested methodology that will help you create an understanding of what you need to do as the coach to create success, for yourself, your team and your players regardless of how many games you win or lose, regardless of how many talented players you develop, regardless of your own personal soccer knowledge of experience of playing the game. With the information in this book you can start focusing on the things that are going to bring you success as a coach and develop an understanding of what steps to take to create that for your players as well. You will be challenged to change the way you have been thinking about how you coach and what you coach, in stead of being focused on delivering drills and making them work you will build drills for yourself that will get you the outcomes you are looking for to help you teams achieve technical and tactical improvement. This book will deliver for you a blueprint to discover what success means for your group and you personally. Go ahead and give it a read, I assure you that once you do how you coach will change change forever.

Twelve beautiful waltzes by Johann Strauss for flute and guitar (in standard notation and tablature). Includes: The Artist's Life; The Blue Danube; Cagliostro Waltz; Emperor Waltz; Kiss Waltz; Roses from the South; Tales from the Vienna Woods; A Thousand and One Nights; Treasure Waltz; Vienna Life; Where the Lemon Trees Bloom; Wine, Women and Song.

Thirteen patriotic favorites arranged for easy classical guitar duet (in standard notation and tablature). Includes: America (My Country 'Tis of Thee), America the Beautiful, Anchors Aweigh, Battle Hymn of the Republic, The Caissons Go Rolling Along, Hail to the Chief, The Marine's Hymn, O Canada, The Star-Spangled Banner, When Johnny Comes Marching Home, The Wild Blue Yonder (The U.S. Air Force Song), The Yankee Doodle Boy (I'm a Yankee Doodle Dandy), You're a Grand Old Flag.

16 Christmas carols for easy classical guitar duet (in standard notation and tablature). Includes: Bring a Torch, Jeanette, Isabella; Carol of the Bells; Coventry Carol; Go, Tell It on the Mountain; Good King Wenceslas; Here We Come A-Caroling; I Saw Three Ships; In the Bleak Midwinter; Jingle Bells; Jolly Old Saint Nicholas; Lo, How a Rose E're Blooming; O Come, O Come, Emmanuel; O Holy Night; Once in Royal David's City; Still, Still, Still; Sussex Carol.

Forty relatively short and easy Classical-Era pieces by 40 different Classical-Era composers for classical guitar in standard notation and tablature. Includes: Carl Friedrich Abel, MINUET (from 6 Easy Sonatas for Harpsichord, WK 146); Carl Philipp Emanuel Bach, MINUET (from Musikalisches Vielerley, H 218); Johann Christian Bach, PRELUDE; Wilhelm Friedemann Bach, TRIO II (from Keyboard Suite, F 24: "Minuet"); Ludwig van Beethoven, VARIATION NO. 4 (from 6 Variations on "Nel cor piu non mi sento"); Luigi Boccherini, MINUET (from Sonata for Viola and Cello, G 18); William Boyce, THE DISTRACTED LOVER; Carlo Antonio Campioni, TENDREMENT (from Duet No. 4 for Violin and Cello); Luigi Cherubini, FINALE (from Les deux journées, Act II; Excerpt); Domenico Cimarosa, ORGAN SONATA NO. 9; Muzio Clementi, VARIATION NO. 17 (from The Black Joke with 21 Variations, WO2); Franz Danzi, ALLEGRETTO (from Balladen und Romanzen, Op. 46); Carl Ditters von Dittersdorf, MINUET II (from Duo for Viola and Cello, K 218); Jan Ladislav Dussek, AIR (from Petits airs connuûs variés, Op. 6); Christoph Willibald Gluck, ORFÉE ET EURYDICE: BALLET III (Second Theme); François-Joseph Gossec, GAVOTTE (from the opera Rosine); Franz Joseph Haydn, MINUET (from Baryton Trio No. 87); Michael Haydn, MINUET (from Divertimento, MH 9); Pieter Hellendaal, MINUET (from Cello Sonata, Op. 5, No. 3); Franz Anton Hoffmeister, VARIATION NO. 4 (from 12 Variations for Keyboard); James Hook, ALLEGRO (Lesson 10 from Guida di Musica, Op. 37); Johann Nepomuk Hummel, THEME III (from 3 Sets of Variations for Piano, Op. 1); Leopold Kozeluch, BERNOISE; Franz Krommer, ROMANZA (from Six Little Duets for Two Recorders); Leopold Mozart, TRIO (from Nannerl's Music Book: "Minuet"); Wolfgang Amadeus Mozart, LÀ CI DAREM LA MANO (from Don Giovanni); Josef Mysliveček, RONDO (from Harpsichord Sonata No. 3); Giovanni Paisiello, AVE MARIS STELLA; Niccolò Piccinni, GIAMMAI PROVAI (from La Donna Vana; Excerpt); Ignaz Pleyel, RONDO (from Six nouvelles sonates progressives); Anton Reicha, THEME (from Duet No. 7 for Violin and Cello, First Movement); Antonio Rosetti, ALLEGRETTO (from Blumenlese für Klavierliebhaber); Antonio Salieri, MINUET (from 3 Trios for 2 Oboes and Bassoon); Franz Schubert, SYMPHONY NO. 5 (Second Movement Theme); Antonio Soler, MINUE DI RIVOLTI (from Piano Sonata No. 62); Johann Stamitz, MINUET (from Three Duets to Be Played on One Violin); Giovanni Battista Viotti, VIOLIN DUET NO. 3 (Third Movement); Georg Christoph Wagenseil, TRIO (from Keyboard Sonata, WV 9: "Minuet"); Carl Maria von Weber, ECOISSAISE NO. 2 (from 6 Ecossaises); Samuel Wesley, ORGAN VOLUNTARY NO. 12 (Third Movement).

16 relatively short, easy arrangements of classical masterpieces for guitar, in standard notation and tablature. Includes: Agnus Dei from Mass in B Minor (Bach), Bist du bei mir (Bach), Bridal Chorus (Wagner), Dance of the Hours (Ponchielli), Dance of the Sugar Plum Fairy (Tchaikovsky), Funeral March of a Marionette (Gounod), The Harmonious Blacksmith (Handel), Là ci darem la mano (Mozart), Liebestraum (Liszt), Melody in F (Rubinstein), Ode to Joy (Beethoven), Of Foreign Lands and People (Schumann), Pomp and Circumstance (Elgar), Swan Lake Theme (Tchaikovsky), Symphony No. 1 Fourth Movement Theme (Brahms), Wedding March (Mendelssohn).

These enchanting duets (presented here for the first time in both standard notation and tablature) cover all aspects of beginning and intermediate-level classical guitar, including arpeggios, slurs and barres. The pieces utilize various keys and meters, as well as various positions on the neck. Ideal both for performance and for the development of technical skills. Includes: (from L'encouragement, op. 34) Theme in E, and (from Six Valses, op. 44b) Allegro in C Major, Allegretto in G Major, Allegretto in E Minor, Allegretto in D Major, Allegretto in A Major, Allegretto in E Major.

Nine delightful pieces from Mendelssohn's Songs Without Words for flute and classical guitar (in standard notation and tablature). Includes selections from all eight volumes: Contemplation (Op. 30, No. 1), The Evening Star (Op. 38, No. 1), Homeless (Op. 102, No. 1), Lullaby (abridged) (Op. 67, No. 6), May Breezes (Op. 62, No. 1), On the Seashore (abridged) (Op. 53, No. 1), Reverie (Op. 85, No. 1), Sweet Remembrance (Op. 19b, No. 1), Venetian Boat Song (Op. 19b, No. 6).

16 Christmas carols for flute and guitar (in standard notation and tablature). Includes: Bring a Torch, Jeanette, Isabella; Carol of the Bells; Coventry Carol; Go, Tell It on the Mountain; Good King Wenceslas; Here We Come A-Caroling; I Saw Three Ships; In the Bleak Midwinter; Jingle Bells; Jolly Old Saint Nicholas; Lo, How a Rose E'er Blooming; O Come, O Come, Emmanuel; Once in Royal David's City; Still, Still, Still; Sussex Carol; Up on the Housetop.