Bøger af Marsue Huerta

The surreal image on the book-cover is by Eli Huerta and depicts an impressionist perception of the Industrial Revolution. The darkening of the air and the water is reminiscent of the opening of the bottomless pit in Revelation and is the reason such imagery was chosen for the cover of this book, as it fits well with its theme. And he opened the bottomless pit; and there arose a smoke out of the pit, as the smoke of a great furnace; and the sun and the air were darkened by reason of the smoke of the pit. (Revelation 9:2)

Contemporary history and progressive revelation regarding the Hebraic festivals are the basis for a renovation of the traditional historicist's house and its perception of recapitulation in the book of Revelation, which does not disturb the historicist's view that the papacy is the Antichrist. Under this new interpretation, John's use of recapitulation was modest as compared with the traditionalist's view. The new view correlates the prophecies and illustrations of the seven seals with our modern-day market-driven society, the prophetic era of the Laodicean church, the autumnal festivals, and the "the time of the end" in Daniel 8:17. The correspondence of the apocalyptic horsemen of the seven seals with the historical accounts of the Protestant's rise to prominence and their termination of the churches' influence in our modern-day commerce is incendiary. Moreover, the correspondence pertaining to autumnal festivals regarding the final judgment and the apocalyptic horsemen of the seven seals is no less provocative. As is the case of all such correlations that come to light through progressive revelation, they become a blessing for the sons and daughters of God and a reproof for those who walk in darkness (Revelation 1:3).