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A reissue, with a new introduction by Flâneuse author Lauren Elkin, of Martha Gellhorn's enduring collection of war reportage, The Face of War
Presented for the first time aregs from the tinderboxes across the political horizons of Castro's Cuba, the chambers of the House Committee on Un-American Activities, and a small Mississippi town during the height of the civil rights movement. Atlantic Monthly Press.
Jacob Levy, a young soldier from St Louis, has never given much thought to politics, world affairs, or his own Jewish heritage, but after the liberation of Dachau, he confronts the horror of the Holocaust and takes his own violent revenge.
Find yourself plunged straight back into Madrid during the Spanish Civil War, feel the frozen ground of the Finno Russian war, the continent-wide Japanese invasion of China, the massacres in Java, the murderously naive intervention in Vietnam and the USA's dirty little wars in Central America.
If you want to know about writing, about how to make others share the horror and intensity of an experience, try the first piece in this collection, Justice at Night
Martha was the youngest of sixteen, handpicked reporters who filed accurate, confidential reports on the human stories behind the statistics of the Depression directly to Roosevelt's White House.
Follows a journalist who returns to Prague after its annexation and finds her efforts to obtain help for the refugees and to convey the shocking state of the country both frustrating and futile.
Written in the aftermath of World War II, Love Goes to Press opened in London in 1946 and on Broadway in 1947. At the time a relief for the survivors of Blitzkrieg and ration cards, today it is a devilishly entertaining portrayal of the Battle of the Sexes.
Two sisters, one beautiful, one plain, return unmarried from their adventures to their parents' hotel on the mountain, where they are caught up in a scandalous relations with an African official and an English botanist. Meanwhile, a heartbroken woman tries to escape the memory of her son's death on a doomed holiday by the sea.
Martha Gellhorn mødte Ernest Hemingway første gang i julen 1936. Sammen rejste de kort efter til Europa for at dække Den Spanske Borgerkrig, hun for magasinet Collier’s Weekly i New York. Året efter rejste Gellhorn til Tyskland for at rapportere om Adolf Hitler, hans greb om magten i Centraleuropa og til sidst verdenskrigen, som hun gengav på første hånd, fra landgangen i Normandiet til befrielsen af kz-lejren Dachau. ”Jeg fulgte krigen, hvor end jeg kunne,” skrev hun senere. Martha Gellhorn og Hemingway dannede par i hen ved ti år, fra 1940 som mand og kone. Men noget almindeligt forhold var det ikke. Som Hemingway skrev i et brev fra Havanna i 1943, efter Gellhorn var rejst til Italien for at dække kampene ved fronten: ”Er du krigsreporter, eller er du konen i min seng?” Krigens ansigt er Martha Gellhorns egen samling af reportager fra årene 1937-45. Bogen udkom første gang i 1959 og står i dag tilbage som et journalistisk hovedværk.
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