Bøger af Martin Crimp

A genius with language, but convinced of his own ugliness, Cyrano secretly loves the radiant Roxane. While Roxane is in love with the beautiful but inarticulate Christian.Cyrano's generous offer to act as go-between sets in motion a poignant and often hilarious love-triangle, in which each character is torn between the lure of physical attraction and the seductive power of words.Martin Crimp's adaptation of Edmond Rostand's Cyrano de Bergerac premiered at the Playhouse Theatre, London, in November 2019.

This volume presents two plays by Crimp not yet seen in English: The Rest Will Be Familiar to You from Cinema, which rewrites Euripides' Phoenician Women; and Men Asleep, which exposes the fault-line between generations and probes our assumptions about gender and power.

Martin Crimp's Writing for Nothing collects texts written over the last thirty years. Unsettling, elegant and incisive, Writing for Nothing is a vibrant and varied anthology, celebrating a writer with a rare talent for illuminating the power structures behind our everyday world.

Cruel and Tender'A mordantly knowing modernisation of Sophocles's Trachiniae... . The approach here manages to be at once lethally level and capable of surges of anguished feeling... Highly recommended.' IndependentFewer Emergencies'A triptych of vicious modern fairy tales that brings the nightmare right back and stabs you through the soul.'GuardianThe City'Although this is the most disquieting play in London, there is a curious exhilaration about both the performance and Crimp's confrontation with our perpetual unease.' GuardianDefinitely the Bahamas'A summation of a life lived vicariously, at the margins of other lives, between suffocating suburban walls; and the play is as unflinching as it is unnerving.' The TimesPlay House'Play House concerns the volatility and vulnerability of love, as a young couple, Simon and Katrina set up home... Unusually for Crimp, the play both begins and ends with moving declarations of love. Suddenly this usually chilly dramatist seems unexpectedly blessed with a warm heart.' Daily TelegraphIn the Republic of Happiness'Crimp goes so far as to call it "e;an entertainment in three parts,"e; and it rocks along like a dystopian vaudeville... The actors are imprisoned and liberated at once, their strange between-worlds condition a source of joy, intemperateness and above all a care for our diversion... My favourite play of the year.'What's on Stage

Sex, work, pregnancy, parents, weird neighbours, cleaning the fridge and dancing: Play House tells - in thirteen fleeting scenes - the story of a young couple's attempts to set up home.In Definitely the Bahamas, Frank and Milly relish the visits of Michael, their charming and successful only child. But what exactly is his relationship to the young student living in their house?Martin Crimp's Definitely the Bahamas was first staged at the Orange Tree Theatre, Richmond, in 1987. It was revived there with Play House, a new play, in March 2012.

A satire on yuppie moral and emotional bankruptcy and a bleak, black comedy thriller.

You are the ultimate cliche of youth's incredible potential. Promiscuous, pitiless and bored, six sexually entangled medical students restlessly wander in and out of a boarding house, cramming, drinking, taunting, spying.

New York. A film studio. A young woman has an urgent story to tell. But here, people are products, movies are money and sex sells. And the rights to your life can be a dangerous commodity to exploit.

Attempts on her Life 17 scenarios for the theatre by Martin Crimp Attempts to describe her? Attempts on her Life 17 scenarios for the theatre by Martin Crimp

This collection of early plays confirms Martin Crimp's reputation as one of the most original and exciting talents writing for the theatre today. It includes the plays Dealing with Clair, Play with Repeats, Getting Attention and The Treatment, and is introduced by the author.

This second collection of Martin Crimp's work includes the plays Attempts on Her Life, The Misanthrope, No One Sees the Video and The Country. 'Crimp writes with extraordinary precision . . . The outside world is described with almost hallucinatory clarity . . .