Bøger af Martin Porter

The inside story of Record Plant studios - the real 'Hotel California' - that reveals how the greatest music of the seventies was recorded and why the artists checked out but rarely left. In the 1970s, Record Plant Studios was ground zero for the largest boom in record production in music history. With complexes in New York, Los Angeles and Sausalito, and a fleet of remote recording trucks, Record Plant was everywhere there was music. In 1976 alone, the studio produced three number-one albums: Stevie Wonder's Songs in the Key of Life, the Eagles' Hotel California and Fleetwood Mac's Rumours. Written by two veteran music journalists, this engrossing book tells the incredible story of the evolution of Record Plant Studios tape by tape. Starting on the westside of New York in 1968 with the recording of Jimi Hendrix's Electric Ladyland, Record Plant expanded to LA, where Stevie Wonder produced his greatest hits, and then to Sausalito where Sly Stone, Bob Marley and Fleetwood Mac encamped; John Lennon made New York his post-Beatles home, and the Eagles conceived Hotel California while working in LA. Each location showcased the founders' proven formula of combining state-of-the-art audio, fantasy bedrooms and group jacuzzis, with sex, drugs and celebrity jams. Largely based on the memoirs and archives of studio co-founder Chris Stone, and supplemented by interviews with over 100 studio employees, music producers and recording artists, this is the untold story, in all its brazen glory, of the recording of classic rock'n'roll as told by the insiders who gladly toiled behind the locked doors of the most prolific recording factory of all time.

With the dawn of Romanticism, be it in the realms of science, religion, or poetry, the interest in physiognomy rekindled. This book interprets the way in which books on physiognomy were read, tracing the wider intellectual, social, and cultural changes that contributed to the metamorphosis of this way of beholding oneself and the natural world.