Bøger af Martin Travers

Ye'r a jinx! Ye hae ayeweys buin a jinx. Pat in this earth tae wrack fowk's lifes. March, 1924. In a rundown cottage near Crawfordjohn, a wedding dress hangs on the wall. Nancy's life is as cold as the Clyde in winter, but she knows she's going to be a star. Desperate to escape the poverty of her childhood, Nancy Gibbs dreams of being an actress. Her anxious, spiteful mother expects her to marry a farmer and take care of her family. Nancy lives for romance and imagination. She's plotting to get away. But her mother has secrets of her own and they're gathering like wolves. Braw Clan returns with another Scots language play after the success of Secret Wrapped in Lead, with So Long, Wee Moon by Martin Travers. This edition was published to coincide with the world premiere Scottish tour starting in September 2024.

Saicrets? Aye. We hae saicrets.Leadhills, August 1803. Dorothy Wordsworth seeks shelter in a humble lodging house and discovers something no outsider was ever meant to see.Accompanying her famous brother on a bracing tour of Scotland, she's eager to collect blood-curdling myths, legends and curiosities. The poisonous Grey Glen, where animals run mad and miners convulse, fascinates her as much as the progressive library they've travelled so far to visit.But as her landlady rants and the curfew bell tolls, Dorothy realises things beyond imagination are unburying themselves. If she listens closely, this place will give up its dark secrets. From Martin Travers, the award-winning writer of Scarfed for Life and The Kids are Alt Right, comes the magical and mysterious Secret Wrapped in Lead, an unmissable piece of Scots language theatre.This edition was published to coincide with the Braw Clan tour in July 2023.

What money?! This ends when you end. This experiment is about the survival of the fittest. Nothing more - nothing less.Imprisoned in an abandoned warehouse, a desperate group of failing actors are trapped in a dark experiment. After months of endlessly rehearsing George Bernard Shaw's Pygmalion with no director to guide them, some of the ensemble have disappeared leaving the others paranoid and subservient. Sleep-deprived and half-starved, their fragile social bonds shatter and implode as a stranger breaks in and incites them to rebel. This new dystopian thriller about a group of aspiring actors trapped in a dark social experiment is a collaboration from writers Martin Travers and Chloe Wyper. This edition was published to coincide with the run presented by the Citizens Theatre's WAC Ensemble in April 2022.

Four Scottish teenagers. Two interlocking stories. One ideology tears them apart. Talented kickboxers and A-grade pupils Fatma and Britney have been best friends for ever. That is until now. Britney's views about everything are changing dramatically. She's getting drawn into the alt right online. When Fatma is sent something sinister through the post it triggers a series of decisions that will destroy their lives and their teacher's life for ever. Britney's brother Jordan is pals with Quinn. Quinn is proud to be right wing. That is until he falls deeply into its darkness and finds he's in over his head with a blade in his pocket. All four teenagers lives are changed forever - engulfed in the fallout of when damaging influence leads to damaging actions.This is an unflinching exploration of how young people today are prey to a range of extreme ideologies and how helpless people in their real lives are to stop them imploding.The Kids Are Alt Right is a cautionary tale of how social media and YouTube content can lead to actions and consequences that can never be undone.

The Hour That Breaks is the first biography of Gottfried Benn to appear in English. The author of this study charts in impressive detail the complex paths of Benn's life, through the demands of his medical practice and military involvement in two world wars, his brief political advocacy of Hitler and Nazism in 1933, to his final comeback in post Second World War Germany. The author also engages with Benn's extensive body of poetry which, inventive, challenging and formally wrought, was the product of mind that was both radical and conservative. The same propensity to invention and transformation also informed Benn's personal and professional life, giving rise to a practice of role-playing and dissimulation that the poet termed a double life. As Travers shows in this well-written and informative biography, this was a strategy of survival of which Benn, ultimately, was as much the victim as the master. This biography also offers fresh translations of many of Benn's poems, a number of which appear here in English for the first time.

Martin Heidegger was engaged in a continual struggle to find new words for his radical form of philosophy. This book is the first study that provides a full account of Heidegger's language and writing style, revealing his ongoing self-questioning and reflectiveness about his philosophical quest.

This book is the first comprehensive study of Gottfried Benn¿s poetry to appear in English. It covers the entirety of Benn¿s verse, from his early Morgue cycle (1912) and Expressionist poems through to the «anthropological» poetry of his middle period to the «postmodern» Phase II work after the Second World War. Against the background of the poet¿s theoretical writings, this study, drawing upon the classic texts of Benn scholarship, analyzes in detail the major themes of his verse and its distinctive idiom. In particular, this work focuses on Gottfried Benn¿s extended process of rhetorical self-fashioning, his use of classical iconography, color motifs and chiffres, his often confusing historical semantics, the seemingly self-constituting «absolute» poem, and the colloquial idiom of his late verse. The book also engages with the multiplicity of voices in Benn¿s work and their varied textual forms, the hermeneutically variable positions of speech that they articulate and the often contradictory notion of selfhood to which they give rise.

A modern parable set against the backdrop of the first Old Firm clash of the season. Funny, hard-hitting and thought-provoking, the second edition of Scarfed for Life tells the story of two teenage friends caught in the crossfire of polite suburban prejudice and garden equipment. Ideal for secondary school students, the play draws on what sectarianism and prejudice actually mean to young Glaswegians, and how it affects them and their peers. Scarfed for Life is a hard-hitting play based on the experiences of discrimination and prejudice among the young people of Glasgow.The play toured secondary schools in Scotland in 2011 and Scottish prisons in 2013. The language in this edition has been revised specifically with school-age students in mind, and is an ideal, issue-led play for students 14+.