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This engaging textbook provides a critical assessment of British literature produced between 1900 and 1945.
Focusing on various modernist writers, the author of this volume demonstrates that Bergson's theories underlie the literary aesthetics of the period that forms the intellectual basis of modern literature. Such writers as Woolf, Eliot and Joyce are included in the discussion.
The case studies not only provide insight into the business dynamics of the literary world at this time, but also illustrate the shifting definition of literature itself during the period.
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