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This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!
They think I'm just a little girl At study, work, or play, - A little freckled person who Has never much to say
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Little Freckled Person: A Book of Child Verse, has been regarded as significant work throughout human history, and in order to ensure that this work is never lost, we have taken steps to ensure its preservation by republishing this book in a contemporary format for both current and future generations. This entire book has been retyped, redesigned, and reformatted. Since these books are not made from scanned copies, the text is readable and clear.
Mary Caroline Davies - Songs of a Girl & Other VersesPublic Domain Poets #4 | Publicdomainpoets.com'Songs of a Girl & Other Verses' brings together over 100 of Mary Carolyn Davies' unrhymed verses, including the 29 song sequence 'Songs of a Girl' (first published 1919), the 24 song sequence 'Songs' (1917), and a generous selection of other song sequences, verses, and variants (originally published from 1914-1920), none of which have been anthologised before. New edition designed, edited, and selected by Dick Whyte.The sun fallsLike a drop of bloodFrom some hero.We,Who love pain,Delight in this.Mary Carolyn Davies was a poet from Oregon, born in Sprague, and later attended Berkley University. She left college after only a year, and moved to Greenwich Village, meeting poets and artists like Marianne Moore, Alfred Kreymborg, and Marcel Duchamp, among others. Best known for her rhymed verses, Davies was also an early practitioner of 'free verse', and wrote numerous unrhymed 'song' sequences, first published in Kreymborg's 'Others: A Magazine of the New Verse' (1915-1919). Davies' unrhymed verse was largely composed in compressed and fragmented forms, such as the couplet;I am going to die too, flower, in a little while-Do not be so proud.The triplet;Red as dawnThe apple petals burnAgainst my burning cheek.And the quartet and quintet;The moonStrikes my handAcross my face as I lie.And the pain of itKeeps me from sleeping.Davies' verse also explores feminist and queer themes, particularly in the sequence 'Songs' (1916 version), clearly addressed to another woman, in which Davies writes such powerful lines as;Give me your lips-I would live-Your eyes are two miracles;And I, who have seen them,Believe.Public Domain Press is dedicated to producing contemporary editions of out-of-print poets and poetry collections, particularly with regard to compressed and fragmented 'free verse' from the late-1800s and early-1900s. All poems start as facsimiles - to preserve the original fonts - which are then cleaned up, edited for consistency, and spaciously laid-out, adorned with borders, illustrations, and ornaments from the books and magazines they originally appeared in. These are not "reprints" of previously existing books, but newly crafted collections, lovingly edited from public domain material, for the serious poetry lover.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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