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Here is Lukacs among friends, lovers, and peers in those important years before 1918, when he converted to Communism and Marxism at the age of 39. Lukacs emerges as dramatic and psychologically complex but also as a figure whose dilemmas were echoed in the lives of other radical intellectuals who came of age during the fin de siecle period.
Budapest at the fin de siecle was famed and emulated for its cosmopolitan urban culture and nightlife. It was also the second-largest Jewish city in Europe. Mary Gluck delves into the popular culture of Budapest's coffee houses, music halls, and humour magazines to uncover the enormous influence of assimilated Jews in creating modernist Budapest between 1867 and 1914.
This revisionist examination of the period between 1830 and 1914 reconnects the intellectual history of avant-garde art with the cultural history of bohemia and the social history of the urban experience to reveal the circumstances in which a truly modernist culture emerged.
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