Bøger af Mary Noailles Murfree

Gordon never forgot the sensation he experienced on first beholding it. There was no mist in the midnight. The moon was large and low. The darkness of the dense, towering forests on either hand impinged in no wise on the melancholy realm of wan light in which the Mississippi lay, unshadowed, solitary, silent as always, its channel here a mile or more in breadth. He had been observing how the mighty water-course was sending out its currents into a bayou, called Bogue Holauba, as if the larger stream were a tributary of the lesser. This peculiarity of the river in the deltaic region, to throw off volume instead of continually receiving affluents, was unaccustomed to him, being a stranger to the locality, and for a moment it focussed his interest The next, his every faculty was concentrated on a singular phenomenon on the bank of the bogue.

"The Ordeal" from Mary Noailles Murfree. American fiction writer of novels and short stories (1850-1922).

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He yearned for a sign from the heavens. Could one intimation be vouchsafed him, how it would confirm his faltering faith! Jubal Kennedy was of the temperament impervious to spiritual subtleties, fain to reach conclusions with the line and rule of mathematical demonstration. Thus, all unreceptive, he looked through the mountain gap, as through some stupendous gateway, on the splendors of autumn; the vast landscape glamorous in a transparent amethystine haze; the foliage of the dense primeval wilderness in the October richness of red and russet; the "hunter's moon," a full sphere of illuminated pearl, high in the blue east while yet the dull vermilion sun swung westering above the massive purple heights.

Under the pen name Charles Egbert Craddock, Murfree first published this book in 1885. Set in the Smoky Mountains of Tennessee, it follows the adventures of the beautiful Dorinda Cayce, the outlaw Rick Tyler and the prophet preacher Hiram Kelsey

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The Young Mountaineers; Short Stories Mary Noailles Murfree Houghton, Mifflin and company, 1897

The new moon, a gleaming scimitar, cleft the gauzy mists above a rugged spur of the Cumberland Mountains. The sky, still crimson and amber, stretched vast and lonely above the vast and lonely landscape. A fox was barking in the laurel. This was an imprudent proceeding on the part of the fox, considering the value of his head-gear. A young mountaineer down the ravine was reminded, by the sharp, abrupt sound, of a premium offered by the State of Tennessee for the scalp and ears of the pestiferous red fox.

Mary Noailles Murfree (January 24, 1850 - July 31, 1922) was an American fiction writer of novels and short stories who wrote under the pen name Charles Egbert Craddock. She is considered by many to be Appalachia's first significant female writer and her work a necessity for the study of Appalachian literature, although a number of characters in her work reinforce negative stereotypes about the region. She has been favorably compared to Bret Harte and Sarah Orne Jewett, creating post-Civil War American local-color literature. The town of Murfreesboro, Tennessee, is named after Murfree's great-grandfather Colonel Hardy Murfree, who fought in the Revolutionary War.Murfree was born on her family's cotton plantation, Grantland, near Murfreesboro, Tennessee, a location later celebrated in her novel, Where the Battle was Fought and in the town named after her great-grandfather, Colonel Hardy Murfree. Her father was a successful lawyer of Nashville, and her youth was spent in both Murfreesboro and Nashville. From 1867 to 1869 she attended the Chegary Institute, a finishing school in Philadelphia.[citation needed] Murfree would spend her summers in Beersheba Springs. For a number of years after the Civil War the Murfree family lived in St. Louis, returning in 1890 to Murfreesboro, where she lived until her death.

"Way Down In Lonesome Cove" from Mary Noailles Murfree. American fiction writer of novels and short stories (1850-1922).

The beetling crags that hang here and there above the gorge hold in their rugged rock sculpture no facial similitudes, no suggestions. The jagged outlines of shelving bluffs delineate no gigantic profile against the sky beyond. One might seek far and near, and scan the vast slope with alert and expectant gaze, and view naught of the semblance that from time immemorial has given the mountain its name. Yet the imagination needs but scant aid when suddenly the elusive simulacrum is revealed to the eye. In a certain slant of the diurnal light, even on bright nights at the full of the moon, sometimes in the uncanny electric flicker smitten from a storm-cloud, a gigantic peaked sinister face is limned on the bare, sandy slope, so definite, with such fixity of lineament, that one is amazed that the perception of it came no earlier, and is startled when it disappears.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Riddle of The Rocks is an unchanged, high-quality reprint of the original edition .Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

The Phantoms Of The Foot-Bridge 1895 is an unchanged, high-quality reprint of the original edition .Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.