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Matthew Solomon's study of Chaplin's The Gold Rush (1925) provides an in-depth discussion of the film's production and reception history, placing it in the context of the turn-of-the-century Alaska Klondike gold rush, and analyses the film's narrative and formal features, particularly its references to music-hall performance styles and tropes.
Reveals how professional magicians shaped the early history of cinema. This book focuses on the work of the professional illusionists who actually made magic with moving pictures between 1895 and 1929. It combines film and theatre history to uncover the evidence of the exchanges between magic and filmmaking in the United States and France.
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