Bøger af Max Putzel

This biography of William Marion Reedy, the editor of the St. Louis Mirror, provides a fascinating look at the literary and cultural scene of early 20th century America. Reedy's relationships with writers like Edgar Lee Masters, Ezra Pound, and T.S. Eliot are explored, as well as his controversial editorials on topics such as politics, art, and race.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A flamboyant and controversial figure, William Marion Reedy was one of the most successful literary entrepreneurs of his day. Editor of the "Mirror, " a St. Louis weekly, from 1891 to 1920, Reedy played a large role in breaking down the genteel literary tradition, developing a native poetry, and helping to form some fifty significant poets. Emily Dickinson, Stephen Crane, Ezra Pound, Edwin Arlington Robinson, Amy Lowell, Sara Teasdale, Carl Sandburg, and Vachel Lindsay are just a few of the writers whose works Reedy featured in his magazine."The Man in the Mirror" offers a colorful description of Reedy's boyhood in St. Louis during the turbulent period following the Civil War. This well-documented biography follows Reedy throughout his years as a reporter in the early days of the "St. Louis Post-Dispatch" and "Globe-Democrat" and as editor of the "St. Louis Star." Only seven years after Reedy founded the "Mirror" as a national journal of opinion--a potpourri of political comment, social gossip, and literary miscellany--the magazine's circulation far surpassed that of the "Dial, Atlantic Monthly, " or "Nation."Max Putzel truly conveys the spirit and personality of Reedy by carefully examining his life within the context of the literary world he influenced so significantly. Full chapters are devoted to his relationships with Theodore Dreiser, Ezra Pound, Vachel Lindsay, Amy Lowell, and others. Edgar Lee Masters, whose "Spoon River Anthology" first appeared in the "Mirror, " called Reedy both the "Literary Boss of the Middle West" and his best friend. In fact, Reedy had quite a range of friends, from librarians to politicians, St. Louis locals to Teddy Roosevelt. His personal effect on people, writers and readers alike, is what has made him such an important historical figure.It is a tribute to Reedy's critical judgment that the reputations he helped to build would later overshadow his own. "The Man in the Mirror, " lauded as "the first substantial study of Reedy's work" by "American Literature, " reveals Reedy's notable contribution to the literary world.

Until recently most discussions of William Faulkner have centred exclusively on his novels. Yet no chronicle of Faulkner's Growth as a literary artist can afford to overlook the years he spent struggling to establish himself as a writer of short stories. Max Putzel provides a critical study of these crucial formative years.