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Published by Split/Lip Press, Antlers in Space and Other Common Phenomena is a collection of lyric essays exploring the ways grief forces us to transform our memories into stories in order to survive. Written in the wake of the early deaths of her parents, this book follows Melissa Wiley as she crisscrosses countries and continents to escape her pain before she begins the quieter work of acceptance at home.
It's 1814 and Charlotte lives just outside the city of Boston. She always has something to look forward to—tending Mama's garden, visiting Papa's blacksmith shop, and embarking on her very own Scottish adventure!
In Skull Cathedral, Melissa Wiley pulls stories from the vestigial remnants of the creatures we were or could have become. The appendix, pinky toes, tonsils, male nipples, wisdom teeth, and coccyx are starting points through which Wiley explores exaltation, eroticism, grief, and desire. Using the slow evolution and odd disintegration of vestigial organs to enter the braided stories of the lives we establish for ourselves, the people we grieve, and the mysteries of youth, memory, and longing, Wiley's lens is deeply feminist and compassionate. Turning to these mysterious anatomical remnants, she finds insight into the lingering questions of loss and the nagging sensations of being incomplete. For instance, in considering the appendix, Wiley finds herself working through her grief after the loss of her father, a sensation that again resurfaces in the face of the moon as she looks to the sky. Testing the boundaries of genre and fighting to expand the limits of perception, the stylized essays of Skull Cathedral embrace the strangeness of life through the lingering peculiarities of the human body. Skull Cathedral, Wiley's second book of nonfiction, won the 2019 Autumn House Nonfiction Prize.
Fox and Crow can agree on two things: their love of cheese and loathing of each other. These cagey animals will do whatever they can to outwit their sworn enemy and claim sole possession of the prized cheese they keep finding. But they are too caught up in their plotting and planning to realize they've picked the wrong house to steal from-since the mother of the house is one fed up Mama Bear who knows exactly how to contend with freeloaders.
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