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In today's 'everything in a hurry' world of the Internet, there's a new appeal in short-form stories. Author Michael A. Kechula has uncovered a demand for ultra-short (100 word) stories called 'Drabbles.' Telling a complete story in exactly 100 words is a challenge, (in fact, just writing this review has consumed far more than 100 words), but Kechula is sharing his secrets. In a fact-filled self-study guide, author Michael A. Kechula demystifies the creation of the 100 word drabble. He starts at the beginning, with some tips and tricks on developing story ideas and writing an opening hook, continues to the twist, and then goes into detail on how to make every word count. I enjoyed Kechula's concept of a 'word bank, ' with each word being treasured, every word cut from one sentence being returned to the bank to be reused for maximum impact elsewhere in the story. Finally, Kechula takes us through a detailed analysis of one of his own prize-winning stories, explaining how the story evolved from concept through its initial incarnations and finally into the fully realized story, complete with a twist ending.
Flash fiction consists of writing an entire story in a thousand words or less. This constraint imposes significant restrictions on what the writer can do, but written right, flash fiction tales can pack power way out of proportion to their length. The tricks and techniques needed to write effective flash fiction, though, are different from those used for novel-length, or even traditional short stories. Until now, these tricks and techniques had to be learned the hard way...through the path of rejection. Author and editor Michael A. Kechula has written and sold hundreds of genre flash fiction stories, edited a flash fiction magazine, and mentored many flash fiction writers on their path to publication. He's taken the insights he's gained through years of effort and the many thousands of flash fiction stories he's edited and judged, and distilled them into one volume: WRITING GENRE FLASH FICTION THE MINIMALIST WAY. In this self-study guide, Kechula takes the writer through the definition of flash and genre fiction, gives some useful starting points for coming up with story ideas, shows where the usual rules of fiction may need to be reversed (e.g., in flash fiction, we tell, not show), and provides powerful insight into making every word count...and into eliminating those words that don't pull their weight.
When Martians invade, will they do so with bombs and spaceships, or perhaps with jelly donuts and pepperoni pizza? What's the King of the Whales up to when he asks a con-man to buy pizza for his subjects? If some dead aliens have escaped from Area 51, is there a black market in their body parts? What, exactly, do zombies want... and might they be happier with chocolate chip cookies than human brains? Author Michael A. Kechula has become a leading voice in the modern 'flash' fiction world (even writing the book on how to write genre flash fiction). These super-short stories combine everyday situations with bizarre twists, delivering a combination of laughs and contemplative the 'what if?'. MARTIANS, MONSTERS AND PEPPERONI PIZZA offers 100 of these stories, many previously published in magazines but gathered here for the first time.
Zombies have invaded the U.S., but one political party is hoping to promote brotherly love. A young girl sells nice dreams for a nickle, but be sure to read the fine print. Gorillas teach kindergarten, or deliver unexpected refrigerators. Magical gypsies deliver predictions that have uncomfortable ways of coming true. People unhappy with their own lives can enjoy someone else's past for a cheap price...but be careful of the sudden ending. In the land of the novel-writers, poets beware. From zombies to space aliens to fortune-telling gypsies to ancient and magical statues, author Michael Kechula delivers 71 complete stories of speculative fiction. Kechula has become a leader in 'flash fiction, ' super-short stories that contain characters, dialogue, and a complete plot, all within a very small number of words. In THE AREA 51 OPTION AND 70 MORE TALES OF SPECULATIVE FICTION, Kechula shows why he's been so successful.
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