Bøger af Michael Frayn

The Tony Awardwinning play that soars at the intersection of science and art, Copenhagen is an explosive re-imagining of the mysterious wartime meeting between two Nobel laureates to discuss the atomic bomb.In 1941 the German physicist Werner Heisenberg made a clandestine trip to Copenhagen to see his Danish counterpart and friend Niels Bohr. Their work together on quantum mechanics and the uncertainty principle had revolutionized atomic physics. But now the world had changed and the two men were on opposite sides in a world war. Why Heisenberg went to Copenhagen and what he wanted to say to Bohr are questions that have vexed historians ever since. In Michael Frayns ambitious, fiercely intelligent, and daring new play Heisenberg and Bohr meet once again to discuss the intricacies of physics and to ponder the metaphysicalthe very essence of human motivation.

Michael Frayn's classic novel is set in the crossword and nature notes department of an obscure national newspaper during the declining years of Fleet Street, where John Dyson dreams wistfully of fame and the gentlemanly life - until one day his great chance of glory at last arrives.Michael Frayn is the celebrated author of fifteen plays includingNoises Off,CopenhagenandAfterlife.His bestsellingnovels includeHeadlong, which was shortlisted for the Man Booker Prize,Spies, which won the Whitbread Best Novel Award andSkios, which was longlisted for the Man Booker Prize.'Still ranks with Evelyn Waugh'sScoopas one of the funniest novels about journalists ever written.'Sunday Times'A sublimely funny comedy about the ways newspapers try to put lives into words.'Spectator

A unique memoir of a lifetime's friendships - from one of Britain's most beloved literary companions.

Farce / 5m, 4f / 2 Int. Called the funniest farce ever written, NOISES OFF returned to Broadway with Patti LuPone and Peter Gallagher and a manic menagerie that sent reviewers searching for new accolades as a cast of itinerant actors rehearsing a flop called NOTHING'S ON. "The most dexterously realized comedy ever about putting on a comedy. A spectacularly funny, peerless backstage farce. This dizzy, well-known romp is festival of delirium." - The New York Times "Bumper car brilliance...If laughter is indeed the best medicine, NOISES OFF is worth its weight in Cipro." - New York Daily News "The funniest farce ever written! Never before has side-splitting taken on a meaning dangerously close to the non-metaphorically medical." - New York Post "As side-splitting a farce as I have seen. Ever? Ever." - New York Magazine

"It's the other people around you, says Michael Frayn, who make you what you are. So he would like to say a brief word, looking back on life from his ninetieth year, about a few of the people who have formed his own particular world. Some were friends; some not; some more than friends. Some have had a profound effect; some only a passing one. Some you may know yourself; some you certainly won't. Some he now wonders if he ever really knew himself. The last of his subjects in this selection, and the longest and closest acquaintance of all, is his own body, a companion on life's road at least as idiosyncratic and puzzling as everyone and everything around it. Among Others is a patchwork memoir of a lifetime's encounters. Truthful and loving, sometimes elegiac, sometimes comic, it is a celebration of the endlessly intriguing otherness of others."--

Terry, the charismatic director of a British campaign for open government, has a direct approach to official secrets and women alike. The only person who can resist his brash frankness is Hilary, a serious and dedicated young civil servant in the Home Office, who happens to know the truth about a big police cover-up. Until one morning she turns up at the campaign's offices with a brown envelope marked Private and Confidential. What eventually emerges from that envelope will change the lives of everyone involved.The theme of Michael Frayn's eighth novel, Now You Know (1992) is the difficult counterbalance of openness and personal privacy. As timely as ever in today's WikiLeaks era, it is, like all of Frayn's work, both thought-provoking and very funny. This edition features a new introduction by the author.'Entertaining enough to keep you up half the night.' - Chicago Tribune'Unabashed joy in the language . . . refreshing vitality. Serious issues are being examined here, and with superb intelligence.' - James Wilcox, The New York Times Book Review'A tremendously thought-provoking story, skillfully crafted.' - The Milwaukee Journal

'A man sits in his car at the traffic lights, waiting for them to go green...' Heaven, the Book of Revelation tells us, is a city of pure gold, 1,500 miles high, and decorated in sapphire, amethyst, and emerald. According to the Koran, it is peopled with immortal youths and bashful virgins, and there are jeweled couches on which to recline and enjoy food and drink. But wouldn't most of us feel a little out of our element in such a place? What about a Heaven for ordinary, modern people? Howard Baker is waiting at a traffic light when suddenly he finds himself in a strange and wondrous city where he can fly, speak any language, and even design the Matterhorn. As we accompany him on his tour of Heaven, we discover a place with limitless possibilities for leisure and enjoyment but one which also presents moral and intellectual challenges and possibilities for personal growth - the perfect heaven for a decent, respectable, professional man like Howard Baker ... Long regarded as a classic in Great Britain, Michael Frayn's brilliantly funny fantasy Sweet Dreams (1973) returns to print in the U.S. for the first time in decades in this edition, which features a new introduction by the author. "Frayn is an impeccable writer ... his novel is a kind of Candide - a vividly contemporary Candide - full of the most serious high comedy and the most enormous belly laughs." - New Yorker "Frayn has a most unusual talent. His books seem so deceptively simple, but they linger in the mind for years, and can be re-read with the greatest pleasure. Sweet Dreams is no exception." - Margaret Drabble, New York Times Book Review "May go down in history as one of England's special contributions to the twentieth century." - Times Literary Supplement

'Once upon a time there will be a little girl called Uncumber . . .' Uncumber lives in the distant future, in a world sharply divided between 'Insiders' and 'Outsiders'. The Insiders lead a privileged existence: never having to leave their homes, they enjoy a vastly prolonged lifespan, a regular supply of food and mind-altering drugs, and holographic entertainment at the push of a button. Meanwhile, the Outsiders, half-savage, inhabit a polluted wilderness of ruins and industrial waste, struggling for survival. Uncumber has been warned never to go outside. But when she meets an Outsider on the Holovision and falls in love with him, she becomes curious and decides to venture out into the world ... Equal parts dystopian science fiction and brilliant social satire, Michael Frayn's eerily prescient fourth novel A Very Private Life (1968) earned widespread critical acclaim and comparisons to Aldous Huxley's Brave New World. This edition features a new introduction by the author. 'A weird and frightening intensity.' - Time 'Easily the most original thing Frayn has done ... written with elegant simplicity.' - New Statesman 'An ingenious fable ... at times poetically imaginative.' - Sunday Times 'An intriguing fantasy.' - Sunday Telegraph

Set in the waning years of London's Fleet Street, this is the story of John Dyson and his colleagues in the crossword and nature-notes section of an obscure London newspaper. The ambitious young Dyson dreams wistfully of trading his dead-end job for the fame and fortune to be found in a career in television. But when he finally gets his big break - an invitation to appear on a TV program - it turns out instead to be the beginning of a series of hilarious disasters ... Regarded by many as the best novel ever written about journalists, Michael Frayn's brilliantly funny Towards the End of the Morning (1967) is justly celebrated as a classic in Great Britain but has been long unavailable in America. This new edition features an introduction by the author. 'The most delightful, sophisticated novel: Michael Frayn is probably England's funniest writer.' - New York Times 'High comedy ... an extremely well-written, witty novel.' - Daily Telegraph 'A gem of a comic book. It's a brilliant, fast game of poker with the author holding all the best hands.' - Vogue 'Still ranks with Evelyn Waugh's Scoop as one of the funniest novels about journalists ever written.' - Sunday Times

The William Morris Institute of Automation Research is working hard to simplify our lives by programming computers to carry out life's routine tasks. Whether it's resolving ethical dilemmas, writing pornographic novels, saying prayers, or watching sports, these automation experts are developing machines to handle it all, enabling us to enjoy more free time. But when it's announced that the Queen will be paying a royal visit and the Institute's madcap bunch of researchers decide to program the computers to receive her, what could possibly go wrong? Winner of the Somerset Maugham Award, The Tin Men (1965) is the brilliantly comic first novel from Michael Frayn, author of the Booker Prize-nominated Headlong, Spies, and Skios, and Noises Off, 'the funniest farce ever written' (NY Times). This 50th anniversary reissue features a new introduction by the author. 'Continuously funny ... The fun of The Tin Men is outrageous because it is so serious.' - Anthony Burgess, Guardian 'A fast swooping performance by one of our very serious satirists ... This is a very funny book and delightful to read.' - William Trevor, The Listener 'Dazzlingly funny ... perfect pieces of comedy.' - Observer

'Manning's old friend Proctor-Gould was in Moscow and anxious to get in touch with him. Or so Manning was informed. He looked forward to the meeting. He had few friends in Moscow, none of them old friends, and no friends at all, old or new, in Moscow or anywhere else, called Proctor-Gould . . .' Paul Manning, a young Englishman working on his thesis in Soviet-era Moscow, takes on a part-time job as interpreter for the enigmatic Gordon Proctor-Gould, ostensibly an honest businessman, but possibly involved in more clandestine activities. When Proctor-Gould falls for the mercurial blonde Raya, Manning finds himself in the awkward position of acting as interpreter in their love affair, a situation made even more awkward by Manning's own feelings for her. And when it begins to appear Raya may be a police spy, Manning realizes he may have gotten himself into more than he bargained for ... Featuring an unusual blend of humor and suspense, Michael Frayn's second novel, The Russian Interpreter (1966), was inspired in part by the author's own experiences in Communist Russia and won the Hawthornden Prize as the best work of imaginative fiction published that year. This edition includes a new introduction by the author. 'Altogether a notable book ... Frayn is now our best equipped younger prose-writer as well as being a very sane and very funny one.' - Times Literary Supplement 'Imaginative and delightful - zany characters who stick in the memory and have a genuine life of their own. Frayn juxtaposes the humorous and the frankly sinister into a satisfying and witty picture.' - Sunday Telegraph 'Full of quirky, quixotic surprises ... will catch your curiosity and convert it into admiration.' - Kirkus Reviews (starred review)

Matchbox Theatre presents a sketch show in miniature: thirty short entertainments by Michael Frayn, author of Skios and Noises Off, 'the funniest farce ever written' (New York Times). Thirty snatches of people talking. To each other, to the world at large, to themselves, to no one. Heard, unheard. Overheard, half-heard. On telephones, into microphones. In a crypt, an airport, an orchestra pit. These tiny plays are offered here for performance in the smallest theatre in the world: the theatre of your own imagination. The scripts are provided. Everything else - casting, set design, ice cream sales - is up to you . . . 'Michael Frayn is the most philosophical comic writer - and the most comic philosophical writer - of our time.' Michael Arditti, Daily Mail

Longlisted for the Man Booker Prize and a Washington Post Notable Book of the YearOn the private Greek island of Skios, the high-paying guests of a world-renowned foundation prepare for the annual keynote address, to be given this year by Dr. Norman Wilfred, an aging and ponderous authority on the scientific organization of science. He turns out to be surprisingly youthful and charming, and everyone is soon eating out of his hand.Meanwhile, in a remote villa at the other end of the island, the ravishing Georgie has agreed to spend a furtive horizontal weekend with a notorious schemer, who has characteristically failed to turn up. Trapped there with her instead is a pompous, balding individual called Dr. Norman Wilfred, who has lost his whereabouts, his luggage, and his temper-indeed, everything he possesses other than the text of a lecture on the scientific organization of science.In a spiraling farce about upright academics, ambitious climbers, and dotty philanthropists, Michael Frayn, "the god of farce" (Entertainment Weekly), tells a story of personal and professional disintegration, probing his eternal theme of how we know what we know even as he delivers us to the outer limits of hilarity.

Winner of the PEN/Ackerley PrizeAward-winning playwright and novelist Michael Frayn "makes the family memoir his own" (The Daily Telegraph) as he tells the story of his father, Tom Frayn. A clever lad, an asbestos salesman with a winning smile and a racetrack vocabulary, Tom Frayn emerged undaunted from a childhood spent in two rooms with six other people, all of them deaf. And undaunted he stayed, through German rockets, feckless in-laws, and his own increasing deafness; through the setback of a son as bafflingly slow-witted as the father was quick on his feet; through the shockingly sudden tragedy that darkened his life. As Peter Kemp wrote in The Sunday Times (London), "Frayn has never written with more searching brilliance than in his quest for his past."

Humankind, scientists agree, is a tiny and insignificant anomaly in the vastness of the universe. But what would that universe look like if we were not here to say something about it? In this brilliant, insightful work of philosophy, beloved novelist and playwright Michael Frayn examines the biggest and oldest questions of philosophy, from space and time to relativity and language, and seeks to distinguish our subjective experience from something objectively true and knowable. Underlying all revelations in this wise and affectionately written book is the fundamental question: "If the universe is what we make it, then what are we?"

A brilliant exploration of character and conscience from the author of COPENHAGEN, set amid the tensions of 1960s BerlinIn Democracy, Michael Frayn once again creates out of the known events of twentieth-century history a drama of extraordinary urgency and subtlety, reimagining the interactions and motivations of Willy Brandt as he became chancellor of West Germany in 1966 and those of his political circle, including Günter Guillaume, a functionary who became Brandt's personal assistant-and who was eventually exposed as an East German spy in a discovery that helped force Brandt from office. But what circumstances allowed Brandt to become the first left-wing chancellor in forty years? And why, given his progressive policies, did the East German secret police feel it necessary to plant a spy in his office and risk bringing down his government? Michael Frayn writes in his postscript to the play, "Complexity is what the play is about: the complexity of human arrangements and of human beings themselves, and the difficulties that this creates in both shaping and understanding our actions."

From the bestselling author of Headlong and Spies, "an unconditional triumph" (The Washington Post Book World)For fifteen years, ever since the taciturn civil servant Summerchild fell to his death from a window in the Admiralty, there have been rumors.So Brian Jessel, a young member of the Cabinet Office, is diverted from his routine work and asked to prepare an internal report. Slowly, from the archives in the Cabinet Office Registry, Jessel begins to reconstruct Summerchild's last months. It begins to emerge that, at a time when America had just put men on the moon, the British were involved in an even bolder project, and that Summerchild was investigating a phenomenon as common as sunlight, but as powerful and dangerous as any of the forces that modern science has known.The secret world into which Brian Jessel stumbles turns out to be even more extraordinary than his department had feared.

One day, during the British run of Copenhagen, winner of the Tony Award for best play in 1999, Frayn was presented with a curious package from a London housewife that contained a few faded pages of barely legible German. These pages, apparently found concealed beneath some floorboards, seemed to cast a remarkable new light on the mystery at the heart of the play. While Frayn began to lose all sense of certainty, actor David Burke, who played Niels Bohr in the London production and had some experience with documents of this sort, followed the action with particularly close interest. After the riddle was cracked and the fog had cleared, Frayn and Burke sat down together to ponder the winding trail of the Copenhagen papers.By turns comic and profound, The Copenhagen Papers explores the conundrum at the heart of all Michael Frayn's work--human fallibility and the eternal difficulty of knowing why we do what we do.

He knows everything about her before they meet: the make of pen she writes with, her exact height, the various honorary degrees she holds. He knows more about her nine novels and 27 short stories than she does herself. Naturally-he has devoted his life to studying and teaching them, and he reveres them. Also, he is four times as clever as she is.The Trick of It is a comic and painful voyage of exploration into the creative process and the feelings it arouses in others. The humble academic disciple finds himself admitted to his subject's life, and off to this oldest friend go a series of dispatches-by turns awed and patronizing, reverential and jealous, disingenuous and appallingly frank.

An unlikely con man wagers wife, wealth, and sanity in pursuit of an elusive Old Master.Invited to dinner by the boorish local landowner, Martin Clay, an easily distracted philosopher, and his art-historian wife are asked to assess three dusty paintings blocking the draught from the chimney. But hiding beneath the soot is nothing less-Martin believes-than a lost work by Bruegel. So begins a hilarious trail of lies and concealments, desperate schemes and soaring hopes as Martin, betting all that he owns and much that he doesn't, embarks on a quest to prove his hunch, win his wife over, and separate the painting from its owner. In Headlong, Michael Frayn, "the master of what is seriously funny" (Anthony Burgess), offers a procession of superbly realized characters, from the country squire gone to seed to his giddy, oversexed young wife. All are burdened by human muddle and human cravings; all are searching for a moral compass as they grapple with greed, folly, and desire. And at the heart of the clamor is Breugel's vision, its dark tones warning of the real risks of temptation and obsession.With this new novel, Michael Frayn has given us entertainment of the highest order. Supremely wise and wickedly funny, Headlong elevates Frayn into the front rank of contemporary novelists.

Anything but analogue, Magic Mobile is the latest offering of comic genius from Michael Frayn, the author of Matchbox Theatre and Pocket Playhouse. 'Michael Frayn is the most philosophical comic writer - and the most comic philosophical writer - of our time.' Daily Mail

This amusing satire about audiences by the author of Noises Off, Copenhagen and other acclaimed plays takes place in the stalls (orchestra) of a West End theatre. The cast includes an usherette, audience members and a playwright in agony over crinkling candy wrappers, talking out loud, and inattention to his play. The characters in Michael Frayns metatheatrical comedy are actually watching the audience, expecting them to perform, and comedy ensues as Frayn holds a mirror up to the audience and they see their our own foibles as audience members.

Noises Off, the classic farce by the Tony Awardwinning author of Copenhagen, is not one play but two: simultaneously a traditional sex farce, Nothing On, and the backstage drama that develops during Nothing Ons final rehearsal and tour. The two begin to interlock as the characters make their exits from Nothing On only to find themselves making entrances into the even worse nightmare going on backstage. In the end, at the disastrous final performance, the two plots can be kept separate no longer, and coalesce into a single collective nervous breakdown.

Two people move into an empty room and begin to construct a life together in this work by the author of Noises Off, Copenhagen, Benefactors and numerous other well known plays. Should the bed go here and the table go there? Or the bed there and the table here? Everything inside this small space is for them to decide. The responsibility is daunting - especially when they reflect that it has taken the whole history of the world to get them together in this particular place at this particular time and that the whole future of the world will be different if the table is here instead of there. But how can they decide anything when the other person keeps disagreeing and when the woman downstairs maddeningly dumps unwanted furniture on them that they do not have the heart to refuse?

Characters: 6 male, 2 female, plus extras (w/doubling)Multiple SetsA man who has everything. Money, friends, a beautifulhome. And then - pfft! It's all vanished. Max Reinhardt,one the greatest impresarios of theatrical history, had alifelong ambition - to dissolve the boundary betweentheatre and the world it portrays. Each year at theSalzburg Festival he directed a famous morality play,Everyman, about God sending Death to summon arepresentative of mankind for judgment. The vict