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Archaeology is a way of acting and thinking - about what is left of the past, about temporality of humans and their material lives, about the processes of order and entropy, and about processes of creating, consuming and discarding at the heart of human experience. This title offers a window on this imaginative world of past and present.
Michael Shanks's challenging contribution to recent debates on the emergence of Greek city states in the first millennium BC draws on a range of disciplines. He interprets the art and archaeological remains of Korinth to elicit connections between new urban environments, foreign trade, warfare, and the ideology of male sovereignty.
This work is a guide to the discipline of classical archaeology and its objects. It assesses archaeology as a means of reconstructing ancient Greek society using the latest approaches of social archaeology. In addition, it outlines the history of the discipline.
A fresh and invigorating contribution to the emergence of a philosophically and culturally informed archaeology, which challenges the disciplinary practices of both traditional and 'new' archaeology.
Theatre/Archaeology is a brilliant and provocative challenge to disciplinary practice and intellectual boundaries in both archaeological and performance theory
Archaeology has always been marked by its particular care, obligation, and loyalty to things. While archaeologists may not share similar perspectives or practices, they find common ground in their concern for objects monumental and mundane. This book considers the myriad ways that archaeologists engage with things in order to craft stories, both big and small, concerning our relations with materials and the nature of the past. Literally the "e;science of old things,"e; archaeology does not discover the past as it was but must work with what remains. Such work involves the tangible mediation of past and present, of people and their cultural fabric, for things cannot be separated from society. Things are us. This book does not set forth a sweeping new theory. It does not seek to transform the discipline of archaeology. Rather, it aims to understand precisely what archaeologists do and to urge practitioners toward a renewed focus on and care for things.
In this analysis, Shanks and Tilley argue against the functionalism and positvism which result from an inadequate assimilation of social theory into the day-to-day practice of archaeology.
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