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Poetry that scrutinizes letter shapes and illustrates the joyful heart of typography. Sohn explores the page as space and the "image" the poem can leave in that space. Writing meant to be seen more than read.
Analyses the polysemy of recognition operative in the thought of two contemporary French thinkers, Emmanuel Levinas (1906-1995) and Paul Ricoeur (1913-2005). Michael Sohn shows that recognition appears prominently throughout the works of Levinas and Ricoeur, which exist at the intersection of phenomenology, ethics, politics, and religion.
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