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This book examines the effects on literary works of a little-noted economic development in the early 20th century: individuals and governments alike began to regard going into debt as a normal and even valuable part of life. The author also shows, surprisingly, that the economic changes normalizing debt paralleled and intersected with changes in sexual discourse.
Examines the representations of masses - the crowd scenes - in Hollywood films from "The Birth of a Nation" through such popular love stories as "Gone with the Wind", "The Sound of Music", and "Dr Zhivago". This work then contrasts these with similar scenes in early Soviet and Nazi films.
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