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In this, her second full collection of poems, Michelle Hartman continues the breathtakingly honest, articulate, insightful, bawdy, hilarious, revelatory, and incomparably zany diatribe which she so poignantly launched with Disenchanted and Disgruntled. Nothing escapes her incisive, ironic eye, not even her own hallowed art of poetry. No other poet would even attempt to blend such unlikely elements as mistresses, Robert Hass, social injustice, Pavlov, adultery, Ted Cruz, inbreeding, Buddha, feminism, John Donne, legal chicanery, W. S. Merwin, Chupacabra, and countless additional and disparate ingredients into a "poetic stew" so gourmet and delectable.
Shortlisted for the International Prize for Arabic Fiction An Intergenerational tale of life and love seen through the eyes of three women from Raqqa The western popular imagination about the now devastated city of Raqqa, Syria is filled with static and clichéd images of the Arab world. On the news, Raqqa looks like a dusty and abandoned desert village overrun by ISIS and other brands of Islamic fundamentalists, making its desperate, impoverished people yearn to flee at all costs. In the Arab popular imagination, the image of Raqqa is not much different?this ancient city, nestled along the Euphrates river in northeastern Syria, is typically thought of by Arabs as a remote Bedouin outpost, far removed from the nearest large metropolis, Aleppo. People's real lives, however, are always more complex. Nothing could help bring these real and complex histories to more widespread attention than Shahla Ujalyli's brilliant new novel, Summer with the Enemy. This novel is a compelling tale that follows the charming, if at times difficult, everyday life of three women?Lamis, her mother Najwa, and her grandmother Karma ? and all of the complexities of their relationships with each other, their extended family, and the wider social worlds they inhabit. The diversity of life in Syria, especially Raqqa, is on display throughout this book, and the stories told in its seven chapters move back and forth between time and place, with attention to the intimate details of lives and relationships, and with an eye to the larger historical and political contexts in which they live. An intergenerational novel, Summer with the Enemy traces the lives of these women not only in Raqqa where the bulk of the novel is set, but also in the places their families lived before ? Turkey, Jerusalem, Aleppo and Damascus. It reminds us that Syria and Syrians have never been isolated from the world, and that indeed the lives of people stretched far beyond the confines of Raqqa's city limits, long before the online world existed.
In this, her fourth full collection of poems, Michelle Hartman continues her breathtakingly honest, bawdy, and shockingly precise narrative look, this time at love and loss. The book begins with breakup poems, as Hartman says, "You can't appreciate love 'till you've kissed the curb once." The book's second half is an honest look at love when it's so good "Our futures filled with insatiable appetites." Hartman has been published in numerous journals in America and overseas. She holds a BS in Political Science Pre-Law and is the former editor of Red River Review.
Black-Arab political and cultural solidarity has had a long and rich history in the United States. That alliance is once again exerting a powerful influence on American society. In Breaking Broken English, Hartman explores the historical and current manifestations of this relationship through language and literature.
This is the first study in English of French-language fiction by Lebanese women writers and therefore brings a relatively unknown literary tradition to light.
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