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Chronicles the evolution of Concordia University to commemorate its fiftieth anniversary. Concordia University at 50: A Collective History celebrates the fiftieth anniversary of the merging of Loyola College and Sir George Williams University in Montreal in August 1974. Distinct from traditional institutional histories, this volume approaches Concordia University's history from the ground up by sharing a plurality of voices from across the university over time. Fifty contributions from faculty, staff, students, and alumni present stories of a vibrant community and its activities in a multilayered collection of professional and personal reflections, essays, and oral histories conducted with participants and observers of key events. Providing insights into the early political pressures that inspired Concordia's formation, the growing pains of its merger among its four faculties, as well as the development of new programs such as dance, theological studies, and études françaises, this book is a testament to an urban university formed by its many constituents and by the multilingual city and the complex province that is its home. Enriched with copious and colorful archival documents, photographs, and public artworks that grace these urban campuses, Concordia University at 50 highlights the great range of activities, causes, innovations, and debates that emerge from educational institutions and extend well beyond the classroom.
"Other Conundrums," copublished with Vancouver's Artspeak Gallery and the Kamloops Art Gallery, is an extraordinary collection of essays on Canadian artists of colour by Monika Kin Gagnon, one of Canada's most respected art writers and curators. The essays explore the history of cultural production in this country with an emphasis on race, cultural difference, and cultural hybridity. Using specific artists and exhibitions as a starting-point for Gagnon's discussions, these essays, and the artists she writes about, are firmly grounded in Canadian cultural events, artistic projects, and theoretical ideas concerning race and culture which have circulated in often disparate contexts for the last decade. The book makes a distinctively Canadian contribution to ongoing dialogues on issues of race and culture that have originated from artists, writers, and theorists from the US and Britain, and provides an important and relevatory context to the work of Canada's artists of colour. The book includes numerous colour and black and white images, and a foreword by award-winning writer Larissa Lai ("When Fox Is a Thousand"). Chapters include overviews of the work of such artists as Shani Mootoo, Paul Wong, Jamelie Hassan, and Dana Claxton. "Other Conundrums" is an essential snapshot of contemporary issues surrounding race and identity as revealed in visual art.
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