Bøger af Nanna Bonde Thylstrup

Dansk gadekunst er en antologi eller måske rettere et patchwork af artikler, interviews, essays og fotografier, der giver plads til gadekunstens ansigter, meninger og stemmer. Med det foreliggende tekstudvalg skulle det være muligt både at blive stærkt underholdt, oplyst, begejstret, forarget og forbavset – det er op til dig. Det er gadekunst på alle mulige og umulige måder.Adams – Anders Reventlov Larsen – Armsrock – Bates – Bureau Detours – CMP – Cres – Dais – Dambo – OEPS – Itso – JuseOne – Kissmama – L:Ron:Harald – Life Aquatic – Lints – Papfar – Pink Army – Rebus – Jan Danebod – Sif Itona Westerberg – Signe Aarestrup – Smoke – Solvognen – Soten – Stangtennis – Tabu – The Dark Roses / Doggie – Avelon31 – Aim 1 – Thomas Pålsson – Zenith m.fl.“Aldrig før er der skrevet så ambitiøst om gadekunst. Lasse Korsemann Horne har interviewet samtlige interessante kunstnere, og derfor er bogen ikke bare en teoretisk og historisk analyse af gadekunsten - den er også en nærmest leksikal gennemgang af så godt som alle udøvere, hvilket er meget imponerende.” – Information“antologien [er] et righoldigt, illustrationsrigt og nærende overflødighedshorn af gode indgange til overskriften Dansk gadekunst.” – Weekendavisen“Dansk gadekunst er en vigtig udgivelse, der endelig tager udfordringen op og griber om den del af kunstscenen, som absolut aldrig har villet gribes om – og slipper godt fra det. [...] en unik udgivelse, der formår at betragte hele spektretmed lige dele anerkendelse, indføring, dybde, respekt og selvkritik. [...].” – Kunsten.nu“It’s a treasure trove of information on the most important development in modern art for decades.”– Bite It! Magazine

A new examination of mass digitization as an emerging sociopolitical and sociotechnical phenomenon that alters the politics of cultural memory. Today, all of us with internet connections can access millions of digitized cultural artifacts from the comfort of our desks. Institutions and individuals add thousands of new cultural works to the digital sphere every day, creating new central nexuses of knowledge. How does this affect us politically and culturally? In this book, Nanna Bonde Thylstrup approaches mass digitization as an emerging sociopolitical and sociotechnical phenomenon, offering a new understanding of a defining concept of our time. Arguing that digitization has become a global cultural political project, Thylstrup draws on case studies of different forms of mass digitization--including Google Books, Europeana, and the shadow libraries Monoskop, lib.ru, and Ubuweb--to suggest a different approach to the study of digital cultural memory archives. She constructs a new theoretical framework for understanding mass digitization that focuses on notions of assemblage, infrastructure, and infrapolitics. Mass digitization does not consist merely of neutral technical processes, Thylstrup argues, but of distinct subpolitical processes that give rise to new kinds of archives and new ways of interacting with the artifacts they contain. With this book, she offers important and timely guidance on how mass digitization alters the politics of cultural memory to impact our relationship with the past and with one another.