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This volume of edited essays is the first one in English to offer a critical overview of the specific features of Belgian modernity from 1880 to 1940 in a multiplicity of disciplines: literature and poetry, politics, music, photography and drama.
Here, Nathalie Aubert demonstrates how the experience of translating Ruskin led Proust to see creative writing as itself an act of translation. She makes use of phenomenology to show how the Proustian metaphor operates as translation as it bridges the gap between reality and language.
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