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Nathan Larkin Coppedge (b. 1982) has done extensive research on perpetual motion. Beginning in 2009 Coppedge dreamed of applying the 'unlikely' devices to defense applications. For example, he thought of a static electric staff that would recharge electricity automatically, and a way where if the machines worked, they could be used to recharge a laser battery, or perhaps with later developments, even be used to create some type of over-unity explosion. These explosions are currently thought to be make-believe. However Coppedge is interested academically from the standpoint of promoting perpetual motion machines. Coppedge has never been employed in government except as a public library assistant. This research comes almost exclusively from his own experiments since 2000. It is mainly focused around over-unity type effects, nothing similar to weapons used by the military. Scientists currently believe that these devices are not physically possible as they involve a phenomena which are largely considered impossible to science as of 2024.
This text is inspired by substances such as 'ooblec' and similar, though also that feeling people get when they discover a feather or study gelatinous cubes in role-playing games. This is the study of The Blop, Blobs, Blips, Flutters, Fuzzies, Slimes, Goops, Sloshes, Splashes, and Other Physical Visual Effects and Onomatopoeia.
Since it's inception roughly around 2019 if we ignore some unworkable devices, perpetual motion flight has gained a small amount of momentum mostly from the work of Nathan Coppedge. However, it is worth telling, as this volume attests, that the history of flight is somewhat longer, and perpetual motion flying machines are a graceful finishing touch to the traditional traditions in aviation. It begins of course with Archimedes and a variety of other ancient figures, and progresses to auto-gyros, sea planes, and other unusual aircraft. I hope you find that perpetual motion stands out as something highly unique though idealized.
This text gathers significant work on the meaning of some of the birthdays which occurred between roughly1907 and October 2023 or somewhat later. The work draws on extensive knowledge of the modern occult, including time-travel, mind-seals, magical culture, and spell-casting. The author, Nathan Coppedge of New Haven purports to be a time-traveler and perpetual motion inventor. Inside the text the author reveals the meaning of many names based exclusively on someone's birthdate (all hours of one's birth day), and extensive knowledge of topics meaningful to humans.
COVERING YEARS: 2100, 2101, 2102, 2103, 2104, 2105, 2106, 2107, 2108, 2109, 2110, 2111, 2112, 2113, 2114, 2115, 2116, 2117, 2118, 2119, 2120, 2121, 2122, 2123, 2124, 2125, 2126, 2127, 2128, 2129, 2130, 2131, 2132, 2133, 2134, 2135, 2136, 2137, 2138, 2139, 2140, 2141, 2142, 2143, 2144, 2145, 2146, 2147, 2148, 2149, 2150, 2151, 2152, 2153, 2154, 2155, 2156, 2157, 2158, 2159, 2160, 2161, 2162, 2163, 2164, 2165, 2166, 2167, 2168, 2169, 2170, 2171, 2172, 2173, 2174, 2175, 2176, 2177, 2178, 2179, 2180, 2181, 2182, 2183, 2184, 2185, 2186, 2187, 2188, 2189, 2190, 2191, 2192, 2193, 2194, 2195, 2196, 2197, 2198, 2199
The goal of this text was to collect the best writing of a famous and notriously creative author in as concise and brilliant a format as could ever be managed in English. The writing is known to be scary and wide-ranging, covering themes from dimensional mythology to secrets of perpetual motion and tales of past-life close encounters as well as things bordering on magical abilities and greatness discoveries. Some of it is borderline divine, and very little of it is mundane. This is a writing which yearns to teach you basic things about reality in a language which is not so basic, in a format that makes this not-so-basic quality more digestible and interesting. Mainly this is a work of literature, only on the best topics, with a superficial aim to be useful and informative.
From the Introduction: These quotations and stories were collected very informally beginning in the late 2010s. Some of them are owed in part to the Yale community, of which my dad was somewhat of a member since he attended Yale in order to complete his dissertation.My own ties to Yale have not been as strong as I would like, though I was lucky enough to attend one course through an arrangement with top students during my final year in high school.These stories are not all about Yale as much as I might like them to be. Instead, they draw on a more diverse fusion of themes from intellect and storytelling throughout the world.I hope to add to the collection over the years as my memory seems to be becoming more strong with age.
Cautiously since 2006 or thereabouts, Coppedge argued for a new concept called the 'diabolical calf'. This concept differs from the typical 'golden calf' archetype (is not intended to be the same concept at all), as it is based on the idea of declaring other ideologies as themselves holding multiple golden calves themselves. The diabolical golden calf is an idol-shattering version of the golden calf which intends to impose an empirical ideology on the concept of an authentic God. This concept is identical to the concept of a paradoxical golden calf, or what with fear I gradually declare to be called a 'platinum golden calf'. Note this is not the same thing as declaring an authentic god. That I recognize. Instead, it is the idea of declaring the attributes of God while acknowledging that the God (what would normally be a false God, but in this case, academically possesses at least some superficial attributes of authenticity. That is what is being considered. It is nonetheless not truly infinite or not provably infinite. It could be argued if God's attributes are always taken on faith, then the authentic God if there is one is not provably infinite either. For sneaky reasons like this, the attributes of the platinum golden calf are pseudo-authentic though still very questionable, much like God's attributes, though in a way still infinite in this rare situation. What is desired is not so much an alternative to religion, as much as an alternative to religious and scientific golden calves. It is only in the sense that religion and science already use golden calves that this text is critical. This is what is called the diabolical golden calf, is the golden calf that defeats golden calves. The sneakiest argument is that to declare the diabolical golden calf to be a golden calf is to declare a mea culpa about your own ideology as far as golden calves. If you don't assume that the diabolical golden calf is busting idols, then there is no reason to have any fear. It is simply the question of golden calves destroyed by golden calves, it is not the same as the original archetype. From an authentic religious or scientific view, if the foundations are solid, then it is a meaningless battle.
100 Great Perpetual Motion Machines and Other Inventions Arranged Alphabetically: This is what may be the first nearly complete tome of theoretically-working free energy inventions. 50 Great Flying and Underwater Perpetual Motion Machines is saved for another volume. Nathan Coppedge is an inventor like no other. Most of these creations are of Nathan's own invention, replete with simple as-easy-as-it-gets mathematics. Many of the diagrams provide critical information on how to possibly build the devices and make them work.
50 Great Flying and Underwater Perpetual Motion Machines Just what it says. This is the companion volume to 100 Great Perpetual Motion Machines. In this text are found many visual descriptions of certain types of water devices, amphibious elements, and flying apparatuses, which have a reputation for possibly working related to perpetual motion. Many of the inventions are of the author's own creation. Also included are a number of inventions attributed to friends of the family.
This text provides an excellent quality guide of prophetic proportions, providing one-, two-, three-, four-, and five- dimensional standards for interface design. Breezy to read and offering numerous insights and a large number of useful acronyms, if this guide does not become a classic it is a mistake. More than a bridge between short periods of interface progress, this guide offers long-term extrospection on the real nature of interface---meaningful, technical, and otherwise---that is likely to occur in the next entire millenium!
This is a good book to give someone who might have a masturbation problem. The advice comes from someone who for a long time had no religious motivation. Trouble that developed caused him to turn around and see that he was missing out on a big part of life. And this book gives advice asking everyone to participate and to be more divine. Forget reverse psychology, it won't persuade people, even when some small part of them admits that they want a better life than what God is offering them. Avoiding masturbation is the answer, and this book provides sensitive advice.
In 2016 Nathan Coppedge formulated the first popular method for calculating the souls of literature. Using a simple fill-in-the-blank method similar to ad libs, the method effectively composes the soul of any book with a minimum of poetic effort ---- Here are presented all of the souls that Nathan has found so far along with their appropriate titles and the method you can use yourself to find the soul of any book... A stunning collection equal to many volumes...
Nathan Coppedge, previously the author of the 1-Page-Classics, describes a comprehensive body of techniques advanced enough to yield full-fledged aphorisms of any length and complexity.
Coppedge (previously the author of The Dimensional Philosopher's Toolkit) extends his objective philosophy into the realm of the theological, with a comprehensive index of the transformations of God. The material is based on an essay written on the principle of immortality some months earlier. Sixty-four categories of God have been expanded into 1024 proverbs or aphorisms establishing interdependent relationships between aspects of divine manifestation, and especially God's role in ethical decisions and metaphysics. Volume 1 of the series is "Poems by God." Volume 2 of the series is "God's Tractatus."
"The book is inspired incidentally by my father's idea, that someone ought to write a book called 'Poems, Bye God', written for atheists... [However] I began the project on an assumption that these poems were in fact written by God...Coming from a Unitarian Church, my beliefs were not openly religious, but I felt that from the value of poetry I could be consoled with religious belief, even if at other times it seemed like suspended disbelief...Around the same time I began this book I conceived of the idea that religion is only for God... [Later] again I felt conflicted, as I realized that the poems did have threads of reason which bore out their meanings between the different small verses...The meaning of my work, if it could remain in the project was that God made them originally..." Now includes some divine fragments.
An aspiring immortal since the age of 9, Nathan Coppedge recognizes that true immortality is an exceptional principle. This text, framed as an encyclopedia, provides a wealth of lore and principles aimed at the quest of immortality. Herbal, mythological, metaphysical, and encyclopedic, this text illuminates with hopeful outlook on the immortal quest. The text has been updated in 2022 to reflect new editorial changes and updated entries.
In 2013 and 2014 Nathan Coppedge believes he found evidence for perpetual motion. In this single, combined volume, Nathan's designs are completely available, along with a somewhat detailed autobiography. Readers will be pleased to find the majority of Nathan's work on perpetual motion contained within this volume, and may find some of the details of Nathan's early life and adolescence enlightening. This text makes an excellent holiday gift for those who are on the verge of splurging on more than one of Nathan's many published titles. Some adult content is present in the autobiography.
This 32-page work introduces causes of death throughout history, beginning with the city of Ur, and extending into the early 21st Century. Concise and full of quasi-magical insights, this piece stands as one of the great possibilities for recovering from historical misfortune. The end note attributes the writing's intelligence to the Goddess History. From the Introduction: "I thought, perhaps I will write about the moment that science discovers that it is God, because Eucaleh discovered it in a book of medieval deaths... Here is a treatise I researched through my interests in immortality, time-travel, and magic, subjects of later volumes of the Dimensional Encyclopedia. Enjoy this perverse work, and how it arranges life's privileges chrono-logically!" The book was written in a day, making the aspects of reference cohere marvelously and with lucidity.
This author has demonstrated magic powers such as time travel, catching paper in the air, calling birds, balancing a knife on its point with telekinesis, making pants stand mostly upright with permanent enchantment, creating small earthquakes, and healing sore feet. The book includes samples of ancient magic useful for repairing fishing nets, attracting an animal familiar, summoning wind, casting lightning when it is barely raining, re-animating one's own body, and attempting immortality and raise dead. While the effects do not come automatically, readers aspiring to be wizards and witches will be pleased with the range of spells ('Words of Power') present in this book, and its level of instruction on all areas of magic. This edition features numerous updates, including an improved section on Eastern magic.
This collection includes important works in hyper-fiction and literary philosophy by Nathan Coppedge, spanning several years of extreme productivity and wide-ranging creativity. Included are works also included in several separate volumes, including The Story of Master Wu, The Lessons of the Master, Marie Antoinette, The Mandate of Heaven, and many others.
Short stories in Nathan's characteristic writing style. The collection begins with a short explanation of Nathan's role in helping the Normandy Invasion, and ends with a number of abduction and abuse stories. This text includes a large number of mostly very short stories (1 - 2 pages) introducing multiple exciting themes and styles. The text relates the tale of several key events related to the original perpetual motion machines and philosophical systems. The themes of several of the stories were borrowed from relatives or friends related to pivotal events that happened in real life. This story collection is truly unique, and you will not regret reading and rereading these marvelous stories of real-life modern fable.
The beginning of this project was originally compiled in a little over two hours at 2am on the wings of inspiration. It is Nathan Coppedge (philosopher, artist, inventor, poet)'s attempt to summarize key historical epochs by the greatest #1 ideas which occur every year. Coppedge has established a kind of historical method which was first tested with projects like this. A regular pattern of characteristics is repeated, into which flow the top ideas of every year, methodically for decades... even centuries... and perhaps eternity. Inside this text you will find some of the only key references to conscious intelligence observing the intellectual history of humanity, a history which is not incredibly long in this account--beginning only with the Vandals around 300 AD. However, this story is told in reverse, placing the recent historical ideas first in the text, so that the reader may research earlier history at their own leisure. This is a classic work, though short and hastily written, with some characteristic nuances to its style.
Nathan Coppedge, who is known for his extensive work on perpetual motion, is the author of Perpetual Motion Machine Designs & Theory. Here is introduced some fundamental examples and illustrations purporting to prove that perpetual motion is not just an interesting theory---it is physically possible! Coppedge has been compared to Newton and Einstein for his theories of perpetual motion. This book provides an opportunity to compare theories of perpetual motion to theories compatible with contemporary physics.
FROM THE INTRODUCTION: ...With the risk of echoing some things said by Nikola Tesla ...With effort devoted to the Arts, I began to notice some odd occurrences, first in the general organization of the language... Secondly in the level of evocativeness of certain writings... Third in the dimensional power of them when I read them... And fourthly the power of the themes that I used...Today, in October 2022 I am certain some of these writings have dangerously magical power.It was no easy exercise...It has been dozens of years since I began working on machines to generate infinite power, a power which was not occult in nature, but which might grant a certain amount of luck, though it had an unlucky reputation... Though I did not always do so with complete seriousness, my efforts paid off with perhaps hundreds of new discoveries in the field of over-unity energy, a quest which sometimes caused me to travel in time and even potentially acquire great wealth.Nonetheless on the surface my life was ordinary.By 2018 I had completed a quest to turn a nickel gold. And I had also done amazing magical things such as casting a lightning bolt which destroyed a neighbor's tree, and being followed on my bicycle by a gigantic cyclone of leaves on Halloween.By 2022, after my exploits in alchemy and many of my heroic efforts at inspiring perpetual motion, I had developed a philosophy which involved certain efforts at the arcane arts: specifically, I had found a formula for souls in the abstract, and also many formulas for universal knowledge.The knowledge kept building and building, this was one reason I had transmuted the nickel, and also seen the Higgs Boson twice in my bedroom.First, it had to involve coherence. I had found a Theory of Anything also, which I communicated to Stephen Hawking while I was time-traveling. The formula Results = Efficiency + Difference which somehow did not make it into Hawking's books. This formula turned out to provide structure for the two 'arms' of my coherence project.Using that objectivity, the knowledge began to build to the point where the literature began to acquire an occult flavoring.This somewhat extensive collection is a result of these recent efforts culminating in 2022 and thereafter
In this original work, the author (an abstract artist) demonstrates what he calls the 'many-folded forms' of artistic expression. Art cannot be outdone as a symbol both for variation and the transcendental. Art represents not just 'power' and 'motion, ' but arguably every type of genius. The author believes that genius can be taught, and introduces guidance on many aspects of aesthetics. Included are numerous illustrations showing how the categories of art theory are foundational for many aesthetic choices and techniques. The work is a propo in that it extends the functions and models available for the contemporary artist. This, the fifth volume of the encyclopedia is devoted to aesthetics out of a profound deference to its underlying importance in a wide variety of disciplines. In particular, it introduces a variety of techniques related to Hyper-Cubism, a form of art that the author calls 'the next iteration of Cubism'. It poses an exciting opportunity for the aesthetic connoisseur. It is perhaps the first concientious guide to modern art taking place during the very life of the movement.
On the border between fantasy and real-life (and a bit crazy though not without skill in words), this talented writing is a collection of not previously compiled works by Mr. Coppedge including particularly works having to do with emotions and magic. It includes some of Coppedge's key writings on phenomenology, and also a number of spell-casting varieties on things like curing schizophrenia and warding against sea-snakes. Though a bit fanciful, these are delights for the mind.
Nathan Coppedge, previously the author of Intermediate Insights and One-Page-Classics, and who has also wrote pseudonymously as Master Kuo (The Lessons of the Master), here presents his translation of the Tao Te Ching, the authority of which depends on multiple previously existing translations. Considerable insight and additional thought has been acquired for this formidable text, one of the greatest of the classics of ancient literature.
FROM THE INTRODUCTION: "I have developed a rigorous writing method over the course of the years. I have benefited from such texts as Natalie Goldberg's Writing Down the Bones, Annie Dillard's A Writing Life, and Ann LaMott's Bird by Bird --- and even Stephen King's notorious How to Write. In the process of reading these books, I have come to a number of profound conclusions concerning the art of writing --- which mostly serve as practical suggestions for the 'writing seeker'. One of these concerns the importance of the title of a work, and others relate to the specifically existential craft of producing writing. This text includes my best tips on writing, tips I have already used to influence nascient writers on the web."
This is a text which seeks sanity more than enlightenment, but it is aimed at that quest called nirvana / nirvanae. Like the title says, the writer is not the most enlightened guru or particularly adept in conceiving of the Ultimate of Ultimates. However, it is a modestly good attempt from someone who may have founded the Asceticurean religion, the writer of the Dimensional Encyclopedia, and inventor of perpetual motion machines. It would be easy to mistake Nathan for someone enlightened, and it is my hope because of that kind of honest mistake that this kind of book could prove useful. Because I have studied nirvana, and even once achieved a kind of samadhi for a short time as if through devious means. So, it is not completely without attainment. It is my hope someone with a clearer mind might make progress with this kind of tract. Perhaps I have a clouded mind but the way itself is not utterly clouded...
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