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This book, by the eminent poetry critic Neil Corcoran, examines the ways in which the work of significant modern Irish, British and American poets interacts with or 'negotiates' different contexts - historical, social, political, artistic and aesthetic. In Part 1 important work by David Jones, Robert Graves, Seamus Heaney and Bob Dylan is shown to negotiate poetic methods - both traditional and modernist - and also the work of major earlier writers to produce strikingly original new forms; and Derek Mahon's prose is read in the light of these concerns. The books shows how, by negotiating in this way, their work engages profoundly with complex and sometimes terrible histories, including the First World War and the Northern Irish Troubles. Part 2 discusses the ways in which 'ekphrastic' work - poems which engage with visual art - by Elizabeth Bishop, W. S. Graham, John Ashbery, Sylvia Plath and Ciaran Carson negotiates comparable poetic and historical inheritances while alsoinventively responding to work by significant artists, notably Parmigianino, Poussin, de Chirico, Klee and members of the St Ives School. The book is a signal contribution to current critical debates about these poets, situating them in original or newly clarified contexts, and it offers exemplary close readings of noteworthy poems.
Explores different aspects of author's work, writing about his impact on their own intellectual and artistic lives, as well as his wider influence.
Part of the "Longman Literature in English" series which aims to provide students of literature with a critical introduction to the major genres in their historical and cultural context. This text examines English poetry since 1940.
The new edition, which like the original has had the advantage of Seamus Heaney's own cooperation and unstinted access to the poet's papers, follows the same pattern, adding a chapter apiece on the major collections of poems published since 1986, as well as separate discussions of Heaney's work as a translator and essayist.
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