Bøger af Nicholas Royle

Nicholas Royle presents a new Forster - one that has emerged from the posthumous publication of his explicitly homosexual fiction (since 1971) and from new critical attention to issues of language and textuality, Englishness and national identity, colonialism and postcolonialism, gender and queer theory. Royle provides detailed readings of all Forster's novels, as well as of critical writings such as his Aspects of the Novel. He explores the idea that Forster wrote not one, but six queer novels. Indeed, contrary to what may seem critical commonsense, this study proposes that Maurice is in some respects Forster's least queer book. All of his novels, however, are charged with a powerful eroticism and evoke a constant fascination with the generative peculiarities of words themselves. Focusing on such topics as the unforeseeable and the uncanny, deferred meaning and telepathy, Royle argues that Forster's work is stranger, more complex and compelling than earlier accounts may have suggested.

The 'shadow line' is a term Royle uses to describe the faint line on the top edge of the text block that allows him to see whether a book on a shelf contains an inclusion - those items inserted into books and long forgotten.

"An uncanny effect often arises when the boundary between fantasy and reality is blurred . . ." - Sigmund FreudNicholas Royle's stories are "immaculately sinister", according to Olivia Laing in the Times Literary Supplement, while Phil Baker, in the Sunday Times, described Royle as "a real craftsman of disquiet".In his third collection, The Dummy & Other Uncanny Stories, Royle focuses on archetypes and phenomena that, through their particular melding of the familiar and the unfamiliar, produce uneasy, or uncanny, effects. These stories reflect Royle's continuing development as an exponent of the form, in which he is always seeking to learn and to grow, and to push against boundaries.

A lucid, original and inventive critical introduction to Helene Cixous (1937-). Royle offers close readings of many of her works, from Inside (1969) to the present. He foregrounds Cixous's importance for 'English literature' as well as creative writing, autobiography, narrative theory, psychoanalysis, ecology, gender studies and queer theory. -- .

A mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle's passion for Picador's fiction publishing from the 1970s to the end of the 1990s.

This is the first book-length study of the uncanny, an important topic for contemporary thinking on literature, film, philosophy, psychoanalysis, feminism and queer history. -- .

Backed up by an unusually detailed index, this User's Guide demonstrates the innumerable and altering contexts in which deconstructive thinking and practice are at work, both within and beyond the academy, both within and beyond what is called 'the West'.

With a special focus on Derrida's relevance for literary and cultural studies, this text offers invaluable advice on reading Derrida's texts and guidance on the vast range of criticism responses to his work.

Silas and Ethel Woodlock retire to spend their twilight years by thesea, only to find themselves traumatised by herring gulls. Londonjournalist Stephen Osmer writes a provocative essay about twopeople called Nicholas Royle, one a novelist, the other a literarycritic. Whether Royle, the literary critic, is having an affair withthe beautiful Lily Lynch, and has stolen and published SilasWoodlock's short story, 'Gulls', becomes a race to the death forat least one of the authors. Playfully commenting on the main story are 17 'Hides': primarilyabout birds, ornithology and films (including Hitchcock's), theseshort texts give us a different view of the messy business of being human, the fragility of the physical world we inhabit and the nature of writing itself. Witty as well as erudite and delightful in its wordplay, An English Guide to Birdwatching explores the fertile hinterland between fact and fiction. In its focus on birds, climate change, the banking crisis, social justice and human migration, it is intensely relevant to wider political concerns; in its mischief and post-modern (or 'post-fiction') sensibility, it celebrates the transformative possibilities of language and the mutability of the novel itself.

Facing the disarray and disorientation around his father's death, a man contends with the strange and haunting power of the house his parents once lived in.He sets about the mundane yet exhausting process of sorting through the remnants of his father's life -- clearing away years of accumulated objects, unearthing forgotten memories and the haunted realms of everyday life. At the same time, he embarks on an eccentric side-project. And as he grows increasingly obsessed with this new project, his grip on reality seems to slip.Nicholas Royle challenges and experiments with literary form to forge a new mode of storytelling that is both playful and inquisitive. Tender, absorbing and at times shockingly funny, this extraordinary novel is both mystery and love story. It confronts the mad hand of grief while embracing the endless possibilities of language.

'Reading Veering generates the intense joy of veering. An exuberantly successful medium, Royle calls up swarms of passages from literature and elsewhere where the word or concept "e;veering"e; is salient. On this basis he creates new theories of literature and of creative writing's place in criticism. Royle's best book yet.'J. Hillis Miller, Distinguished Research Professor of Comparative Literature and English, University of California, Irvine'Nicholas Royle is one of the most interesting, inventive, and provocative thinkers of literary language currently writing in English, and he has done something truly extraordinary here. By allowing a theory of literature to emerge right from the traces of the veering movements of fiction and poetry, he has thoroughly renewed the possibility of thinking in the wake of our literary encounters. Veering issues a general license to read, once again, with all the wonder, generosity, and freedom it calls forth on every page.'Professor Peggy Kamuf, University of Southern California'Every genre, every great work has its way of veering. This fascinating, richly compendious, necessary book shows the way forward for literary studies. Nicholas Royle's twisty key opens and magically re-opens the wonders of the canon and beyond. The spiralling pleasure he takes in doing so lightens, refreshes, instructs and inspires. Royle is a wonderful communicator about literature and theory and a uniquely powerful, original critical voice. This is his most exciting and widely relevant work so far.'Sarah Wood, University of KentReflections on the figure of veering form the basis for a new theory of literatureExploring images of swerving, loss of control, digressing and deviating, Veering provides new critical perspectives on all major literary genres: the novel, poetry, drama, the short story and the essay, as well as creative writing Royle works with insights from Lewis Carroll, Freud, Adorno, Raymond Williams, Edward Said, Deleuze, Cixous and Derrida. With wit and irony he investigates veering in the writings of Jonson, Milton, Dryden, Wordsworth, Coleridge, Melville, Hardy, Proust, Lawrence, Bowen, J.H. Prynne and many others. Contrary to a widespread sense that literature has become increasingly irrelevant to our culture and everyday life, Royle brilliantly traces a strange but compelling literary turn

Jacques Derrida (1930-2004) was the most original and inspiring writer and philosopher of our time. In a series of distinctive essays that are at once self-contained and intricately linked, Royle explores the legacies of Derrida's thinking in the context of philosophy, language, globalisation, war, terrorism, justice, the democracy to come, poetry, literature, memory, mourning, the gift, friendship and dreams. Lucid, inventive and at times funny, Royle allows us to appreciate how much Derrida's work has altered the ways we read and think. Autobiography, children's literature, the Gothic and modernist fiction, for example, figure together with philosophy, queer studies, speech act theory and psychoanalysis. The writings of Horace Walpole, Herman Melville, E. M. Forster, Elizabeth Bowen, Joe Brainard and David McKee are illuminatingly put in play alongside Shakespeare. Royle's book suggests that one of Derrida's most profound legacies has to do with the combination of responsibility and freedom his work inspires for both reading and writing. In Memory of Jacques Derrida offers an exceptionally clear overview of Derrida's work, while also tracing directions in which it might productively be read in the future.

Before the exquisitely painful ''loss of her marbles'', Mrs Royle, a nurse by profession, is a marvellously no-nonsense character, an autodidact who reads widely and voraciously from Trollope to Woolf, White to Winterson - swears at her fox-hunting neighbours, and instils in the young Nick a love of reading and wildlife that will form his character and his career. He captures the spirit of post-war parenting as well as of his mother whose dementia and death were triggered by the tragedy of losing her other son - Royle''s younger brother - to cancer in his twenties.

Intent upon letting the reader experience the pleasure and intellectual stimulation in reading these classic authors, the How to Read series provides a context and an explanation that will facilitate and enrich your understanding of texts vital to the canon.

Paul Kinder, a novelist with one forgotten book to his name, teaches creative writing in a university in the north-west of England. Either you'll laugh, or you'll cry. Or maybe both.