Bøger af Nina Bawden

One of the most loved and enduring wartime novels, Carrie's War is a modern classic. WITH A NEW FOREWORD BY MICHAEL MORPURGO AND ILLUSTRATIONS BY ALAN MARKS'A touching, utterly convincing book' Jacqueline Wilson'Poignant and realistic . . . Carrie's War captures the true reality of war for a child, and it doesn't sentimentalise war' Shirley Hughes, Guardian'I did a dreadful thing, the worst thing of my life, when I was twelve and a half years old, and nothing can change it'It is wartime and Carrie and her little brother Nick have been evacuated from their London home to the Welsh hills. In an unfamiliar place, among strangers, the children feel alone and find little comfort with the family they are billeted with: Mr Evans, a bullying shopkeeper and Auntie Lou, his kind but timid sister. When Carrie and Nick visit Albert, another evacuee, they are welcomed into Hepzibah Green's warm kitchen. Hepzibah is rumoured to be a witch, but her cooking is delicious, her stories are enthralling and the children cannot keep away. With Albert, Hepzibah and Mister Johnny, they begin to settle into their new surroundings. But before long, their loyalties are tested: will they be persuaded to betray their new friends?This collection of the best children's literature, curated by Virago, will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

'Warm and funny, this tale of a pint-size pig and the family he saves will take up a giant space in your heart' KIRAN MILLWOOD HARGRAVE'What a consummate storymaker Nina Bawden is' MICHAEL MORPURGOWINNER OF THE GUARDIAN AWARD FOR CHILDREN'S FICTION'D'ya want a peppermint pig, Mrs Greengrass?'Poll looked at the milkman, thinking of sweets, but there was a real pig poking its snout out of the milkman's coat pocket. It was the tiniest pig she had ever seen. 'What's a peppermint pig?''Runt of the litter. Too small for the sow to raise. He'd only get trampled in in the rush.'Mother took the pig from him and held it firmly while it kicked and squealed. 'Well, he seems strong enough. And even runts grow.''Oh,' Poll said. 'Oh, Mother.' She stroked the small, wriggling body. 'Theo,' she shouted, 'Look what we've got!'It is a difficult year for the Greengrasses. Poll's father has lost his job and gone overseas, the family are living off the charity of two aunts, and Poll and her brother Theo just can't seem to keep out of trouble. It takes a tiny, mischievous pig to bring laughter back into their lives.This is a collection of the best children's literature, curated by Virago, and will be coveted by children and adults alike. These are timeless tales with beautiful covers, that will be treasured and shared across the generations. Some titles you will already know; some will be new to you, but there are stories for everyone to love, whatever your age. Our list includes Nina Bawden (Carrie's War, The Peppermint Pig), Rumer Godden (The Dark Horse, An Episode of Sparrows), Joan Aiken (The Serial Garden, The Gift Giving) E. Nesbit (The Psammead Trilogy, The Bastable Trilogy, The Railway Children), Frances Hodgson Burnett (The Little Princess,The Secret Garden) and Susan Coolidge (The What Katy Did Trilogy). Discover Virago Children's Classics.

Nina Bawden is a longstanding author on the VMC list, but this is the first time we will publish her children's novels. Carrie's War and The Peppermint Pig are firm favourites: Keeping Henry has been out of print for years but is such a winning combination of the two earlier books that there is already an audience for this lost gem.

Laura is happily married, a mother and a successful novelist. Although she is prey to night terrors, she is adept at smoothing the disorder of reality into controlled prose. Walking Naked telescopes the whole of Laura's life- childhood, marriages, triumphs and disappointments- into a day in which the past and present converge. It begins with a game of tennis played for duty rather than amusement and progresses, via an afternoon party of old friends and jaded emotions, to a bewildering visit to Laura's son, imprisoned on a drugs' charge. At its close, the possibility of death within the family hauls unresolved conflicts centre stage and Laura strips herself of the posturing and self-deceit with which she has cloaked her vulnerability.

With the ferocity of a mother tiger defending her cubs, fourteen-year-old Emmie Bean watches over her household: her amiable drunken father, her gaunt, evangelical old grandmother, her beautiful, wayward sister Alice and most precious of all, eight-year-old Oliver, who has the countenance of an angel and the ethical sense of a cobra. But with the arrival of new neighbours, the outside world intrudes into the isolated privacy of family life and Emmie's kingdom is no longer secure. Combining the guile of a young child with the desperation of adolescence, Emmie fights to stave off the changes- and the revelations- that growing up necessarily brings. Powerful, heart-rending, but never sentimental, Tortoise by Candlelight is a captivating excursion into the landscape of youth.

At fifteen, Daisy, confident and cherished, is appalled to hear that Ruth's father locked her in the old garden ice house as a childhood punishment: no wonder her friend shelters in make believe. The revelation of that primitive cruelty cements a friendship in which protection plays no small part. Years later, middle aged, they remain close friends and live on the same street. So when Daisy's husband dies suddenly, Ruth's discovery that the marriage was unhappy is the first stage in the unravelling of the certainties she has wrapped around her adult life. Friendship, love, marriage and, above all, the scorching effects of adultery, come under the microscope in this dextrous novel. Journeying from a terrifying suburban household to its unexpected conclusion in the Egyptian Pharaoh's tombs, The Ice House is startling, tragic and humorous by turns.

The expulsion from school of their eldest son shatters the middle-class secutiry of Maggie, a writer, and Charlie, a journalist. Since childhood, Toby has been diffident and self-absorbed, but the threat of drug taking and his refusal (or inability) to discuss his evident unhappiness, disturbs them sufficiently to seek professional help. Veering between private agony and public cheerfulness, Maggie and Charlie struggle to support their son and cope with the reactions- and advice- of friends and relatives. Noted for the acuity with which she reaches into the heart of relationships, Nina Bawden here excels in revealing the painful, intimate truths of a family in crisis. Toby's situation is explored with great tenderness, while Maggie's grief and self-recrimination are rigorously, if compassionately, observed. It is a novel that raises fundamental questions about parents and their children, and offers tentative hope but no tidy solutions.

Emma's anxious and manipulative plea, 'Someone listen to me', opens- and closes- this deliciously uncomfortable novel in which Nina Bawden explores myriad emotional disguises with her characteristic acuity. When Emma's father-in-law falls down the stairs to his death, she is convinced she pushed him in an act of wish-fulfilment. To her husband Henry and her close friend Holly, this is unthinkable. Guilt is simply Emma's obsession in a humdrum domestic existence enlivened by romantic fantasy. For Holly, who successfully fields a string of love affairs, sexual pleasures are more easily attainable, whereas Henry, a Divorce lawyer, prides himself on being a realist. Each tells their story in turn, illuminating and distorting their separate versions of the truth. As they do so, an intricate jigsaw of the private deceits with which they shore up everyday life emerges.

In six days Silas Mudd will be one hundred years old and is alarmingly healthy - more than can be said of his son. 'Not sure he'll make old bones' he confides loudly to his daughter-in-law. Grumpily flattered by the fuss over his impending party - even from his irritating family, Silas' greater pleasure is 'to go over his life' and the women whom he loved and who made trouble for him: his sterling and capable Aunt; his wonderfully vulgar second wife Bella; Molly, a music-hall singing sister; and Effie, his first and hopeless wife. Silas is the only one left who knows exactly what is shoring up his family. And now he sits, waiting and thinking, just wondering what it would be like if he were to say ...

Nina Bawden's career spans 20 adult novels and 17 for children. She turns now to her own story and in simple vignettes takes the reader through her life, revealing the inspirations of many of her books. It describes her childhood evacuation to Suffolk and Wales, and her years at Oxford, where she met Richard Burton and Margaret Thatcher. And, she gives an account of her oldest son, Niki, who was diagnosed schizophrenic.

George is an unusually successful travel agent, providing other people with the adventures he dare not risk. Though content to wrap himself in fantasies, he is haunted by the fact that 'the important things happened whilst his back was turned' and by the belief that he fathered the daughter- now a desirable young woman- of his best friends, Sam and Claire. To avoid temptation, George stumbles into a disastrous marriage and determines to mould himself into a supportive husband. But a holiday in Turkey snaps his private world when George finds himself in the midst of intrigue and murder and is forced to acknowledge that life is not the fairy-tale he'd imagined. In this superbly constructed and mercilessly observed novel, part comedy, part thriller, Nina Bawden exposes the fictions we impose on our lives.

After an expensive dinner on their thirteenth wedding anniversary, James calmly announces that he wishes to leave Bridie. A cherished adopted child, she stepped into marriage - and a pet name - at the age of nineteen and has nurtured two step-children and a daughter. The habit of protecting others is strong is Bridie but now, redundant and with her happiness turned into a charade, she is uncertain of her identity. Unless she reclaims a portion of her past, Bridie fears she will have no future. The mysteries and consequences of Bridie's adoption form the bedrock of this enticing and skilfully woven novel. Here, with her characteristic wit and acuity, Nina Bawden peers into the familiar passions of family life, remembered insults, ancient scars and old deceptions.

The first time the children saw the Devil, he was sitting next to them in the second row of deckchairs in the bandstand. He was biting his nails.'So begins the horrifying story of a madman loose in a small seaside town- his prey the very young and the very old. Seen through the eyes of Hilary- a precocious, highly imaginative, lonely child- it is a chilling story about the perceptiveness of children, the blindness of parents and the allure of strangers. As the adults carry on with their own grown-up capers, Hilary is led further and further into the twilight world of one man's terrifyingly warped view of normal life. But will she have the sense to resist it?

Circles of Deceit is narrated by a painter who specialises as a copyist, this is his story: 'bothered by bills and artistic conscience in about equal measure. . .susceptible to, bullied and badgered by women.' Major figures on the canvas are Clio, his child-bride; Helen, his first wife; his mother Maisie. They confound lies and the truth in a subtle weave, while the silent agony of the painter's son is a poignant reflection on the busy web of deception. And as the copyist transcribes his modern versions of Old Masters, so the past keeps breaking through the surface of the present, until fact and fiction like art and life, meet in a remarkable conclusion.

Today, Tuesday, the day that Penelope has chosen to leave her husband, is the first really warm day of spring...'Penelope has always done her best to be a good wife, a good mistress, a good mother - and a good magistrate. Today she is more conscious that usual of the thinness of the thread that distinguishes good from bad, the law-abiding from the criminal. Sitting in court, hearing a short, sad case of indecent exposure and a long, confused theft, she finds herself examining her own sex life (how would all that sound in court?) her own actions and intentions while she observes the defendants in the dock.This novel is a tour-de-force , an ingeniously constructed novel in which Nina Bawden counterpoints public appearance with private behaviour in her heroine, Penelope. The result is a marvellous picture of a not always admirable but engagingly complex and very human heroine. As always, Bawden offers a compelling story, sharply witty and beautifully observed. But it is also an honest and provocative book tracing the divergent courses of morality and justice, and uncomfortably posing, as Penelope does of herself, the question: who and what is a good woman?

Who is Anna? Is she Anna-May Gates, the war-time evacuee who encounters neglect and unwitting abuse on a Welsh farm? The reticent, dutiful daughter of her foster-mother, Crystal? Giles's shy child-bride? Conscientious mother and housewife? Or Daniel's undemanding but sophisticated mistress? It takes catastrophe for Anna to emerge as an individual, claiming her own identity. Nina Bawden, as ever both acute and generous, delves skilfully into character and offers the richly textured story of a woman's life and stratagems, and of the flawed, kindly people who surround her.

Amy thought the Hotel Parthenon in Greece would be a nice change for her husband, Labour MP Tom Jones. He is convinced that it's a bad idea as soon as they arrive and he spots Portia, his ex-mistress, in the minibus to the hotel. Also on board are an American publisher, a young doctor, a shady pair from London and two enigmatic, elderly twins. The scene is set for a wonderful comedy.

By the author of "e;Circles of Deceit"e; and "e;Tortoise by Candlelight"e;, this novel shows the fragility of a family's equilibrium. Three children live with their mother and are happy in the love of their stepfather. The arrival of an aunt and the adolescent worries of the girls sets up tensions.

Elizabeth and Richard are on holiday in Morocco, travelling from its fertile coast to the barren uplands beyond the Atlas mountains. During the expedition's adventures and mishaps, Elizabeth surveys her eighteen-year marriage and its accumulations of grievance, frustration and betrayal. Nina Bawden allows us to see the ambivalences and deceptions on both sides as this touching and often subversively comic novel moves towards a shocking catastrophe and a wryly surprising coda.

Deeply unhappy at the recent divorce of her parents, Mary is sent away to live by the sea with her distant grandfather and the detestable Aunt Alice. Feeling abandoned, without even the company of her beloved pet cat Noakes, the summer looks set to become one long stretch of unendurable loneliness. But suddenly she is dragged, half unwittingly, into a situation that will force her to come to the aid of others more vulnerable than herself. So begins her runaway summer, as she sets about helping Simon, the son of a local policeman, and a young illegal immigrant boy arrived from Kenya, frightened and all alone.The Runaway Summer was first published in 1969 to typically universal acclaim. It is, in the words of the Times Educational Supplement, an 'unputdownable gem of a book. The tale is beautifully constructed in diamond-hard language.'

'I am an outside child. That is what Plato Jones calls me.'Jane Tucker is thirteen years old when she discovers she has a half-brother and sister, a revelation which promises to bring both excitement and succour to her ordinary life.But obstacles lie in her path when, for unknown reasons, she is prevented from meeting them. Aided by her friend Plato, Jane tracks down her brother and sister to their home in the East End of London. There she finds still more surprises lie in store for her.Can Jane at last be part of a 'proper' family, or must she always remain the outside child?This is the story of a girl and her family and the secrets they keep from one another. Both funny and poignant, The Outside Child is a beautifully drawn study of adolescence from one of Britain's most skilled writers for children.

Lonely and forlorn after their mother's death and their sudden arrival at Aunt Mabel's seaside boarding-house, John, Mary and Ben Mallory are unimpressed with their new life in England. But there are wonderful surprises in store for them when they discover a secret way into the grand and empty house next door. Soon all sorts of unexpected events will unfold as the siblings encounter a whole host of eccentric characters and happenings.Completed in 1963, The Secret Passage is Nina Bawden's first children's novel and was written especially for her own three children after they had discovered a secret passage in the cellar of their house. It beautifully reflects her own inquisitive nature - as she herself has said: 'I was a keyhole child, fearsomely curious' - wedded to her subtly innovative ability to empathise with the child's view.

On the Scottish island of Skua, friendship develops between the lonely and mysterious Perdita and a blind girl, Janey. Both possess a kind of second sight - Janey's is the ability to hear, feel and remember more than others, and Perdita's is the ominous legacy of her being a witch's daughter. When Janey's brother, Tom, starts investigating a cluster of mysterious events and suspicious characters, all three become entwined in an adventure of hidden jewels, desperate criminals and dangerous detection.Written in 1963, The Witch's Daughter showcases Nina Bawden's innate regard for the integrity of her young characters. As she has said: 'I like writing for children. It seems to me that most people underestimate their understanding and the strength of their feelings and in my books for them I try to put this right.' Hugely admired on publication by both reviewers and readers, it was described as 'thrilling' by the Times Literary Supplement.

Ben, eleven years old and the youngest of the Mallory children, has left his aunt and siblings to come to London where his widower father wishes to introduce him to his young future step-mother. Unable to return home when his brother and sister become ill, Ben is left on his own to explore the maze of walled gardens which surround his new home.

Determined to find the ex-lodger who stole his grandmother's savings, Fred McAlpine and his friends Sid, Rosie, Algy and Clio launch on a series of sleuthing activities to trace the thief.

Carrie Willow and her brother Nick are evacuees transported to the safety of the countryside in the 1940s. There they stay with Mr Evans; Auntie Lou, and Albert Sandwich and Mr Johnny, who speaks his own language, and Hepzibah, the witch at Druid's Grove who makes perfect mince pies. And then there's the ancient skull with its terrifying curse.

One of a series of top-quality fiction for schools. Carrie and her brother Nick are evacuated to a Welsh mountain village in 1939, and become closely involved with several memorable characters.