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Light, color, materiality. These are perhaps the most significant components of Wolfgang Kessler's (b. 1953) paintings. An additional characteristic is the tranquility and introversion of the figures, who are usually depicted individually before a black background. In contemporary painting, this practice is unusual. At the same time, it touches upon recollected images and a notion of beauty that are buried in our cultural memory. When the question arises as to whether painting is or may be beautiful, one likes to look far back to art-historical frames of reference. One might arrive, for instance, at Delacroix's works, which started to engage with subjects that extended beyond the common notion of beauty.Terribly Beautiful - Wolfgang Kessler is a painter of quiet yet aggressive, power.The comprehensive publication offers a detailed insight into Wolfgang Kessler's complete paintings from 2013-2022.
Combining the collections Monster Poems, Morbusand Fashions, Nora Gomringer¿s trilogy offers a modern anthropology. Gomringer shines a light on the all-too-human, plays with the superficial and loves the invisible. Accompanied by Reimar Limmer¿s illustrations, these poems unpick ideas around the monstrous, the inscribed and gendered body and the face we present to the people around us. Packed with pop culture references and always casting an eye back to where we came from, The Trilogy of Surfaces and Invisibilitiesis a call for a radical humanism.
German poet Nora Gomringer translated into English for the first time by Annie Rutherford. Nora's poetry defies categorisation. These are poems which laugh, howl, stamp their lines. Candid, wry, compassionate. Nora tackles the darkness of Germany's modern history, reworkings of myths and fairy tales, and a 3-page-long ode to sex against a wall.
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