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Chambersonic imagines the book as an acoustic chamber. This collection of poems, essays, performance scores, and audio recordings comes alive with documents, rehearsals, and reverberations, all populated by an ensemble of players, instruments, and materials that make sound together. A conductor fades in and out; the audience acts as choreographer; agencies, noises, and situations test their volumes and energies - until voices morph into rebellious notation, signalling the near-silenced, the dissonant, and the ignored.
Limbinal, as its hybrid title suggests, voices the porous space between a limb's articulations and a liminal border.
Eight-Track is composed of eight tracks (or series) plus two bonus tracks, each of which explores one of the various meanings of the word "track," such as a musical track, a physical path, the marks left by a person or animal, speech tracking, animal and human tracking, and systems of surveillance. The poems ask: How can a trace be sonically and visually embodied? What do our systems of surveillance reveal about ourselves? How does language oppress?
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