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Told through a series triptychs-each with a poem, a work of essayistic prose and a photographic image-White Clouds Blue Rain captures discrete moments of life with precise yet unpredictable detail. Taking cues from artists, writers and architects, Driscoll gently binds the everyday to the abstract, moving from the dual vantage points of an apartment block in Melbourne and a former family home in North Queensland out to questions of form, shape and aesthetics as well as the act of making and our relationships with people, objects and physical space. There's a spaciousness and glasslike stillness to this work that carefully diffuses meaning, never allowing it to settle.
In turns unsettling and funny, Oliver Driscoll's debut collection is a testament to the mundane resonances of contemporary life and language. Driscoll's wry eye captures the subtle whimsy of the everyday, while exploring the capacity of its language to disturb the field of human meaning.
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