Bøger af Oscar George Theodore Sonneck

This catalogue of dramatic music scores is an essential resource for anyone interested in the history of music. It covers scores from the High Renaissance period through the early Baroque, providing detailed information on the works of some of the greatest composers of the era. With comprehensive listings, detailed indexes, and scholarly commentary, this catalogue is a must-have for any serious music enthusiast.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Dieses Buch mit dem Titel ""Ein Kritisch-Polemisches Referat �����ber Die Musik-Asthetischen Streitfragen U. S. W. Von Friedrich Rosch Als Protest (1897)"" wurde von Oscar George Theodore Sonneck geschrieben. Es handelt sich um eine kritische und polemische Betrachtung der musik�����sthetischen Streitfragen, die zu Beginn des 20. Jahrhunderts in der Musikwelt diskutiert wurden. Der Autor bezieht sich dabei auf die Ansichten des Musikwissenschaftlers Friedrich Rosch und setzt sich kritisch mit dessen Positionen auseinander. Dabei geht es um Fragen wie die Bedeutung von Harmonie und Melodie in der Musik, die Rolle des Komponisten und die Beziehung zwischen Musik und Sprache. Das Buch ist ein Protest gegen die damalige herrschende Meinung und will eine alternative Sichtweise auf die Musik�����sthetik bieten. Es ist ein wichtiger Beitrag zur Geschichte der Musikwissenschaft und bietet einen Einblick in die Debatten und Diskussionen, die in der Musikwelt zu dieser Zeit gef�����hrt wurden.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.