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While the musical culture of the British Isles in the 'long nineteenth century' has been reclaimed from obscurity by musicologists in the last thirty years, appraisal of operatic culture in the latter part of this period has remained elusive. Paul Rodmell examines the nature of operatic culture in the British Isles during this period.
Devoted to the life and music of Charles Villiers Stanford, this book pieces together the story of the life of this prominent pre-First World War musician.
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