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""Einf�����hlung und Association in der neueren �����sthetik"" ist ein Buch von Paul Stern, das im Jahr 1898 ver������ffentlicht wurde. Es besch�����ftigt sich mit der Frage, wie wir Kunstwerke wahrnehmen und welche Rolle unsere Emotionen dabei spielen. Stern argumentiert, dass wir uns beim Betrachten von Kunstwerken einf�����hlen und uns mit ihnen identifizieren k������nnen. Er untersucht auch, wie Assoziationen und Erinnerungen unsere Wahrnehmung von Kunst beeinflussen k������nnen. Das Buch ist ein wichtiger Beitrag zur �����sthetik und hat Einfluss auf die Entwicklung der Kunsttheorie im 20. Jahrhundert gehabt.This Book Is In German.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
When political theorists teach the history of political philosophy, they typically skip from the ancient Greeks and Cicero to Augustine in the fifth century and Thomas Aquinas in the thirteenth, and then on to the origins of modernity with Machiavelli and beyond. Paul Stern aims to change this settled narrative and makes a powerful case for treating Dante Alighieri, arguably the greatest poet of medieval Christendom, as a political philosopher of the first rank.In Dante''s Philosophical Life, Stern argues that Purgatorio''s depiction of the ascent to Earthly Paradise, that is, the summit of Mount Purgatory, was intended to give instruction on how to live the philosophic life, understood in its classical form as "love of wisdom." As an object of love, however, wisdom must be sought by the human soul, rather than possessed. But before the search can be undertaken, the soul needs to consider from where it begins: its nature and its good. In Stern''s interpretation of Purgatorio, Dante''s intense concern for political life follows from this need, for it is law that supplies the notions of good that shape the soul''s understanding and it is law, especially its limits, that provides the most evident display of the soul''s enduring hopes.According to Stern, Dante places inquiry regarding human nature and its good at the heart of philosophic investigation, thereby rehabilitating the highest form of reasoned judgment or prudence. Philosophy thus understood is neither a body of doctrines easily situated in a Christian framework nor a set of intellectual tools best used for predetermined theological ends, but a way of life. Stern''s claim that Dante was arguing for prudence against dogmatisms of every kind addresses a question of contemporary concern: whether reason can guide a life.
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