Bøger af Paulo Portugal

"Der Weg, den das Seminar einschlägt, ist eine Reise von Ford zu Hitchcock, von De Sica zu Moretti, von Ozu zu Godard, die allerdings das ontologische Erbe anderer Filmemacher voraussetzt. Vielleicht ein Bild, das das Verständnis dessen unterstützt, was der Dozent (João Mário Grilo) als das 'Monster' bezeichnet, das jeder Film im Kopf des Regisseurs ist, der ihn machen musste". In der Verbindung von Technik und filmwissenschaftlichen Prinzipien wird diese monströse Vision also ihr menschlichstes Profil entwickeln".

"Put', projdennyj seminarom, predstawlqet soboj puteshestwie ot Forda k Hichkoku, ot De Sika k Moretti, ot Odzu k Godaru, hotq äto puteshestwie samo po sebe predpolagaet ontologicheskoe nasledie drugih rezhisserow. Vozmozhno, ätot obraz pomogaet ponqt' to, chto lektor (Zhoan Mariu Grilo) nazywaet "monstrom", kotorym kazhdyj fil'm qwlqetsq w soznanii rezhissera, kotoromu prishlos' ego snimat'". Takim obrazom, imenno w soüze mezhdu tehnikoj i principami kinowedeniq äto chudowischnoe widenie poluchit swoj naibolee chelowecheskij profil'".

"The path taken by the seminar then contemplates a journey from Ford to Hitchcock, from De Sica to Moretti, from Ozu to Godard, albeit a journey that itself presupposes the ontological legacy of other filmmakers. Perhaps an image that supports the understanding of what the lecturer (João Mário Grilo) describes as the 'monster' that each film is in the mind of the director who had to make it." It will therefore be in the alliance between technique and the principles of filmology that this monstrous vision will develop its most human profile."

"Il percorso del seminario contempla quindi un viaggio da Ford a Hitchcock, da De Sica a Moretti, da Ozu a Godard, anche se un viaggio che presuppone di per sé l'eredità ontologica di altri cineasti. Forse un'immagine che sostiene la comprensione di quello che il docente (João Mário Grilo) descrive come il "mostro" che ogni film è nella mente del regista che doveva realizzarlo". Sarà quindi nell'alleanza tra tecnica e principi della filmologia che questa visione mostruosa svilupperà il suo profilo più umano".

"Le parcours du séminaire envisage donc un voyage de Ford à Hitchcock, de De Sica à Moretti, d'Ozu à Godard, mais un voyage qui présuppose lui-même l'héritage ontologique d'autres cinéastes. Peut-être une image qui soutient la compréhension de ce que le conférencier (João Mário Grilo) décrit comme le "monstre" que chaque film est dans l'esprit du réalisateur qui a dû le faire". Ce sera donc dans l'alliance entre la technique et les principes de la filmologie que cette vision monstrueuse développera son profil le plus humain".

"No percurso trilhado pelo seminário contempla-se então uma viagem de Ford a Hitchcock, de De Sica a Moretti, de Ozu a Godard, embora uma viagem que pressupõe, ela própria, o legado ontológico de outros cineastas. Talvez uma imagem que sustente a compreensão daquilo que o docente (João Mário Grilo) descreve como o ¿monströ que cada filme é na cabeça do realizador que o teve de executar¿. Será, portanto, na aliança entre a técnica e os princípios de filmologia que essa visão monstruosa irá desenvolver o seu perfil mais humano."

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