Bøger af Peter Jelavich

This is the first cultural exploration of playwriting, directing, acting, and theater architecture in fin-de-siecle Munich. Peter Jelavich examines the commercial, political, and cultural tensions that fostered modernism's artistic revolt against the classical and realistic modes of nineteenth-century drama.

An exploration of a work that was the epitome of German literary modernism illuminates in detail the death of the Weimar Republic's left-leaning culture of innovation and experimentation. It examines Alfred Doblin's "Berlin Alexanderplatz" (1929), a novel that questioned the autonomy and coherence of the human personality in the modern metropolis.

Fads and fashions, sexual mores, and political ideologies-all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of German history.