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Peter Mack creates his own lane with LICKS, the complete Dirty Licks trilogy of interwoven narratives. In Dirty, we witness the kidnapping of Stash's wife by the porn addicted brother of a snitch, thus introducing us to Binky and her hilarious grandmother. In Nasty, Noble Francis is featured with Starla in their blackmail quest to free Stash from prison, exposing a world of sexual fetish and the secret of a down-low thug. Binky returns in Daddy, who finds her way into the stable of a lesbian pimp in an effort to escape sexually abusive foster parents.
Brenda has just turned 18 and is fresh off her seduction of Nutcracker, a married ex-con. After winning an amateur stripping contest at Applebottoms Gentlemen's Club, she is thrust into a world of organized crime and the arms of a down on his luck pimp named Jackface. Peter Mack weaves a seductive tale of sex, violence, murder and money; all centered around the seductive exploits of an eighteen year old girl through the underbelly of a Los Angeles rife with gangsters, killers and dope dealers. Brenda is the natural follow up to Peter Mack's critically acclaimed novel, S'Murda At Sweetwater Manor. It follows Brenda and Nutcracker to a rehab facility called Strawberry Gardens, where a new set of shenanigans emerge for them. Peter Mack is the author of nearly twenty novels, including FILTHY, winner of a PEN American Center book award. Learn more about this versatile and dynamic author at PeterMackPresents.com
Sweetwater Manor is home to mostly single women. Nutcracker is the onsite handyman, fresh out of prison. When an exotic dancer, a resident of Sweetwater Manor, is murdered, Nutcracker is seduced into helping find the murderer. With a suspicious wife and sex starved tenants, Nutcracker is under constant threat of returning to prison. He risks everything to help a beautiful tenant locate a sadistic killer, hoping there might be something in it for himself.
Peter Mack, a 2015 PEN America Center book prize winner, celebrates ten years of writing by returning to the origins of his writing career. Applebottoms & Cream features Dimp, the son of hood royalty who's manager of Applebottoms Gentlemen's Club. When his love for strippers gets him caught up with Russian Mob figures, his BRU family comes to his aide while ceremoniously dispatching the foreigners. Applebottoms Gentlemen's Club is featured in all Peter Mack novels. Here the reader is treated to the sex, violence, money and murder of a world only few know. Applebottoms & Cream features Ansar, a cameo character of other Peter Mack novels. He is in rare form here, exposing game that secures financial security for the BRU family. This novel fills in all the blanks as to the origin of the world Peter Mack has created through his novels. Billy Bob, Milo and Missy return from the novel, So Hood So Rich. As a special treat for readers of the novel, DOMINA, the extended alternate ending is included here, where previously only available in the paperback version. Peter Mack is author of nineteen novels. He weaves together a seductive tale of interwoven narratives that feel real. Learn more about this dynamic genre bursting novelist at PeterMackPresents.com
Peter Mack, 2015 PEN American Center book prize winner, celebrates his 20th novel with the release Sarah's Dream. This novel, like his two most recent releases, Brenda: Barely Legal, and Applebottoms & CREAM represent "foundation" novels for sharing the history of the characters, families and cameos readers have come to love and want more of. Brock James initially appeared as the main character in AFFILIATED: Episode One- BOSS ANGELES. Here, he's just been released from prison. He's not a dopeman. He gets a good job. But he gets caught up when Sarah falls in with a shady model manager and his best friend is kidnapped. All Brock wants to do is enjoy the two women in his life and go to work, but dead bodies line the way back. This novel, with the ones before, are a cautionary tale. It is a reminder. To: Live Rich. Die Ready. .. with Desire. Motivation. & Dedication for Peace. Power. & Position. Twenty novels and ten years this has been the theme of Peter Mack novels. He's been successful, through dynamic characters, relatable stories and a unique flow of interwoven narratives, from his debut novel, A Neighborly Affair ( Tru Life Publishing 2008), in expressing his mantra: Love & Starvation Can't Eat Out The Same Bowl Thank you for sharing this journey. God Bless you. Struggle on beautiful people. Claim the reward promised to those who believe. Who strive with constancy and faith. Peace. #LiveRichDieReady Learn more about this dynamic genre bursting novelist at PeterMackPresents.com Signature Peter Mack Apparel @ www.petermackpresents.com
LOVE & LOYALTY COME AT A PRICE. SOMETIMES THINGS AREN'T ALWAYS WHAT THEY APPEAR. Ayana has a difficult choice to make, one which will leave a dead body behind and separate her from those she loves. Prada wants a normal life with husband and child. As a transgender woman this is almost impossible. A mission of sexual intrigue brings them together in hopes of realizing their dreams. What's asked of them will tear lives apart. Peter Mack is the author of nearly twenty novels, including FILTHY, winner of a 2015 PEN American Center book award. Learn more about this versatile and dynamic author at www.PeterMackPresents.com
From his own middle age onwards, Virgil has been revered as perhaps the greatest poet of the Latin language. Moreover, no classical Latin author has a more continuous history of copying, study, and imitation than Virgil. He has been centrally important to the transmission of the classical tradition, and has played a unique role in European education. It was as a contribution to the richness of his reception that one of the first conferences in the joint Warburg Institute and Institute of Classical Studies series on the afterlife of the Classics was devoted to the afterlife of Virgil, on 8-9 May 2014.This volume publishes papers from that conference: they range in time from Petrarch to eighteenth-century Eastern Europe, focusing on three main areas: Italian Renaissance poetry, scholarship and visual art; English responses to Virgil's poetry; and, more unusually, emerging literatures in Eastern Europe in the seventeenth and eighteenth centuries. [Within Virgil's work there is a strong focus on the ways in which later writers and artists have used the Eclogues and the Aeneid.]
Ovid was the most influential and widely imitated of all classical Latin poets. This volume publishes papers delivered at a conference on the Reception of Ovid in March 2013, jointly organised by the Institute of Classical Studies and the Warburg Institute, University of London. It presents studies of the impact of Ovid's work on Renaissance commentators, on neo-Latin poetry and epistolography, on Renaissance engravers, on poets like Dante, Mantuan, Pontano, Ariosto, Tasso, Spenser, Lodge, Weever, Milton and Cowley and on artists including Correggio and Rubens. The main focus of the volume is inevitably the afterlife of the Metamorphoses but it also includes discussions of the impact of Heroides, Fasti, and Ibis, and publishes for the first time a Latin verse life of Ovid composed around 1460 by Bernardo Moretti. Contributors are Hélène Casanova-Robin, Frank T. Coulson, Fátima Diez-Plazas, Ingo Gildenhard, Philip Hardie, Maggie Kilgour, Gesine Manuwald, Elizabeth McGrath, John Miller, Victoria Moul, Caroline Stark, and Hérica Valladares.
Mack offers a wide-ranging exploration of the creative power of literary tradition, from the middle ages to the 21st century, revealing in new ways how it helps writers and readers make new works and meanings.
Shakespeare and Montaigne are the English and French writers of the sixteenth century who have the most to say to modern readers. This fascinating and rigorous book explores the relationship between the work of these great writers in the light of their rhetorical training.
This is the first comprehensive history of renaissance rhetoric, an advanced training in the use of language to argue, persuade, and convey information, which was an essential component of renaissance culture, and discusses rhetorical training as well as the opinions on rhetoric of major scholars including Erasmus, Melanchthon, and Sturm.
Peter Mack examines the impact of humanist training in rhetoric and argument on a range of Elizabethan prose texts, including political orations, histories, romances, conduct manuals, privy council debates and personal letters. Elizabethan Rhetoric reconstructs the knowledge, skills and approaches which an Elizabethan would have acquired in order to participate in the political and religious debates of the time: the approaches to an audience, analysis and replication of textual structures, organisation of arguments and tactics for disputation. Study of the rhetorical codes and conventions in terms of which debates were conducted is currently a major area of historical and literary enquiry, and Mack provides a wealth of new information about what was taught and how these conventions were exploited in personal memoranda, court depositions, sermons and political and religious pamphlets. This important book will be invaluable for all those interested in the culture, literature and political history of the period.
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