Bøger af Philip Ball

Colour in art - as in life - is both inspiring and uplifting, but where does it come from?

Images and text capture the astonishing beauty of the chemical processes that create snowflakes, bubbles, flames, and other wonders of nature.Chemistry is not just about microscopic atoms doing inscrutable things; it is the process that makes flowers and galaxies. We rely on it for bread-baking, vegetable-growing, and producing the materials of daily life. In stunning images and illuminating text, this book captures chemistry as it unfolds. Using such techniques as microphotography, time-lapse photography, and infrared thermal imaging, The Beauty of Chemistry shows us how chemistry underpins the formation of snowflakes, the science of champagne, the colors of flowers, and other wonders of nature and technology. We see the marvelous configurations of chemical gardens; the amazing transformations of evaporation, distillation, and precipitation; heat made visible; and more.

The first fully illustrated history of the chemical elements.

A cutting-edge examination of what it means to be human and to have a 'self' in the face of new scientific developments in genetic editing, cloning and neural downloading.

While the natural world is often described as organic, it is in fact structured to the very molecule, replete with patterned order that can be decoded with basic mathematical algorithms and principles. In a nautilus shell one can see logarithmic spirals, and the Golden Ratio can be seen in the seed head of the sunflower plant. These patterns and shapes have inspired artists, writers, designers, and musicians for thousands of years. "Patterns in Nature: Why the Natural World Looks the Way It Does" illuminates the amazing diversity of pattern in the natural world and takes readers on a visual tour of some of the world s most incredible natural wonders. Featuring awe-inspiring galleries of nature s most ingenious designs, "Patterns in Nature" is a synergy of art and science that will fascinate artists, nature lovers, and mathematicians alike."

Why have all human cultures - today and throughout history - made music? Why does music excite such rich emotion? And how do we make sense of musical sound? This title explores how the research in music psychology and brain science is piecing together the puzzle of how our minds understand and respond to music.

Is there a 'physics of society'? Ranging from Hobbes and Adam Smith to modern work on traffic flow and market trading, and across economics, sociology and psychology, this title shows how much we can understand of human behaviour when we cease to try to predict and analyse the behaviour of individuals.

The brilliantly told and gripping story of the most familiar - yet, amazingly, still poorly understood - substance in the universe: Water.

Featuring two hundred color plates, this history of the craft of scientific inquiry is as exquisite as the experiments whose stories it shares. This illustrated history of experimental science is more than just a celebration of the ingenuity that scientists and natural philosophers have used throughout the ages to study--and to change--the world. Here we see in intricate detail experiments that have, in some way or another, exhibited elegance and beauty: in their design, their conception, and their execution. Celebrated science writer Philip Ball invites readers to marvel at and admire the craftsmanship of scientific instruments and apparatus on display, from the earliest microscopes to the giant particle colliders of today. With Ball as our expert guide, we are encouraged to think carefully about what experiments are, what they mean, and how they are used. Ranging across millennia and geographies, Beautiful Experiments demonstrates why "experiment" remains a contested notion in science, while also exploring how we came to understand the way the world functions, what it contains, and where the pursuit of that understanding has brought us today.

A comprehensive, accessible survey of what is known--and still unknown--about how music works its magic.

A comprehensive, accessible survey of what is known--and still unknown--about how music works its magic.

The compelling story of leading physicists in Germany--including Peter Debye, Max Planck, and Werner Heisenberg--and how they accommodated themselves to working within the Nazi state in the 1930s and '40s. After World War II, most scientists in Germany maintained that they had been apolitical or actively resisted the Nazi regime, but the true story is much more complicated. In Serving the Reich, Philip Ball takes a fresh look at that controversial history, contrasting the career of Peter Debye, director of the Kaiser Wilhelm Institute for Physics in Berlin, with those of two other leading physicists in Germany during the Third Reich: Max Planck, the elder statesman of physics after whom Germany's premier scientific society is now named, and Werner Heisenberg, who succeeded Debye as director of the institute when it became focused on the development of nuclear power and weapons. Mixing history, science, and biography, Ball's gripping exploration of the lives of scientists under Nazism offers a powerful portrait of moral choice and personal responsibility, as scientists navigated "the grey zone between complicity and resistance." Ball's account of the different choices these three men and their colleagues made shows how there can be no clear-cut answers or judgment of their conduct. Yet, despite these ambiguities, Ball makes it undeniable that the German scientific establishment as a whole mounted no serious resistance to the Nazis, and in many ways acted as a willing instrument of the state. Serving the Reich considers what this problematic history can tell us about the relationship between science and politics today. Ultimately, Ball argues, a determination to present science as an abstract inquiry into nature that is "above politics" can leave science and scientists dangerously compromised and vulnerable to political manipulation.

Science Book Prize-winning science writer Philip Ball explores the diversity of thinking minds, from the variety of human minds to those of mammals, insects, computers and plants, in a book that brilliantly illuminates how many different ways there are to think and engage with the world; and how particular are our own.

With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, Bram Stoker and Mary Shelley to The War of the Worlds, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales.

From the Yangtze to the Yellow River, China is traversed by great waterways, which have defined its politics and ways of life for centuries. Water has been so integral to China's culture, economy, and growth and development that it provides a window on the whole sweep of Chinese history. In The Water Kingdom, renowned writer Philip Ball opens that window to offer an epic and powerful new way of thinking about Chinese civilization. Water, Ball shows, is a key that unlocks much of Chinese culture. In The Water Kingdom, he takes us on a grand journey through China's past and present, showing how the complexity and energy of the country and its history repeatedly come back to the challenges, opportunities, and inspiration provided by the waterways. Drawing on stories from travelers and explorers, poets and painters, bureaucrats and activists, all of whom have been influenced by an environment shaped and permeated by water, Ball explores how the ubiquitous relationship of the Chinese people to water has made it an enduring metaphor for philosophical thought and artistic expression. From the Han emperors to Mao, the ability to manage the waters ― to provide irrigation and defend against floods ― was a barometer of political legitimacy, often resulting in engineering works on a gigantic scale. It is a struggle that continues today, as the strain of economic growth on water resources may be the greatest threat to China's future. The Water Kingdom offers an unusual and fascinating history, uncovering just how much of China's art, politics, and outlook have been defined by the links between humanity and nature.

"Anyone who is not shocked by quantum theory has not understood it." Since Niels Bohr said this many years ago, quantum mechanics has only been getting more shocking. We now realize that it's not really telling us that "weird" things happen out of sight, on the tiniest level, in the atomic world: rather, everything is quantum. But if quantum mechanics is correct, what seems obvious and right in our everyday world is built on foundations that don't seem obvious or right at all--or even possible. An exhilarating tour of the contemporary quantum landscape, Beyond Weird is a book about what quantum physics really means--and what it doesn't. Science writer Philip Ball offers an up-to-date, accessible account of the quest to come to grips with the most fundamental theory of physical reality, and to explain how its counterintuitive principles underpin the world we experience. Over the past decade it has become clear that quantum physics is less a theory about particles and waves, uncertainty and fuzziness, than a theory about information and knowledge--about what can be known, and how we can know it. Discoveries and experiments over the past few decades have called into question the meanings and limits of space and time, cause and effect, and, ultimately, of knowledge itself. The quantum world Ball shows us isn't a different world. It is our world, and if anything deserves to be called "weird," it's us.

Are there "natural laws" that govern the ways in which humans behave and organize themselves, just as there are physical laws that govern the motions of atoms and planets? Unlikely as it may seem, such laws now seem to be emerging from attempts to bring the tools and concepts of physics into the social sciences. These new discoveries are part of an old tradition. In the seventeenth century the philosopher Thomas Hobbes, dismayed by the impending civil war in England, decided that he would work out what kind of government was needed for a stable society. His solution sparked a new way of thinking about human behavior in looking for the "scientific" rules of society.Adam Smith, Immanuel Kant, Auguste Comte, and John Stuart Mill pursued this idea from different political perspectives. But these philosophers lacked the tools that modern physics can now bring to bear on the matter. Philip Ball shows how, by using these tools, we can understand many aspects of mass human behavior. Once we recognize that we do not make most of our decisions in isolation but are affected by what others decide, we can start to discern a surprising and perhaps even disturbing predictability in our laws, institutions, and customs.Lively and compelling, Critical Mass is the first book to bring these new ideas together and to show how they fit within the broader historical context of a rational search for better ways to live.

'This is the book I wish I could have written but am very glad I've read' Jim Al-Khalili`I think I can safely say that nobody understands quantum mechanics.'Richard Feynman wrote this in 1965 - the year he was awarded the Nobel prize in physics for his work on quantum mechanics.

Selected as a Book of the Year by The Times and The Economist A secret history of China - a fresh new way of thinking about a people, a civilisation, an epic story. The ubiquitous relationship that the Chinese people have had with water has made it an enduring metaphor for philosophical thought and artistic expression.

Among them were world-renowned physicists Max Planck, Peter Debye and Werner Heisenberg. After the war most scientists in Germany maintained they had been apolitical or even resisted the regime: Debye claimed that he had gone to America in 1940 to escape Nazi interference in his research;

Unnatural delves beneath the surface of the cultural history of 'anthropoeia' - the artificial creation of people - to explore what it tells us about our views on life, humanity, creativity and technology, and the soul.

One of the four elements of classical antiquity, water is central to the environment of our planet. In this book, the author writes of water's origins, history, and unique physical character. As a geological agent, water shapes mountains, canyons, and coastlines, and when unleashed in hurricanes and floods its destructive power is awesome.

Why do similar patterns appear in nature in settings that seem to bear no relation to one another? Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts and gives rise to spontaneous patterns. This book tells how nature's patterns are made.