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One of the four elements of classical antiquity, water is central to the environment of our planet. In this book, the author writes of water's origins, history, and unique physical character. As a geological agent, water shapes mountains, canyons, and coastlines, and when unleashed in hurricanes and floods its destructive power is awesome.
Why do similar patterns appear in nature in settings that seem to bear no relation to one another? Nature commonly weaves its tapestry by self-organization, employing no master plan or blueprint but by simple, local interactions between its component parts and gives rise to spontaneous patterns. This book tells how nature's patterns are made.
From Egyptian wall paintings to the Venetian Renaissance, impressionism to digital images, Philip Ball tells the fascinating story of how art, chemistry, and technology have interacted throughout the ages to render the gorgeous hues we admire on our walls and in our museums.
This book aims to stimulate the reader to think anew about some of the relationships and differences between science and art, and to challenge some of the common notions about particular 'famous experiments'.
Chemists have created superconducting ceramics for brain scanners, designed liquid crystal flat screens for televisions and watch displays, and made fabrics that change color while you wear them. This book lets the lay reader into the world of modern chemistry.
Made to Measure introduces a general audience to one of today's most exciting areas of scientific research: materials science. Philip Ball describes how scientists are currently inventing thousands of new materials, ranging from synthetic skin, blood, and bone to substances that repair themselves and adapt to their environment, that swell and flex like muscles, that repel any ink or paint, and that capture and store the energy of the Sun. He shows how all this is being accomplished precisely because, for the first time in history, materials are being "e;made to measure"e;: designed for particular applications, rather than discovered in nature or by haphazard experimentation. Now scientists literally put new materials together on the drawing board in the same way that a blueprint is specified for a house or an electronic circuit. But the designers are working not with skylights and alcoves, not with transistors and capacitors, but with molecules and atoms. This book is written in the same engaging manner as Ball's popular book on chemistry, Designing the Molecular World, and it links insights from chemistry, biology, and physics with those from engineering as it outlines the various areas in which new materials will transform our lives in the twenty-first century. The chapters provide vignettes from a broad range of selected areas of materials science and can be read as separate essays. The subjects include photonic materials, materials for information storage, smart materials, biomaterials, biomedical materials, materials for clean energy, porous materials, diamond and hard materials, new polymers, and surfaces and interfaces.
This book proposes that the complex systems view of social sciences has matured sufficiently to make it possible, desirable and perhaps essential to try formulating a unified scheme for studying, understanding and ultimately predicting the world we have made.
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