Bøger af Philip Knox

Annual volume on medieval textual cultures, engaging with intellectual and cultural pluralism in the Middle Ages, showcasing the best new work in this field.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume trace institutional histories, examining the textual and memorial practices of religious institutions across the British Isles; explore language games that play with meaning in Anglo-French poetry; examine the interplay of form and matter in Italian song; position Old Norse sagas in an ecocritical and a postcolonial framework; consider the impact of papal politics on Middle English poetry; and read allegorical poetry as a privileged site for asking fundamental questions about the nature of the mind. Texts discussed include lives of St Aebbe of Coldingham, with a focus on the twelfth-century Latin Vita and its afterlives; a range of Latin and vernacular works associated with institutional houses, including the Vie de Edmund le rei by Denis Piramus and the Ecclesiastical History of Orderic Vitalis; both the didactic and lyrical writings of Walter de Bibbesworth; the trecento Italian caccia, especially examples by Vincenzo da Rimini and Lorenzo Masini;Barar saga, Egils saga, and other Old Norse works that reveal the traces of encounters with a racial other; John Gower's Confessio Amantis, in striking juxtaposition with late-medieval accounts of ecclesiastical crisis; and Alain Chartier's Livre de l'Esperance. PHILIP KNOX Is University Lecturer in English and Fellow of Trinity College, Cambridge; KELLIE ROBERTSON is Professor of English and Comparative Literature at theUniversity of Maryland; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford. Contributors: Daisy Delogu, Thomas Hinton, Thomas O'Donnell, Daniel Remein, Jamie L. Reuland, Zachary Stone, Christiania Whitehead.

An invigorating annual for those who are interested in medieval textual cultures and open to ways in which diverse post-modern methodologies may be applied to them. Alcuin Blamires, Review of English StudiesNew Medieval Literatures is an annual of work on medieval textual cultures, aiming to engage with intellectual and cultural pluralism in the Middle Ages and now. Its scope is inclusive of work across the theoretical, archival, philological, and historicist methodologies associated with medieval literary studies, and embraces both the British Isles and Europe. Essays in this volume engage with real and metaphorical relations between humans and nonhumans, with particular focus on spiders, hawks, and demons; discuss some of the earliest Middle English musical and, it is argued, liturgical compositions; describe the generic flexibility and literariness of medical discourse;consider strategies of affective and practical devotion, and their roles in building a community; and offer an example of the creativity of fifteenth-century vernacular religious literature. Texts discussed include the Old English riddles and Alfredian translations of the psalms; the lives of saints Dunstan, Godric, and Juliana, in Latin and English; Piers Plowman, in fascinating juxtaposition with Hugh of Fouilloy's Aviarium; medical remedybooks and uroscopies, many from unedited manuscripts; and the fifteenth-century English Life of Job. LAURA ASHE is Professor of English at the University of Oxford and Fellow and Tutor at Worcester College, Oxford; PHILIP KNOX is University Lecturer in English and Fellow of Trinity College, Cambridge; WENDY SCASE is Geoffrey Shepherd Professor of Medieval English Literature at the University of Birmingham; DAVID LAWTON is Professor of English at Washington University in St Louis. Contributors: Jenny C. Bledsoe, Heather Blurton, Hannah Bower, Megan Cavell, Cathy Hume, Hilary Powell, Isabella Wheater