Bøger af Phillip Prodger

The first book on master photographer Ernst Haas's work dedicated to both his classic and newly discovered New York City color photographs of the 1950s and 60s.

William Eggleston's photographs are special for their eccentric, unexpected compositions, playfulness, implied narrative and, above all, his portrayals of people. This title accompanies the first exhibition to explore Eggleston's pictures of people. It includes works that span his career from the 1950s onwards.

Spanning the career of one of Japan's most revered photographers, this monograph-the only English-language volume of its kind-features exquisitely detailed full-page images that capture the relationship between human-made structures and the natural world. Toshio Shibata's large-format contemporary landscapes are distinguished by their haunting beauty, graceful composition, and meticulous detail. Using long exposures, and eliminating any references to people, horizons, or identifying geographic reference points, Shibata captures structures such as dams, bridges, reservoirs, and roads as they interact with their natural settings-mountainsides, rivers, and forests and fields. The results are highlighted by painterly composition; filled with patterns, lines, and fluid action; and unmistakably Japanese in their aesthetic. Curated and with commentary by Phillip Prodger, one of the most erudite and critical voices in contemporary photography, this book will appeal both to fans of Shibata's work as well as an audience that has yet to discover his remarkable oeuvre.

This is the companion volume to the Eadweard Muybridge exhibition opening at Stanford, and is the first showing of the pioneering artist's work in 30 years. 195 halftones.

Includes an interview with Eggleston conducted by Phillip Prodger and three others.

An accessible introduction to the history and themes of photographic portraiture.

Oscar Rejlander, Julia Margaret Cameron, Lewis Carroll and Clementina Hawarden embody the very best of Victorian photographyThe work of Oscar Rejlander (1813-75), Julia Margaret Cameron (1815-79), Lewis Carroll (1832-98) and Lady Clementina Hawarden (1822-65) embodies the very best of photography from the Victorian era. These giants of 19th-century photography experimented with new approaches to picture-making and shaped attitudes toward photography that have informed artistic practice ever since. Discover the images that made the case for the photograph as a work of art in this beautiful book.These four artists--a Swedish émigré with a mysterious past, a middle-aged Ceylonese expatriate, an Oxford academic and writer of fantasy literature, and a Scottish countess--formed the unlikeliest of schools. Both Carroll and Cameron studied under Rejlander briefly, and maintained a lasting association based around intersecting approaches to portraiture and narrative. Influenced by historical painting and working in close association with the Pre-Raphaelite Brotherhood, they formed a bridge between the art of the past and the art of the future.In her foreword to this volume, the Duchess of Cambridge writes: "photographs of children in particular, which feature predominately in the exhibition, are of real interest to me ... these photographs allow us to reflect on the importance of preserving and appreciating childhood while it lasts."

Between 1925 and 1938, photographer E O Hoppe traveled the length and breadth of Germany, recording people and places at one of the most tumultuous times in the countrys history. This publication uncovers Hoppe as a pivotal figure in the history of twentieth-century photography, who introduced the elements of typology, seriality and sequence.