Bøger af Pier Paolo Pasolini

Filmen er det mest substantielt tvetydige, man kan forestille sig. Af denne grund: Film er en uendelig sekvens, der udtrykker virkeligheden med virkeligheden. Der er altid foran enhver af os et muligt og virtuelt filmkamera, med uudtømmeligt chassis, som “filmer” vores liv, fra vi fødes, til vi dør. For hele vores FØRSTE OG RENE sprog er vores væren, virkelighed i virkeligheden.

"First published in Italian under the title Teorema by Garzanti Editore"--Title page verso.

"A daring novel, once widely censored, about the scrappy, harrowing, and inventive lives of Rome's unhoused youth by one of Italy's greatest film directors. Boys Alive, published in 1955, was Pier Paolo Pasolini's first novel and remains his best-known work of fiction. He'd moved to Rome a few years before, after finding himself embroiled in a provincial sex scandal, and the impact of the city on Pasolini-its lively, aggressive dialect, its postwar squalor and violence-was accompanied by a new awareness that for him respectability was no longer an option: "Like it or not, I was tarred with the brush of Rimbaud ... or even Oscar Wilde." Urgently looking for teaching work, walk-on parts in films, literary journalism, anything to achieve independence and security, he was drawn to other outcasts who cared nothing for bourgeois values, who lived intensely, carelessly, refusing to be hampered by scruple and convention. This was the context in which he began to work on a novel, and though socialism was the intellectual and artistic fashion of the day and Pasolini was a socialist, his book was completely free of any sentimental or patronizing concern for the plight of the underprivileged. Pasolini revels in the vitality of the squalor he so lavishly and energetically evokes. In Boys Alive, he devotes his native lyricism and vast literary resources to conjuring up an urban inferno as vast and hideous as it is colourful and dynamic. There is no grand plot, but Pasolini's narrative voice moves like a heat-seeking missile, infallibly locking onto situations of great intensity, conflict and comedy. Possessing nothing, his young characters fight to survive and to live. At all costs they must have fun; boredom is death. And if food and fun must be paid for, then money will be found: looting, hustling, scavenging, stealing. Once found it is immediately squandered on sharp clothes and shoes, drunk away, gambled away, or simply lost. Boasting and exhibitionism are the norm, and every boy aspires to be the toughest, the shrewdest, the most unscrupulous punk on the block. As each new episode begins-a warehouse heist, an evening's gambling, a search for sex-the reader can only tremble, waiting for disaster to strike. Everything is up in the air. Nothing is predictable. Tim Parks' new translation of Pasolini's early masterpiece brings out the salt and intelligence of this vital and never less than scandalous work of art"--

Written in response to producer Gastone Ferranti's request for his comments on a set of newsreel items, the poet would respond with a montage of his own. Via the unfolding of a chrysalis of images, in La rabbia (1963), Pasolini's lens pans over Soviet repression in Hungary; the Cuban revolution; (the utopian object of) space exploration; political imprisonment in Algeria; the liberation of the former European colonies; the election of Pope John xxiii; the prospect of revolution in Africa and the Middle East; in Europe and in Latin America... Here, we've a panoply of photorealist intimations. The death of Marilyn Monroe crests as an idea in this tidal pooling of reflections, as the poet's line lights out for conceptual rhymes and counterpoints. In Viti's translation, the weave of prose and poetry that forms La rabbia portrays the vitality of Pasolini's work in its capacity to speak to both the specifics of his contexts, the character of our own present tense, and the ironic fact of a life lived against the gulf of discontent in its myriad forms. Here, we've a startling confrontation of a revolutionary struggle in stasis set in lines that crystallise in a rallying call against blindness. Alongside a first, unabridged English language translation of Pasolini's 'Sequences,' the Tenement Press publication of La rabbia also includes an introduction by Roberto Chiesi (cultural director of the Centro Studi-Archivio Pier Paolo Pasolini, Cineteca di Bologna), and an afterword by storyteller, novelist, essayist, and screenwriter, John Berger.

First collection on filmmaker and poet Pasolini's passion for painting

The figure of Pier Paolo Pasolini (1922-1975) shines like lightning in a post-war European culture. A poet, essayist, and filmmaker, his freewheeling intellectual attitude allowed him to be a lucid, astute, and compassionate commentator on the Italy of his day. For Pasolini, poetry was not only the root and center of his creative project, but also an almost dizzying exercise in renewal and self-criticism.

"Sex, death, political passion, these are the simple objects to which I give my elegiac heart"Winner of the first Renato Poggioli/William Weaver Award of PEN American CenterPier Paolo Pasolini (1922-1975), who is best known in this country as an inspired filmmaker, was also the most outspoken and original Italian writer of his generation, the author of distinguished and controversial novels and plays, political and literary criticism, and, above all, poetry. His poems are widely considered the most important contribution to Italian literature since Montale and, along with the work of Brecht and Neruda, represent the most powerful political poetry of the century. This dual-language book presents his major poems as well as an autobiographical essay, which together make for an outstanding introduction to Pasolini's exceptional gifts as a poet.

Now in paperback, a collection of the legendary filmmaker''s short fiction and nonfiction from 1950 to 1966, in which we see the machinations of the creative mind in post-World War II Rome.In a portrait of the city at once poignant and intimate, we find artistic witness to the customs, dialect, squalor, and beauty of the ancient imperial capital that has succumbed to modern warfare, marginalization, and mass culture. The sketches portray the impoverished masses that Pasolini calls "the sub-proletariat," those who live under Third World conditions and for whom simple pleasures, such as a blue sweater in a storefront window, are completely out of reach. Pasolini''s art develops throughout the works collected here, from his early lyricism to tragicomic outlines for screenplays, and finally to the maturation of his Neo-realism in eight chronicles on the shantytowns of Rome. The pieces in this collection were all published in Italian journals and newspapers, and then later edited by Walter Siti in the original Italian edition.

The ';provocative' novel about hard-living teenagers in poverty-stricken postwar Rome, by the renowned Italian filmmaker (The New York Times). Set during the postWorld War II years in the Rome of the borgateoutlying neighborhoods beset by poverty and deprivationThe Street Kidstells the story of a group of adolescents belonging to the urban underclass. Living hand-to-mouth, Riccetto and his friends eke out an existence doing odd jobs, committing petty crimes, and prostituting themselves. Rooted in the neorealist movement of the 1950s,The Street Kidsis a tender, heart-rending tribute to an entire social class in danger of being forgotten. Heavily censored and criticized, lambasted by much of the general public upon its publication, The Street Kids nevertheless had a force and vitality that eventually led to its being considered a masterpiece. This new translation comes from Ann Goldstein, the acclaimed translator of Elena Ferrante's Neapolitan novels.

Most people outside Italy know Pier Paolo Pasolini for his films, many of which began as literary works - Arabian Nights, The Gospel According to Matthew, and The Canterbury Tales among them. The author presents poems from every period of Pasolini's poetic oeuvre. In doing so, he gives readers a more complete picture of the poet.

In Danger reveals the literary life of internationally renowned filmmaker Pier Paolo Pasolini.

Life on the outskirts of modern Rome, seen as an inferno.