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Cinema and science fiction were made for each other. The science fiction genre has produced some of the most extraordinary films ever made, yet science fiction cinema is about more than just special effects. This exploration of the genre examines landmark science fiction films from the 1930s onwards.
Presents a study of imperialism and cinema. This work maps the history of empire cinema in both Hollywood and Britain through case studies of popular films including biopics, adventures, literary adaptations, melodramas, comedies and documentaries, from the 1930s and "The Four Feathers" to the present, with "Indiana Jones" and "Three Kings".
British detective thrillers of the 1960s amused millions and are still shown internationally today. This book investigates these ironic, eccentric and knowingly stylish series and finds out in what way they represent the British idea of themselves.
Gives a picture of popular consensus between the government and the film industry over the cinematic representation of Britain and the British at war. It examines the role of the cinema as a vehicle of propaganda, and shows the relationship between the Ministry of Information and the film industry.
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