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In recent years critics of Romantic poetry have divided into two groups that have little to say to one another. This book attempts to reconcile the two groups by arguing that a poet's most effective political action is the forging of a new language, and that the political import of a poem is a function of its style.
In recent years critics of Romantic poetry have divided into two groups that have little to say to one another. This book attempts to reconcile the two groups by arguing that a poet's most effective political action is the forging of a new language, and that the political import of a poem is a function of its style.
Covering a wide range of authors, among them Carlyle, Tennyson, Browning, Clare, Mary Shelley and Disraeli, Cronin brings light and order to one of the murkiest quarters in recent British literary history.
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