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How should we raise our children in, and for, a world that is burning? Rachel Richardson's third collection, Smother, interrogates this impossible question. The poet, raising young daughters and grieving the death of a friend, documents a string of record-breaking fires across the California landscape and the rage, sorrow, and detachment that follow amidst the pervasive smoke. Environmental and physical predation-on the earth and on the female body-weave through the book in layers.But these are not poems of giving up. The poems in Smother gather accomplices in grief and mothering, seek out guides and girlfriends, remember the dead, keep watch at the firebreaks, and plant new trees on the burn scars. From lyric forms to moments of prose and documentary collage, these poems sing their song of resistance made from the music that is available to us now.
90% of people who experience sexual harassment in the workplace never report it. When community advocates and writers Rachel Richardson and Cami Roth Szirotnyak were sexually harassed by the same man, they devised a plan to take down their harasser. With the help of female advisors, mentors, and a small but incredibly mighty following of supporters, they brought public disgrace for their harasser as well as inspired his eventual resignation. On Drowning Rats: How Two Women Took Down Their Harasser and How You Can Too demystifies what to do when you're sexually harassed at work or in the boardroom. Rachel and Cami discuss the personal and professional struggles they dealt with coming forward, the challenging conversations they had with their peers and family members, and the inevitable scrutiny from a community eager to keep the status quo. They deliver levity and humor alongside a well of compassion and righteous anger as a way to connect to the generations of women and people impacted by all forms of harassment.
In Rachel Richardson's second collection of poems, she juxtaposes the grand quests of Ahab and Melville with the quotidian journeys of contemporary life. Hundred-Year Wave launches stories of marriage and motherhood over the currents of a nearly mythological ancestry: women and men who built their possessions out of iron and flour and whalebone and wool. If reaching back into the past is akin to plumbing a depth, then Richardson exhibits the rare abilities of craft to build, from our language, vessels light enough to travel on that element, but sturdy enough to weather the storms we are likely to find there.
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