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To be truly alive means having to make choices. To be truly alive is also, quite simply, to love.Northern Germany, 1945. Dead of night and dead of winter, a boy sees strangers - forced labourers - fleeing across the heathland: shawls and skirts in the snowfall. The end days are close, war brings risk and chance, and Benno is witness to something he barely understands.Later, when peace finally arrives in his small town, the adults close ranks, closing their mouths and minds to the winter's events. They all have their reasons. They all hope [the worst is over, and] that in any case the labour camp on the outskirts will surely be closed now. Benno swallows his secret [about the women workers], keeping it even from Freya, his schoolyard companion.But with peace come soldiers - English this time - and Red Cross staff officers. Ruth is on her first posting from London, arriving in the town only to uncover the camp and its remaining workers, abandoned there at war's end. She is given charge of them, and also the many new arrivals: more forced labourers from across the heathland and beyond, all with their own losses and stories, and all housed in a new camp on the site of the old. Among these refugees are children - Sasha and Yeva - waiting and waiting for word of their mother. Where could she be now?For Benno, too, questions are circling. Freya has heard whispers - about the camp and that snow night and the strangers - enough to be wondering about Benno and his silence. When is an act of kindness an act of betrayal?
1945. Dead of night and dead of winter; war brings a stranger to the door; a family is tricked into a act of compassion and danger.
Early on a gray November morning in 1941, a small Ukrainian town is overrun by the SS. Penned in with his fellow Jews, a father anxiously awaits word of his two sons, while a young woman, come to fetch her sweetheart away from the invaders, must confront new and harsh truths about those closest to her. At the same time, a German engineer, here to avoid a war he considers criminal, is faced with an even greater crime unfolding behind the lines and no one but himself to turn to. And in the midst of it all, a boy determined to survive must throw in his lot with strangers. As their stories weave together, each of these characters comes to know the compromises demanded by survival, the oppressive power of fear, and the possibility of courage in the face of terror.
The new novel from Rachel Seiffert, author of the Booker-shortlisted The Dark Room.
Stevie comes from a long line of people who have cut and run. Just like he has.Stevie's been to London, taught himself to get by, and now he's working as a labourer not so far from his childhood home in Glasgow. But he's not told his family - what's left of them - that he's back. Not yet.He's also not far from his Uncle Eric's house: another one who left - for love this time. Stevie's toughened himself up against that emotion. And as for his own mother, Lindsey ... well, she ran her whole life. From her father and Ireland, from her husband, and eventually from Stevie too.This is a powerful novel about the risk of love, and the madness and betrayals that can split a family. If you cut your ties, will you cut yourself adrift?Rachel Seiffert is an extraordinarily deft and humane writer who tells us the truth about love and about hope.
To love someone, need you know everything about them?When Alice and Joseph meet, they fall quickly into a tentative but serious relationship. When Alice's widowed grandfather begins to tell Joseph about his RAF experiences in 1950s Kenya, something still raw is tapped in Joseph;
The Dark Room tells the stories of three ordinary Germans: Helmut, a young photographer in Berlin in the 1930s who uses his craft to express his patriotic fervour; and, fifty years later, Micha, a young teacher obsessed with what his loving grandfather did in the war, struggling to deal with the past of his family and his country.
From the title piece, in which a young biologist conceals his discoveries at a polluted river from a local woman, to the family aided by an enemy in 'The Crossing', to the old man weighing his regrets in 'Francis John Jones, 1924. This title captures the lives of author's characters in their most essential, secret moments.
Hvad har det betydet at være tysker i det tyvende århundrede? Hvad har det betydet at være barn af tyske forældre; datter af forældre, der var medlem af nazistpartiet - eller barnebarn af en tysk soldat i Waffen SS?Mørkekammeret fortæller tre historier om almindelige borgere i det tyvende århundredes Tyskland: Helmut - en ung patriotisk fotograf i 1930'ernes Berlin; Lore - en tolvårig pige, der må rejse hele vejen fra München til Hamburg med sine mindre søskende efter at hendes nazi-forældre bliver taget til fange af de allierede styrker. Og, halvtreds år senere, læreren Micha, der er besat af at opklare, hvad hans bedstefar foretog sig som tysk soldat på Østfronten.Mørkekammeret er Rachel Seifferts debutroman - og den blev i 2001 shortlistet til den fornemme engelske litterære pris The Booker Prize."Jeg tøver ikke med at kalde Mørkekammeret en læseværdig debutroman".- Berlingske Tidende."En forbløffende kraftfuld debut af denne unge halvt tyske, halvt australske forfatter, som fortjener lovprisning og en overflod af litterære priser for en bemærkelsesværdig præstation... så uimodståelig og så sympatisk gjort... den må man ikke snyde sig selv for!"- The Daily Mail.
Historien om den unge kvinde Alices møde med den følelsesmæssigt forkrøblede Joseph, der har været udstationeret som soldat i Nordirland, er en fin hverdagsskildring af, hvordan krigen påvirker almindelige menneskers liv. En eviggyldig roman om, hvordan krigsdeltagelsen sætter sine spor hos de hjemvendte soldater og deres pårørende, som må leve med eftervirkningerne og de moralske spørgsmål i årtier, efter det sidste skud er affyret, og den sidste bombe er faldet.Rachel Seiffert debuterede på fornemste vis i 2001 med Mørkekammeret, der bestod af tre lange historier med 2. Verdenskrig som tema, og som blev shortlistet til den største engelske litteraturpris, The Man Booker Prize. Mørkekammeret sikrede også i 2003 Rachel Seiffert en plads på litteraturmagasinet Grantas prestigefyldte liste over de 20 mest lovende yngre britiske forfattere, en liste, der offentliggøres hvert tiende år og tidligere har talt navne som Ian McEwan, Lawrence Norfolk og Salman Rushdie.
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