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Mexican-American Raúl Sánchez raises his poetic voice in languages twice removed from the indigenous language of his ancestors, but with well more than double the fervor. Language is embodied in the essence of personal and political struggle, as evidenced in these lines from the poem "My Father Was a Bracero": "He didn't want me to live / by my strong back, strong arms / but by my words". This ardent inaugural collection by Sánchez is filled with poems of identity-cultural, familial and personal. All Our Brown-Skinned Angels is part civil protest, part personal celebration, completely impassioned.
This book develops a new theoretical approach to the study of writing by fusing key aspects of postmodern theory with the empirical sensibilities of composition studies and with that field's long-standing investment in writerly agency. Specifically, Inside the Subject describes the act of writing in terms of the event, a concept for mapping relations between the symbolic and the nonsymbolic. In addition, the book casts writers as both locations and catalysts for these relations. And finally, it develops a theory of identity to describe these relations, and these locations, in more detail than the field currently has at its disposal.
The purpose of this book is to illustrate the fundamental concepts of complexity and complex behavior and the best methods to characterize this behavior by means of their applications to some current research topics from within the fields of fusion, earth and solar plasmas.
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