Bøger af Raymond Williams

Taking inspiration from classic authors from Jane Austen to Thomas Hardy, Williams shines a light on our society's changing views of the rural and industrial landscapes in which we work and live. Our collective notion of the city and country is irresistibly powerful.

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A worker is killed in the striking coalfields of south Wales. Some months later a government minister suspected of being connected with the death is shot. Lewis Redfern, once a radical, now a political analyst and journalist, pursues the killer, a lonely hunt that leads him through a maze of government leaks and international politics to a secret organization: a source of insurrection far more powerful than anyone could have suspected. A compelling thriller, The Volunteers is also an engrossing reminder of the conflict between moral choice and political loyalty for through his obsessive pursuit of justice, Redfern finally encounters the truth about himself.

In a world where technology and games are more important than ever, a story of intrigue unfolds-a girl named Meekah Komori is diagnosed with a life-threatening cancer. Meekah's father stops at nothing to save his daughter, creating an unimaginable future. Setting in motion a fight for survival that concerns the whole human race. The breakthrough of quantum physics gives us endless possibilities how real will our technology become? Will videogames do more than create another escape for us? Will our lives depend on our technology and games in the end or will it all depend on one little girl that the society fears?

Acknowledged as perhaps the masterpiece of materialist criticism in the English language, this omnibus ranges over British literary history from George Eliot to George Orwell to inquire about the complex ways economic reality shapes the imagination.

A History of Colombian Literature explores the genealogy of Colombian literature from the colonial period to the present day.

A groundbreaking collection of 176 essays on the foundational words of society

As a brilliant survey of English literature in terms of changing attitudes towards country and city, Williams' highly-acclaimed study reveals the shifting images and associations between these two traditional poles of life throughout the major developmental periods of English culture.

A new and fully-updated centenary edition of Raymond Williams's seminal collection of essays on nationhood and cultural identity, Who Speaks for Wales?

Raymond Williams’s work was always concerned with the relation between culture and society. This book focuses on specific texts and authors, exploring the historical and cultural sources of their particular forms of writing. In it, Williams examines dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel; David Hume and Charles Dickens and the changing characteristics of English prose; Robert Tressell, The Ragged-Trousered Philanthropists, and the role of region and class in the English novel. Also included are Williams’s reflections on the rise of English studies, on their crisis as the literary traditions of Cambridge University were beset by the ‘structuralist controversy’, and on the wider implications of this redefinition of the critical field.

Acknowledged as a masterpiece of materialist criticism, this book delves into the complex ways economic reality shapes the imagination. Surveying two hundred years of history and English literature - from George Eliot to George Orwell - Williams provides insights into the social and economic forces that have shaped British culture and society.

This text offers debate on the origin and evolution of culture, it defines sociology of culture as a convergence of various fields and explores ways in which culture is socially mediated.

In this expertly crafted, richly detailed guide, Raymond Leslie Williams explores the cultural, political, and historical events that have shaped the Latin American and Caribbean novel since the end of World War II. In addition to works originally composed in English, Williams covers novels written in Spanish, Portuguese, French, Dutch, and Haitian Creole, and traces the profound influence of modernization, revolution, and democratization on the writing of this era.Beginning in 1945, Williams introduces major trends by region, including the Caribbean and U.S. Latino novel, the Mexican and Central American novel, the Andean novel, the Southern Cone novel, and the novel of Brazil. He discusses the rise of the modernist novel in the 1940s, led by Jorge Luis Borges's reaffirmation of the right of invention, and covers the advent of the postmodern generation of the 1990s in Brazil, the Generation of the "e;Crack"e; in Mexico, and the McOndo generation in other parts of Latin America. An alphabetical guide offers biographies of authors, coverage of major topics, and brief introductions to individual novels. It also addresses such areas as women's writing, Afro-Latin American writing, and magic realism. The guide's final section includes an annotated bibliography of introductory studies on the Latin American and Caribbean novel, national literary traditions, and the work of individual authors. From early attempts to synthesize postcolonial concerns with modernist aesthetics to the current focus on urban violence and globalization, The Columbia Guide to the Latin American Novel Since 1945 presents a comprehensive, accessible portrait of a thoroughly diverse and complex branch of world literature.

Raymond Williams made a central contribution to the intellectual culture of the Left in the English-speaking world. He was also one of the key figures in the foundation of cultural studies in Britain, which turned critical skills honed on textual analysis to the examination of structures and forms of resistance apparent in everyday life. Politics and Letters is a volume of interviews with Williams, conducted by New Left Review, designed to bring into clear focus the major theoretical and political issues posed by his work. Introduced by writer Geoff Dyer, Politics and Letters ranges across Williams's biographical development, the evolution of his cultural theory and literary criticism, his work on dramatic forms and his fiction, and an exploration of British and international politics.

The founding father of cultural theory posits a radical new direction for avant-garde art.

Modern Tragedy, first published in 1966, is a study of the ideas and ideologies which have influenced the production and analysis of tragedy. Williams sees tragedy both in terms of literary tradition and in relation to the tragedies of modern society, of revolution and disorder, and of individual experience.

This text was first published in 1974, long before the dawn of multi-channel TV, or the reality and celebrity shows that now pack the schedules. Yet Williams' analysis of television's history, its institutions, programmes and practices, and its future prospects, remains prescient.

Harry Price has worked for years as a railway signalman in the Welsh border village of Glynmawr. Now he has had a stroke, and his son, Matthew, a lecturer at Oxford, returns to the close-knit community that he left.As Harry lies in silent pain in his cramped bedroom, Matthew experiences the jarring familiarity of the childhood world which, alienated, he can no longer re-enter. Struggling with the unspoken tensions and losses that returning home has provoked, he recalls what has made him who he is. Upstairs his deeply thoughtful father recalls his own arrival in the village, the relationships between men during the General Strike, and the social and personal changes that followed, and he struggles to articulate all that has been left unsaid. A beautiful and moving portrait of the love between a father and son, and of the strength and resilience of a small community, Border Country is Raymond Williams finest novel.

Collected essays and talks from one of Britain's great thinkers, ranging across political and cultural theory Raymond Williams possessed unique authority as Britain's foremost cultural theorist and public intellectual. Informed by an unparalleled range of reference and the resources of deep personal experience, his life's work represents a patient, exemplary commitment to the building of a socialist future. This book brings together important early writings including ';Culture is Ordinary,' ';The British Left,' ';Welsh Culture' and ';Why Do I Demonstrate?' with major essays and talks of the last decade. It includes work on such central themes as the nature of a democratic culture, the value of community, Green socialism, the nuclear threat, and the relation between the state and the arts. Here too, collected for the first time, are the important later political essays which undertake a thorough revaluation of the principles fundamental to the idea of socialist democracy, and confirm Williams as a shrewd and imaginative political theorist. In a sober yet constructive assessment of the possibilities for socialist advance, Williamsin the face of much recent intellectual fashionpowerfully reasserts his lifelong commitment to ';making hope practical, rather than despair convincing.' This valuable collection confirms Raymond Williams as a thinker of rare versatility and one of the outstanding intellectuals of our century.