Bøger af Reed Martin

"In some ways, it's their funniest presentation yet… With a musical score that gives the script bite and zest, the three performers 'turn history inside out and upside down, cramming 1,000 facts into 90 minutes.' By the end they have given us a nonsensical but hilarious rendition of each major epoch."Andrew Warshaw, The Guardian "Singing that 'history ain't what it used to be' the three-person ensemble put a deranged spin on the events of the past 1,000 years… Mixing broad physical humor with sly satire, the three sang, disco-danced and adopted phony accents and even phonier facial hair to view the highlights (and low points) of history, from Leif Ericsson to the Y2K bug… The show was consistently hilarious."Donna Freedman, Anchorage Daily News "The show, overall, is a riot… Don't miss it. After all, a comedy this funny only comes along once or twice a millennium."Patrick Meighan, New Hampshire Telegraph "…combining smarty-pants irreverence with physical buffoonery and street-wise smarts … it touches greatness."Christopher Rawson, Pittsburgh Post-Gazette

In this merciless but affectionate satire, The Reduced Shakespeare company sets its comic sights on the lunacy of sports. The result is a tour-de-farce of vaudevillian physical comedy that will delight every non-sports fan in the family. "It's a deceptively exhaustive tour, its intellectual rigor leavened by silliness of the first degree." -Variety "A comical analysis of sports' childish side. [This] parody of E S P N's 'SportsCenter' ... is pitched directly and proudly at the juvenile in sports fans of all ages." -New York Times "A fast-moving and deeply funny farrago, a neo-vaudevillian sendup that manages to be both merciless and affectionate." -Boston Globe "Hysterical! [These] world champs of lampooning reduce sports to its hilarious basics." -San Jose Mercury News

Just when you thought it was safe to go back in the theater ... the Reduced Shakespeare Company boldly goes where few would dare - Tinseltown! America's "bad boys of abridgement" take on America's largest cultural and economic export (well, except for weapons) in this seriously silly show biz satire. Get your clapper boards ready as we rummage through the reels and flick through the films in this riotous carnival of the classics. Giving Hollywood more than just a nip and a tuck, they cut through the celluloid to condense the 186 greatest films in Hollywood's over 100-year history into a complete compilation of classic cinematic cliches - plus a few brand new cliches they just made up. "A hilarious and speedy take on Hollywood's highs and lows. I loved it! An instant classic!" -B B C "COMPLETELY HOLLYWOOD (ABRIDGED), is witty and wonderful, wowing audiences with its skillful skewering of American cinema." -Backstage "The abundant comedy springs as often from the visual as the verbal, spewing forth in a fusillade of playfully irreverent images and inventively juxtaposed ideas." -Pittsburgh Tribune-Review Critic's Choice! "A standing ovation ... Genuinely funny." -Benedict Nightingale, London Times "COMPLETELY HOLLYWOOD (ABRIDGED) has the kind of hallucinatory sideways comic logic that you find in, say, the films of the Marx Brothers or the early albums of the Firesign Theater." -KDHX Radio (St. Louis) "You'll nearly fall out of your theater seat laughing. Spectacularly high energy ... an absolute scream!" -The Arizona Republic

Did you know that most of the biggest indie filmmakers, screenwriters, and producers working today each made the same avoidable mistakes early on in their careers?The Reel Truth details the pitfalls, snares, and roadblocks that aspiring filmmakers encounter. Reed Martin interviewed more than one hundred luminaries from the independent film world to discuss the near misses that almost derailed their first and second films and identify the close shaves that could have cut their careers short. Other books may tell you the best way to make your independent film or online short, but no other book describes so candidly how to spot and avoid such issues and obstacles as equipment problems, shooting-day snafus, postproduction myths, theatrical distribution deal breakers, and dozens of other commonly made missteps, including the top fifty mistakes every filmmaker makes.From personal experience and his years as a freelance reporter covering independent film for USA Today and Filmmaker magazine, Martin uncovers the truth about the risks and potential rewards that go with chasing celluloid glory. Whether you're writing a screenplay, looking for financing, about to start shooting, or thinking about investing time and money (or someone else's money) in an independent film, The Reel Truth is a must-read.

"Critic's Pick! Fast and furious...fresh and funny...a great piece of political satire."Cincinnati City Beat "You knew they'd get this one right. THE COMPLETE HISTORY OF COMEDY (abridged) -is a madcap, breakneck-speed two hours. Audacious, often outrageous and bawdy, the frantic pacing of COMEDY reminds you of an old-time burlesque or vaudeville revue."Boston Stages "A wild, wild ride! It's funny. Really, really funny... And most of all, it's really, really smart." Cincinnati Enquirer "THE COMPLETE HISTORY OF COMEDY (abridged) is a master class in the art form."Broadway World