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The late poet Reginald Shepherd corresponded for two years before his death with nature writer Alan Contreras. Song After All offers a new window into Shepherd's thoughts on writing, music, love and, ultimately, dealing with cancer. Wry, funny, painful, illuminating and glorious, this unique compilation of 120 personal messages, plus blog posts, poetic commentary and essays is a moving and entertaining memorial. Also contains essays by Shepherd's partner Robert Philen and by Evan Eisenberg, and includes the complete text of Fernando Pessoa's poem Antinous, written in English in 1918 and rarely published in the U.S. All royalties from sales of this book benefit the Creative Writing program at the University of Oregon, where Shepherd was scheduled to speak shortly before he died.
An Introduction to the Life, Work, and "Difficulty" of Reginald Shepherd
A collection of essays which celebrate the liberatory and utopian possibilities that poetry's autonomy offers.
The fourth collection from this much-praised poet combines lyricism with experimentation, creating a unique synthesis of passion and linguistic exploration.
The poems of Shepherd's third book seek to redefine the meaning of mythology, from the ruined representatives of Greek divinity to the dazzling extravagances of predecessors like Hart Crane and Wallace Stevens.
Fata Morgana mingles personal experience, history, mythology, politics, and natural science to explore the relationships of conception and perception, the self finding its way through a physical and social world not of its own making, but changing the world by its presence.
It is the substance of creation, but always of impermanent things, whether heroes or Babylonian statues with feet of clay, or of things durable but fragile, such as the cuneiform tablets of 'A Parking Lot Just Outside the Ruins of Babylon.'"-Robert Philen, from the Foreword
'Angel, Interrupted is written on water. Fluid, bright, and moving, fully aware of the fleeting beauty of the things of this world, these poems catch the light between lyric and myth.'--Susan Stewart
This first collection of poems enacts the struggle of a young black gay man in his search for identity. Many voices haunt these poems: black and white, male and female, the oppressor's voice as well as the oppressed. The poet's aim, finally, is to rescue some portion of the drowned and the drowning.
Features a collection of critical essays that deals with the craft of poetry.
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