Bøger af Rene Girard

A revised and improved translation into Polish of a seminal monograph on the dramatic works of Shakespeare by René Girard, Professor Emeritus of French Literature at Stanford University. Anthropologist, literary critic, and originator of the mimetic theory, Prof. Girard is perhaps best known for his mimetic interpretation of the Gospels. Polskie tlumaczenie (wydanie drugie poprawone) jednej z najwazniejszych monografii poswieconych sztuce dramatycznej Szekspira, napisanej przez René Girarda, emerytowanego profesora literatury francuskiej na Uniwerystecie Stanforda, antropologa, krytyka literackiego, tworce teorii mimetycznej, najlepiej znanego ze swej mimetycznej interpretacji Ewangelii.

Le Départ de Jeanne d'Arc, drame historique en deux actes et en vers, précédé de sa biographie d'après des documents authentiques et du plan de ses ennemis jusqu'à nos jours, dédiés à la jeunesse française par R. G., ... (8 mai)Date de l'édition originale: 1879Le présent ouvrage s'inscrit dans une politique de conservation patrimoniale des ouvrages de la littérature Française mise en place avec la BNF. HACHETTE LIVRE et la BNF proposent ainsi un catalogue de titres indisponibles, la BNF ayant numérisé ces oeuvres et HACHETTE LIVRE les imprimant à la demande. Certains de ces ouvrages reflètent des courants de pensée caractéristiques de leur époque, mais qui seraient aujourd'hui jugés condamnables. Ils n'en appartiennent pas moins à l'histoire des idées en France et sont susceptibles de présenter un intérêt scientifique ou historique. Le sens de notre démarche éditoriale consiste ainsi à permettre l'accès à ces oeuvres sans pour autant que nous en cautionnions en aucune façon le contenu. Pour plus d'informations, rendez-vous sur www.hachettebnf.fr

French theorist René Girard was one of the major thinkers of the twentieth century. Read by international leaders, quoted by the French media, Girard influenced such writers as J.M. Coetzee and Milan Kundera. Dubbed "the new Darwin of the human sciences" and one of the most compelling thinkers of the age, Girard spent nearly four decades at Stanford exploring what it means to be human and making major contributions to philosophy, literary criticism, psychology and theology with his mimetic theory. This is the first collection of interviews with Girard, one that brings together discussions on Cervantes, Dostoevsky, and Proust alongside the causes of conflict and violence and the role of imitation in human behavior. Granting important insights into Girard's life and thought, these provocative and lively conversations underline Girard's place as leading public intellectual and profound theorist.

Evolution and Conversion explores the main tenets of René Girard's thought in a series of dialogues. Here, Girard reflects on the evolution of his thought and offers striking new insights on topics such as violence, religion, desire and literature. His long argument is a historical one in which the origin of culture and religion is reunited in the contemporary world by means of a reinterpretation of Christianity and an understanding of the intrinsically violent nature of human beings. He also offers provocative re-readings of Biblical and literary texts and responds to statements by Daniel Dennett and Richard Dawkins. Including an introduction by the authors, this is a revealing text by one of the most original thinkers of our time.

A new selection of foundational works from the influential philosopher who developed the theory of mimetic desireRené Girard eludes easy categories, bridging the fields of literary criticism, anthropology, sociology, history, religion and theology. Influencing such writers as J. M. Coetzee and Milan Kundera, his insight into contagious violence looks ever more prophetic and relevant seven years after his death. In many ways he is the thinker for our modern world of social media and herd behaviour.In this newly selected collection of writings, Cynthia L. Haven has created an approachable anthology of his work, addressing Girard's thoughts on the nature of desire, human imitation and rivalry, the causes of conflict and violence, the deep structure of religion and cultural subjects like opera and theatre.Girard spoke to his times in language that was engaging, accessible and often controversial. A long-time friend and colleague, Haven shines a spotlight on his role as a public intellectual and profound theorist, inviting a new generation to his corpus.

In a fascinating analysis of critical themes in Feodor Dostoevsky's work, Ren Girard explores the implications of the Russian author's "e;underground,"e; a site of isolation, alienation, and resentment. Brilliantly translated, this book is a testament to Girard's remarkable engagement with Dostoevsky's work, through which he discusses numerous aspects of the human condition, including desire, which Girard argues is "e;triangular"e; or "e;mimetic"e;-copied from models or mediators whose objects of desire become our own. Girard's interdisciplinary approach allows him to shed new light on religion, spirituality, and redemption in Dostoevsky's writing, culminating in a revelatory discussion of the author's spiritual understanding and personal integration. Resurrection is an essential and thought-provoking companion to Dostoevsky's Notes from the Underground.

Never before translated in English, this 1973 discussion between Rene Girard (1923-2015) and other prominent scholars represents one of the most significant breakthroughs in mimetic theory. The conversation was an opportunity for Girard to debate with his interlocutors the theories he expounded in Violence and the Sacred.

In Battling to the End Ren Girard engages Carl von Clausewitz (1780-1831), the Prussian military theoretician who wrote On War. Clausewitz, who has been critiqued by military strategists, political scientists, and philosophers, famously postulated that "e;War is the continuation of politics by other means."e; He also seemed to believe that governments could constrain war. Clausewitz, a firsthand witness to the Napoleonic Wars, understood the nature of modern warfare. Far from controlling violence, politics follows in war's wake: the means of war have become its ends. Ren Girard shows us a Clausewitz who is a fascinated witness of history's acceleration. Haunted by the French-German conflict, Clausewitz clarifies more than anyone else the development that would ravage Europe. Battling to the End pushes aside the taboo that prevents us from seeing that the apocalypse has begun. Human violence is escaping our control; today it threatens the entire planet.

What do we know about the Book of Job? Not very much. The hero complains endlessly. He has just lost his children all his livestock. He scratches his ulcers. The misfortunes of which he complains are all duly enumerated in the prologue. They are misfortunes brought on him by Satan with God's permission.We think we know, but are we sure? Not once in the Dialogues does Job mention either Satan or anything about his misdeeds. Could it be that they are too much on his mind for him to mention them?Possibly, yet Job mentions everything else, and does much more than mention. He dwells heavily on the cause of his misfortune, which is none of those mentioned in the prologue. The cause is not divine, satanic nor physical, but merely human.

This is the single fullest summation of the ideas of one of the most eminent and controversial cultural theorists of our time.

These hard-to-find writings afford an inside look at the emergence of Girard's scapegoat theory from his pioneering analysis of rivalry and desire. Girard unbinds the Oedipal triangle from its Freudian moorings, replacing desire for the mother with desire for anyone-or anything-a rival desires.

Mimesis and Theory brings together twenty previously uncollected essays on literature and literary theory by one of the most important thinkers of the past thirty years.

Presents in one volume, an anthology of seminal work of one of the twentieth century's most original thinkers.

The scapegoat becomes the Lamb of God; "the foolish genesis of blood-stained idols and the false gods of superstition, politics, and ideologiesare revealed.